Archive for the ‘Book Recommendations’ Category

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Book Recommendation: Happiness and Contemplation by Josef Pieper

August 20, 2010

You will want to buy this book. It will fit perfectly on any bookshelf and I can’t tell you how reaffirming it is to have a very thin volume devoted to Happiness…

“Happiness” Comprehends A Variety Of Meanings
There is nevertheless a fundamental significance, which should never be overlooked, in the very fact that a single word, “happiness,” comprehends such a variety of meanings: the immortal richness of divine life and man’s part in it, as well as the petty satisfaction of a fleeting desire. We venture to assert that this ambiguity reflects the structure of the whole of Creation. St. Thomas puts it this way: “As created good is a reflection of the uncreated good, so the attainment of a created good is a reflected beatitude.”
Now the “attainment of a created good” is  a thing that happens constantly, and in a thousand varied forms. It happens whenever a thirsty man drinks, whenever a questioner receives a flash of illumination, whenever lovers are together, whenever a task is brought to a successful conclusion and a plan bears fruit. And when men call all this “happiness,” they are close to the insight that each gratification points to the ultimate one, and that all happiness has some connection with eternal beatitude. Some connection, if only this: that every fulfillment this side of Heaven instantly reveals its inadequacy. It is immediately evident that such satisfactions are not enough; they are not what we have really sought; they cannot really satisfy us at all.
Andre Gide noted in his Journals  “The terrible thing is that we can never make ourselves drunk enough.”

“Contemplation Is Man’s Ultimate Happiness”
One might take the statement that contemplation is man’s ultimate happiness and say to oneself: “Very well, obviously this refers to the ‘happiness of the philosopher.’ Undeniably there does exist a happiness of knowledge and insight, just as there is happiness in action and ‘happiness of the senses.’ Certainly it can be maintained, with good reason, that the happiness of the perceptive mind surpasses all other forms of happiness in depth and value.”
All very well. Yet to interpret this sentence in this way, to put so special a construction on it, is to ignore its real meaning. For it says not a word about any special happiness that pertains only to the “philosopher.” The dictum speaks of the happiness of man in general, of the whole, physical, earthly, human man. And contemplation is not held up as one among other modes of happiness, even though an especially lofty one. Rather what is says is this: however the human craving for happiness may time and again be distracted by a thousand small gratifications, it remains directed unwaveringly toward one ultimate satisfaction which is in truth its aim. “Among a thousand twigs,” says Vergil in Dante’s universal poem, “one sweet fruit is sought.” The finding of this fruit, the ultimate gratification of human nature, the ultimate satiation of man’s deepest thirst, takes place in contemplation!

The Created Soul And Its Essence
The great teachers of the Occident have always contested (that nature and mind are exclusive concepts). They have steadfastly maintained that here is one being which is in a precise sense both mind and nature simultaneously. This being is the created human soul. “By nature” means : by virtue of creation. All being and activity is “by nature” which – from within the central core of things – flows directly out of the primal impulse of the act of creation, by which creatures have become what they are.
Part of the definition of the created soul, therefore, is that it has received its essence – and along with that its assignment in life – form elsewhere, ab alio, from the shaping and life-giving act of creation. It necessarily follows that in the center of the created soul something happens which is its own act, and therefore an act of mind, but simultaneously a natural process “by virtue of creation.” The desire for happiness is precisely this character; it is “willing by nature,” which is to say an act of the mind and a natural process at one and the same time.

Why Do You Want To Be Happy?
Those…who cannot accept the idea of a desire for happiness inherent in man’s composition; that idea appears to them a slur upon man’s autonomous spirit. Only if we understand man as a created being to the very depths of his spiritual existence can we meaningfully conceive that the will has not the power to not  want happiness. …First the natural desire springs from the innermost core of man’s being; it concerns man’s very own will, unrestricted by any coercion. Therefore it is free. …this desire points right through the human heart back to an ultimate origin which is not human.
Man has not by his own resolve set in motion his desire for happiness; it has not been given to him to desire otherwise. Therefore “freedom” is not the right term here…St. Thomas: The will strives in freedom for felicity, although it strives for it by necessity.” In desiring happiness, then, we are obeying a gravitational impulse whose axis is entirely within our own hearts. But we have no power over it – because we ourselves are this gravitational impulse. When we desire to be happy, something blind and obscure takes place within the mind, which nevertheless does not cease to be a light and seeing eye. Something happens “behind” which we cannot penetrate, whose reason we do not see, and for which we can name no reason. Why do you want to be happy? We do not ask because no one knows the answer.

Happiness Is A Gift
Because our turning toward happiness is a blind seeking we are, whenever happiness comes our way, the recipients of  something unforeseen, something unforeseeable, and therefore not subject to planning and intention. Happiness is essentially a gift; we’re not the forgers of our own felicity…Surely the “attainment of created good” can frequently be brought about by purposeful activity. By cleverness, energy, and diligence one can acquire a good many of the goods which are generally considered adjuncts of the happy life: food and drink house, garden, books, a rich and beautiful wife (perhaps). But we cannot make all these acquisitions, or even a single one of them, quench that thirst so mysterious to ourselves for what we call “happiness,” “reflected beatitude.” No one can obtain felicity by pursuit. This explains why one of the elements of being happy is the feeling that a debt of gratitude is owed, a debt impossible to pay. Now, we do not owe gratitude to ourselves. To be conscious of gratitude is to acknowledge a gift.

Stoic Self-Sufficiency As Happiness
Stoic self-sufficiency may still commando our respect and admiration. There is “greatness” in the unyielding resolve to desire only what is entirely ours, what we ourselves have acquired. As Seneca has expressed it, “The man is happy, we say, who knows no good that would be greater than that which he can give to himself.” Nevertheless the keener eye will not fail to observe behind all the brave banners and heroic symbols the profound non-humanity, the submerged anxiety, the senile rigidity, the tension of such an attitude. And our admiration becomes tinged with consternation and horror as it becomes apparent to us how closely such self-sufficiency verges on despair. “Suppose he lacks his miserable bread? What does that matter to one who lacks not the knowledge of how to go to his death?” (Seneca)

Happy By Virtue Of Being
When it is said that man by nature seeks happiness, the statement obviously implies that by nature he does not already possess it. “In the present life perfect happiness cannot be.” Man is not happy by virtue of his being. Rather his whole existence is determined precisely by the non-possession of ultimate gratification. That, after all, is the significance of the concept of status viatoris. To exist as man means to be “on the way” and therefore to be non-happy. …There is only one Being that is happy by His mere existence.  “To God alone may perfect beatitude be attributed, by virtue of His nature.”
The meaning of the statement is not solely that God is happy….He is his happiness…Any human being who is happy shares in a happiness that is not of himself. For God, however, being an being happy are one and the same; God is happy by virtue of His existence.

The Doctrine Of God’s Unassailable Happiness
“The beatitude of God consists not in the action by which He established the Creation but in the action by which He enjoys himself, needing not the Creation – creaturis non egens. (Aquinas). Belief that the world itself, its roots and the whole of it, is sound, plumb, and in order, could rest upon no firmer foundation than this doctrine of God’s unassailable happiness. If God were not happy, or if His happiness depended upon what happened in the human realm and not upon Himself alone, if His happiness were not beyond any conceivable possibility of disturbance; if there were not, in the Source of reality, this infinitely, inviolably sound Being – we would not be able even to conceive the idea of a possible healing of  the empirical wounds of Creation.
This is confirmed from another angle. The mind considering the course of the world, the mind seeking coherency and plunged more and more hopelessly into confusion by the incoherencies of the world, will in the end inevitably be tempted to  think (and this temptation comes precisely to the deepest and most consistent thinkers): God is not at one with Himself; God is not happy.
That confidence in the wholeness of being, on the other hand, which finds its ultimate support in the absolute happiness of God, is in no way an invalid simplification of historical reality. Rather, we may say that, far from simplifying things, it reveals them as enormously more complicated and tragic – since the incomprehensibility of evil in the world becomes fully apparent against the background of the indestructible happiness of God. Nevertheless, this belief means that as Paul Claudel has formulated it “The terrible words…. ‘In the end truth, perhaps, is sad.’ miss the underlying reality of the world; that, rather, “The great divine joy is the only reality.”

A Thirst For Happiness
Man as he is constituted, endowed as as he is with a thirst for happiness, cannot have his thirst quenched in the finite realm; and if he thinks or behaves as if that were possible, he is misunderstanding himself, he is acting contrary to his own nature. The whole world would not suffice this “natural” nature of man. If the whole world were given to him, he would have to say, and would say: It is too little. Too little, that is, to “gratify entirely the power of desire,” or in other words too little to make him happy….The long expected answer to (What would suffice this thirst of the whole human being?) is God….
(But) he interposes a concept (called) bonum universale. …Perhaps we may translate “the whole good” – goodness so very good that there is nothing in it which is not good, and nothing outside of it which could be good. Nothing than this bonum universale can quench completely and ultimately man’s deepest thirst… “The whole good cannot be found anywhere in the realm of created things; it is encountered in God alone.”

Joy And Happiness
Aquinas would say that Happiness without Joy is unthinkable; but joy and happiness are two different things. …Thomas takes it completely for granted that no full beatitude can be conceived without pleasure, gladness, enjoyment, rapture on the part of the physical, spiritual-sensual being which is man. How could the conceptions of physical well-being seriously be omitted by anyone who believes in the resurrection of the dead? …
We want to have reason for joy, for an unceasing joy that fills us utterly, sweeps us before it, exceeds all measure. This reason, if it exists, is anterior to joy, and is in itself something different from joy. “Joyousness” implies an “about something”; we cannot rejoice in the absolute; there is no joy for joy’s sake….Aquinas:  “Possession of the good is the causes of rejoicing.” This having and partaking of the good is primary; joy is secondary. Aquinas: “Therefore a person rejoices because he possesses a good appropriate to him – whether in reality, or in hope, or at least in memory. The appropriate good, however, if it is perfect, is precisely the man’s happiness…Thus it is evident that not even the joy which follows the possession of the perfect good is the essence of happiness itself…..All beings…desire joy for the sake of the good, and not the converse….Thus it follows that …every joy is consequent to a good and that there exists a joy consequent to that which is in itself the supreme good.”… The “supreme good” and its attainment – that is happiness. And joy is: response to happiness.

Our Participation In Happiness
What does indeed make us happy is the infinite and uncreated richness of God; but our participation in this, happiness itself, is entirely a “creatural” reality governed from within by our humanity; it is not something that descends overwhelmingly on us from outside. That is, it is not only something that happens to us; we are ourselves intensely active participants in our own happiness. …Happiness is an act and an activity of the soul. … But has it not been said that happiness is a gift? …(Aquinas’ reply:) If sight were given to a blind man, he would nevertheless see with his own sense of sight…Happiness is a form of acting which opens all the potentialities of man to fullest realization

An Activity Whose Effects Work Inward
Along with the doing of any work there is an effect which does emerge, but remains hidden within the doer himself, perhaps chiefly as a fruit of insight, as a verbum cordis. Perhaps this fruit can grow only in the course of a man’s dealing with the pliable or resistant matter of a garden, or potter’s clay, or marble; perhaps this is the only way in which it can grow And it may not be that in this processio ad intra in this inward fructation, lies the truly beatifying element which we rightly ascribe to all creative activity?
To repeat: the activity in which we receive the drink which is happiness is by its nature an activity whose effects work inward. This cannot be otherwise, for only in such activity does the acting person actualize himself. Action which reaches outward perfects thework rather than the person who acts. Under those circumstances what happens is that the perfection of the work “does not…include the creator; he is condemned to return to his  lesser ego.”

An Act Of The Intellect
“The essence of happiness consists in an act of the intellect.” …The fulfillment of the act takes place in the manner in which we become aware of reality; the whole energy of our being is ultimately directed toward attainment of insight. The perfectly happy person ….is one who sees…Man, physical, historical, “earthly” man, has a basic craving to see; strictly speaking he craves nothing else; …he lives purely as a see-er: in contemplation. ….Aquinas: “He is happy in that he has what he wants – which having, however, takes place by something other than an act of will.” …” “The happy life does not mean loving what we possess, but possessing what we love.” Possession of the beloved, Aquinas holds, takes place in an act of cognition, in seeing, in intuition, in contemplation. …Thomas is not alone is saying this. The same point is made by Augustine…
Old metaphysics was motivated chiefly by this one question: How is reality to be attained?…. Cognition is essentially seizure of the world, and grasping of reality.  To know is by the nature of knowing to have; there is no form of having in which the object is more intensely grasped…knowing is “the highest mode of having.”…
It is assimilation, the quite exact sense that the objective world, in so far as it is known, is incorporated into the very being of the knower. This indeed distinguishes cognitive from non-cognitive  being: the latter have nothing outside themselves, whereas the knower obtains a share in alien beings in that he knows them, that is to say, in that he takes them into himself and …possesses the “form:” of these alien beings. Material things have closed boundaries; they are not accessible, cannot be penetrated, by things outside themselves. But one’s existence as a spiritual being involves being and remaining oneself and at the same time admitting and transforming into oneself the reality of the world. No other material thing can be present in the space occupied by a house, a tree, or a fountain pen. But where there is mind, the totality of things has room; it is “possible that in a single being the comprehensiveness of the whole universe may dwell.” Aristotle: anima est quodammodo onmia, the soul is at the bottom all that is.” … “Eternal life is knowing Thee.” [John 17:3]

Love Is The Indispensable Premise Of Happiness
Happy is he who sees what he loves. It is only the presence of the thing or person loved that makes for happiness…without love there is no happiness…Love is the indispensable premise of happiness: …Love, then, is necessary for happiness; but it is not enough. Only the presence of what is loved makes us happy, and that presences is actualized by the power of cognition. …”Where love is, there is the eye.” …from the commentary Sentences written by a young Thomas Aquinas.
The meaning is that there are things which the lover alone observes; but above all, that the lover partakes of goods which are withheld from all others, which is to say that higher potentialities for happiness are open to him than to anyone else. Nevertheless, no matter what may be observable to his eye by virtue of love, the activity of the eye is still seeing and not loving…Contemplation is a knowing which is inspired by love….It is the living attainment of awareness. It is intuition of the beloved object.

Elements Of Contemplation
The first element of the concept of contemplation (is) the silent perception of reality. The second is the following: Contemplation is a form of knowing arrived at not by thinking but by seeing, intuition. ….it is a type of knowing which does not merely move toward its object, but already rests in it. The object is present – as a face or a landscape is present to the eye when the gaze “rests upon it.” In intuition there is no “future tension”, no desire directed toward the future, which desire corresponds with the nature of thinking. The person who knows by intuition has already found what the thinker is seeking; what he knows is present “before his eyes.”  This presence, however, this “spatial thereness,” may at any moment be converted into temporal “presence”, which is a tense-form of Eternity. …There inevitably intrudes into the midst of the peace of contemplation, the soundless call to another, infinitely profounder, incomprehensible, “eternal” peace. This is “the call to perfection of the imperfect, which call we name love.” (Aquinas)

Earthly Contemplation
Earthly contemplation …must be imagined as an inner gaze, undistracted by anything form the outside, but troubled within by the challenge to achieve a profounder but unattainable peace. It must be imagined as a satisfaction which desires nothing “else” and yet is not satisfied with itself because in its uttermost depths, yet insuperably remote, a still more complete satisfaction is sensed. This earthly existence can offer us an awareness of “the whole,” of the very essence of all that is “good” for us – a knowing of God, in other words which is the result neither of logical reasoning nor of simple faith. “Human happiness does not consist in the knowledge of God, which is to be had by logical demonstration.”….

Non-seeing “rather kindles the longing rather than gratifies it. The knowledge brought us by faith is knowledge of what is absent. Contemplation, however, including earthly contemplation, is able to quench man’s thirst more than anything else because it affords a direct perception of the presence of God; contemplation is the form in which we partake of the uttermost degree of happiness which this physical, historical existence of ours is capable of holding. “Imperfect beatitude, such as can be had here, consists primarily and principally in contemplation,” that is, in earthly contemplation. “As far as contemplation extends, so far does happiness extend.” …One corollary is that insightful knowledge, spiritual vision, intellectual intuition, is possible for man here on earth; that man’s method of grasping reality is not exclusively thinking, “mental labor…”  The epose of “simple intuition” does exist. This is by no means an incontrovertible assumption but to contest it is also to dismiss the idea of earthly contemplation…The inhumanity of totalitarian labor… based upon the fact… that man is considered as s “worker” even in his intellectual life; he is permitted spare time but no true repose.
Another premise is… we must in some manner be able to partake of the object of this act, the drink called happiness, which means that God is present in the world; He can appear “before the eyes” of one whose gaze is directed toward the depths of things…reality is a creation, and that consequently God is not “outside of the world,” not a Deus extramundanus, but the acting basis of everything that exists…For the Christian earthly contemplation means above all: that back of immediate phenomena, and within them, the Face of the incarnate Divine Logos is visible.

Contemplation Is Widespread
The common element in all the special forms of contemplation is the loving, yearning, affirming bent toward that happiness which is the same as God Himself, and which is the aim and purpose of all that happens in the world. The common element is an approach whose impetus bursts forth from the core of man’s being, feeds on the energy of man’s whole nature, and carries all the powers of that nature along in its dynamic movement. Within that common element the intrinsic force of the craving for happiness is united with the data of all the senses, with the play of the imagination, with the insights of reason, and with faith and the supernatural new life – both these last goods granted as free gifts. Without this love directed toward this object, the re is no true contemplation. Love alone makes it possible for contemplation to satiate the human heart with the experience of supreme happiness. ….
In contemplation, the multiple forces of human nature are always called upon, always at play, Who would wish to term “purely religious” the contemplation which underlies S. Francis of Assisi’s Song to the Sun, or the poems of St. John of the Cross? Nevertheless, it is true that such contemplation obviously has been kindled by meditation on the divine mysteries and by prayer….
The transfiguring experience of divine satiation can come to one in a host of ways. The most trivial of stimuli can bring one to this peak. And this being so, we are brought sharply to the arresting and indeed astounding realization – so opposed is it to everything we are in the habit of thinking about contemporary man – that contemplation is far more widespread among us today than appearances would indicate. The significant features of contemplation can be attained without anyone’s being conscious of it by that name. With this as a clue, more and more new forms of achieving contemplation manifest themselves.

Contemplation In The Precise Sense
Who among us has not looked into his child’s face, in the midst of the toils and troubles of everyday life, and at that moment “seen” that everything which is good, is loved and lovable, loved by God! Such certainties all mean, at bottom, one and the same thing: that the world is plumb and sound; that everything comes to its appointed goal; that in spite of all appearances, underlying all things is peace and salvation, Gloria; that nothing and no one is lost; that “God holds in his hand the beginning, middle, and end of all that is.” Such non-rational, intuitive certainties of the divine base of all that is can be vouchsafed to our gaze even when it is turned toward the most insignificant–looking things, if only it is a gaze inspired by love. That, in the precise sense, is contemplation. And we should have the courage to admit its identity.

The Soul Takes Precedence Over The Eye
The precision of these entries (in Gerald Manley Hopkin’s Journals) proves, among other things, how little contemplation need by-pass or blur the reality of the visible world by, say, premature “symbolization.” Rather, contemplation directs its gaze straight at the heart of objects. In so doing, it perceives in the depths a hitherto hidden, nonfinite relationship. And in that perception lies the peculiar essence of contemplation.

But what actually happens when the soul, as it were, takes precedence over the eye? No one has yet succeeded in providing an adequate descriptive account of that process…part of the nature of contemplation (is) that it cannot be communicated, It takes place in the innermost recesses. There is no observer. And it is impossible to “set it down” because no energy of the soul is left unengaged….

G.K. Chesterton, considering his life in retrospect, said that he had always had the almost mystical conviction of the miracle in all that exists, and of the rapture dwelling essentially within all experience. Within this statement lie three separate assertions: that everything holds and conceals at bottom a mark of its divine origin; that one who catches a glimpse of it “sees” that this and all things are “good” beyond all comprehension; and that, seeing this, he is happy. Here in sum is the whole doctrine of the contemplation of earthly creation.

The Active/Political/Practical Life
The active life contains a felicity of its own; it lies, says Aquinas, principally in the practice of prudence, in the perfect art of the conduct of life. But ultimate repose cannot be found in this kind of felicity …the ultimate meaning of the active life is to make possible the happiness of contemplation. …Aristotle: The whole of political life seems to be ordered with a view to attaining the happiness of contemplation. For peace, which is established and preserved by virtue of political activity, places man in a position to devote himself to contemplation of the truth.”….practical life if not only meaningful but indispensable; it rightly fills out man’s weekday life; that without it a truly human existence is inconceivable. Without it, indeed, the vita contemplativa is unthinkable…. “The truth is that as soon as we are no longer obliged to earn our living, we no longer know what to do with our life and recklessly squander it. (Andre Gide) “One thing is clear: when something is finished, it must be perfect –but what then?” (Gottfried Benn)

Common Features Of The Contemplative Man And The Happy Man
With great sureness of insight, the ancients have asserted that in the contemplative man may be found all the things which distinguish the happy man; and that ordinary speech attributes to both the same characteristics….
For example there is simplicitas, that simplicity peculiar to the gaze of contemplation. The whole energy of the seeing person gathers into a single look…. “Man’s happiness is based upon there being for him an indisputable truth.” (Nietzsche)  Here, in cognition, truth and happiness are conjoined under the aspect of simplicity. Disputation involves pros and cons, arguments and counterarguments, variety of points of view, yes and no. But an indisputable truth, not something that is merely not disputed out of mental sluggishness or doggedness, but a truth which is immune even to interior dispute – that is the simplicitas of possession. … (Aquinas:) man is not capable of an act continuing without interruption. But happiness is not happiness if it does not endure forever without loss; happiness demands eternity…
“There is always one thing which makes for happiness:…the capacity to feel unhistorically.” (Nietzsche)….the happy man needs nothing and no one…It was true of the Christian martyrs, of whom it is told that not even torture could tear them from the happiness of contemplation….Finally repose, leisure, peace, belong among the elements of happiness. If we have not escaped from harried rush, from mad pursuit, form unrest, from the necessity of care, we are not happy…Contemplation’s very premise is freedom from the fetters of workaday busyness. Moreover it itself actualizes this freedom by virtue of being intuition.

Concupiscence Of The Eyes
(Aristotle): “We prefer seeing to all else.”  If we did not already know that joy in seeing must be counted among the most elemental, irrepressible, coveted joys of mankind, we could deduce it from the everyday phenomenon of “concupiscence of the eyes.” the hypertrophy of visual curiosity, the morbidity of the contemporary craving to see. We can deduce from the extent of this degeneration which, it seems is imperiling specifically our most elemental and precious powers …” (Aquinas) This, incidentally, may suggest that the greatest menace of our capacity for contemplation is the incessant fabrication of tawdry empty stimuli which kill the receptivity of the soul….

All The Labor And History Of Man Crowned Only In Intuition
In his memoirs ..George Santayana relates how he used to accompany a friend versed in art through the great picture galleries of the world. And seeing his friend standing, completely absorbed and enraptured, in front of a masterpiece, he thought and says with great earnestness, and with the clear intent of stating a philosophical thesis: “My own load was lifted, and I saw how instrumental were all the labor and history of man, to be crowned, if crowned at all, only in intuition.

The World Unredeemable?
No one who thinks of the world as at bottom unredeemable can accept the idea that contemplation is the supreme happiness of man. Neither happiness nor contemplation is possible except on the basis of consent to the world as a whole. This consent has little to do with “optimism.”  It is consent that may be granted amid tears and the extremes of horror.

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Reading Doestoevsky’s The Idiot On A Metaphysical-Religious Level

August 10, 2010

 

Holbein's "Deposition of Christ"

Dostoevsky wrote The Idiot in 1867–1869, and today it is considered one of his greatest works, along with Notes from Underground (1864), Crime and Punishment (1866), The Possessed (1872), and The Brothers Karamazov (1880). In The Idiot Dostoevsky hoped to portray the ideal of a “positively beautiful individual,” a man who wishes to sacrifice himself for others. Prince Myshkin is a sort of Russian Christ who represents the values Dostoevsky deemed the highest and most noble: altruism, meekness, kindness, and brotherly love.

As Dostoevsky saw sexual passion as inherently selfish, it is not surprising that Prince Myshkin is a completely asexual character. Though he develops romantic feelings toward Aglaya, he subordinates them to a higher ideal of pity and compassion that he expresses in his relationship with Nastassya Filippovna. Facing the “dark world” of corruption and moral decay that he meets in society, he inevitably perishes.

On the metaphysical-religious level Prince Myshkin and Ippolit Terentyev are the main antagonists. Although Ippolit has no objective reason to hate Myshkin, he senses in him an ideological adversary: “I hate you all, every one of you ! — it’s you, Jesuitical, treacly soul, idiot, philanthropic millionaire; I hate you more than every one and everything in the world! I understood and hated you long ago, when first I heard of you: I hated you with all the hatred of my soul” (335/249). There is extrinsic evidence that Dostoevsky himself saw things in this way. “Ippolit is the main axis of the whole novel,” we read in his notebook (277). Kolya speaks of Ippolit’s “gigantic idea” without defining it. But the fact that Ippolit’s idea is apparently developed further and commented on by Kirillov in The Possessed allows us to identify the “gigantic idea” as the rejection of an absurd life. It is up to Myshkin to refute this idea.

In effect, Ippolit reverses what is known as the argument for the existence of God “from design”: the actual condition of the world is in his experience such that it makes faith in God impossible. The conflict between Myshkin’s faith and Ippolit’s revolt parallels the antinomy [vocab: a contradiction between two statements that seem equally reasonable] of Christ absolute spiritual significance and the particular facts of history, Christ’s promise of immortality and physical death continuing as ever before.

The repeated introduction of the theme of execution and Ippolit’s condition as a man doomed to death before he has started to live leads up to the scene in front of Holbein’s “Deposition of Christ,” a picture that could cause a man to lose his faith, as Myshkin observes. Ippolit, referring to the same picture, utters the ultimate challenge to faith:

The question instinctively arises: if death is so awful and the laws of nature so mighty, how can they be overcome? How can they be overcome when even He did not conquer them, He who vanquished nature in His lifetime, who exclaimed. “Maiden, arise!” and the maiden arose — ”Lazarus, come forth!” and the dead man came forth? Looking at such a, picture, one conceives of nature in the shape of an immense, merciless, dumb beast, or more correctly, much more correctly, speaking, though it sounds strange, in the form of a. huge machine of the most modern construction which, dull and insensible, has aimlessly clutched, crushed and swallowed up a great priceless Being, a Being worth all nature and its laws, worth the whole earth, which was created perhaps solely for the sake of the advent of that Being. (451/339)

The helplessness of mortal man facing inexorable nature causes Ippolit to draw some practical and hypothetical conclusions. He realizes that he could commit the most heinous crime with guaranteed impunity because his case would assuredly not come to trial: he would die before under the solicitous care of the authorities, who would be anxious to keep him alive for his trial. This conceit presages Ivan Karamazov’s maxim: “If there is no immortality, everything is lawful.” On the practical side, too, Ippolit realizes that every conceivable activity or plan he might consider is made senseless by his impending death.

Furthermore, Ippolit reaches the same conclusion as Kirillov does, with a more elaborate argumentation: choosing the time of his own death by committing suicide is the only way in which he can assert his independence from the dumb power of nature. Like his successor in The Possessed, Ippolit is loath to admit that his suicide will be an act of despair more than an act of revolt. Vladimir Solovyov, in his third “Discourse on Dostoevsky” (1883), made the point that any man who becomes aware of universal evil, as Ippolit does, but is unable to see also universal good — that is, God — is inevitably driven to suicide. Ippolit in fact perceives nature not only as indifferent but also as malevolent, cruel, and mocking. At the same time, he is unaware of any beneficent saving principle.

Like Ivan Karamazov, Ippolit does not explicitly deny the existence of God but resolutely rejects His world: “So be it! I shall die looking straight at the source of power and life; I do not want this life! If I’d had the power not to be born, I would certainly not have accepted existence upon conditions that are such a mockery” (457/344). Yet at the same time Ippolit — again like his successors Kirillov and Ivan Karamazov — loves life and asks why he must be so alienated from it: “What is there for me in this beauty when, every minute, every second I am obliged, forced, to recognize that even the tiny fly, buzzing in the sunlight beside me, has its share in the banquet and the chorus, knows its place, loves it and is happy; and I alone am an outcast” (45 5/ 343). Myshkin, a few pages later, echoes Ippolit’s sentiment (466/352).26 The theme of man’s discord with God’s world is made explicitly anti-Christian as Ippolit sarcastically rejects the Prince’s “Christian arguments, at the happy thought that it is in fact better to die” (455/342).

Ippolit himself suggests an escape from this situation: perhaps man or, rather, man’s conscious mind does not understand the world correctly and human alienation from the cosmos is due to a misunderstanding of some divine truth. It is up to Prince Myshkin to resolve this misunderstanding, although Ippolit has unwittingly found the resolution himself when he quits staring at Meyer’s wall (the wall is a symbol of the cul-desac into which reason takes man even in Notes from Underground) and becomes involved in the fate of another human being, the unfortunate young doctor who gets another chance at life through his efforts.

Myshkin, who is specifically identified as a self-proclaimed Christian believer (423/3 17), presents the alternative to Ippolit’s self-conscious solipsism: personal experience of a reality that transcends individuality. Vladimir So1ovyos who was the first to translate Dostoevsky’s fiction into the language of academic philosophy, said, “Nature, separated from the Divine Spirit, appears to be a dead and senseless mechanism without cause or goal — and on the other hand, God, separated from man and nature, outside His positive revelation, is for us either an empty abstraction or an all consuming indifference.” Dostoevsky set himself the task to realize this “positive revelation” in a fictional character. Prince Myshkin’s role as a symbol of man’s salvation is enhanced by many significant details that make him a Christ figure.

Extrinsic evidence (Dostoevsky’s notebooks and correspondence) suggests that in Prince Myshkin Dostoevsky wanted to create an absolutely beautiful character, though fully aware of the insurmountable difficulty of this task. Mochulsky suggested that Dostoevsky’s artistic tact caused him to halt “before the immensity of this task” and made him reduce the Prince to something closer to ordinary human stature. Rut we know that Dostoevsky never relinquished his plan to write “a book about Jesus Christ.”

An entry to this effect is found in one of his last notebooks. In surveying world literature, Dostoevsky came to the conclusion that Christ was the only character in all literature to answer the definition of an “absolutely beautiful character” and that the closest approximation to it was Don Quixote, a wise madman and ridiculous to boot. Accordingly, Myshkin was made not only a Christ figure but a quixotic figure as well, with Don Quixote a notable and explicit presence in the text. The fact that Myshkin is explicitly presented as a Christ figure makes the observation, appealing in itself, that Myshkin’s story is a version of the Dionysian myth somewhat redundant. The notion that Jesus Christ was yet another hypostasis of “the. suffering god” was around before Nietzsche popularized it.

Prince Myshkin returns to his native Russia from the mountains of Switzerland and returns there at the end of the novel. An innocent idealist, he enters a cruel, greedy, mercenary, decadent, but functioning society that refuses to appreciate his virtues. Kjetsaa has suggested that the ‘Johannine principle of the word made flesh and entering the world was the idea. that guided Dostoevsky in creating this character. Prince Myshkin is of ancient noble lineage but impoverished and a recipient of charity until informed that he has come into a large inheritance, which he claims on his return to Russia.

His physical appearance reminds one of an icon qf a Russian saint, and he has some pronounced monkish traits tie is a virgin at twenty-six, painfully chaste, has a love for medieval manuscripts and calligraphy, even wears a cloak that resembles a monk’s cassock and cowl He has a saint’s humility, an unconditional willingness to forgive any., wrong, and ‘refuses to be provoked to anger. by violence.’ When Ganya slaps his face he responds by saying, “Oh, how ashamed you will be of what you’ve done” (142/99)

Rogozhin calls him “such a sheep,” and he is called an “idiot” by various parties throughout the novel, although he is during the whole action of the novel obviously quite sane. His “terrible power of humility” (an idea of Myshkin’s, echoed by Ippolit) is that of the kenotic3’ Christ of the Eastern church, Christ who has divested Himself of all His glory and may appear in the hypostasis of a humble beggar.

Myshkin has other Christ-like traits. He is pure, in mind and a virgin He is attracted to children (90/57—58) He pities Marie, a “fallen woman,” and meets with the hostility of self-righteous local authorities, the pastor and the schoolmaster. The many blatant biblical echoes in the tale of Marie (the parable of the prodigal son, the washing of feet, the Mary Magdalene theme) enhance Myshkin’s Christ-like image. He seems clairvoyant, though his penetrating understanding of people is psychologically motivated by the genuine interest he takes in people and by his willingness to see things from their viewpoint (for example, 23 8/172 and 469/354). He inwardly relives not only all the terrible suffering that is part of the human condition, but also the evil and murderous passions that cause it. He knows very well how Rogozhin feels. Aglaya at one point says that though he is sometimes “sick in his mind,” he has more wisdom than all other people and that of all the people she knows only her mother has some of that wisdom (471-72/356).

Before the tragic plot comes to a head, Myshkin for a moment considers to escape it all, perhaps to return to Switzerland, but then decides that this would be cowardly and that he will have to enter this world and meet the challenge that it offers him (344/256). This suggests that Myshkin, like Jesus Christ, has a mission

In spite of all his moral qualities, Prince Myshkin is an apparent failure. He returns to the mental asylum he came from without having significantly affected the lives of most people he met. They “go on living as before and have changed but little” (668/508). A notebook entry confirms this but adds, “But wherever he did touch someone, he left an indelible trace everywhere” (242). The Prince may be held responsible for Nastasya Filippovna’s tragic and Aglaya’s disappointing fates.

There are critics who understand the allegoric message of The Idiot to be a negative one. Murray Krieger properly entitled his interpretation “The Curse of Saintliness.” Some other critics have suggested that although Dostoevsky’s original intent was to present a positive alternative to Ippolit’s pessimistic existential philosophy, the integrity of his creative imagination forced him to let Myshkin, Ippolit’s ideological antagonist, fail dismally. These critics do  consider the fact that Jesus Christ was in their terms a failure: people went on living as before and changed but little even after He departed this world. Some of the most beloved saints of the Russian church were not successful prelates but humble martyrs or “fools in Christ.” Myshkin’s response to Ippolit’s challenge has to be found in something other than the plot of the novel.

Edward Wasiolek, in his book Dostoevsky: The Major Fiction (1964), put it this way; “The..Prince is a success because for a moment he is able to kindle the faith in others of a truer image of themselves; for a few minutes he is able to quiet, by his own suffering, the rage of insult upon insult.” This moves success from the level of action and good deeds to the level of attitudes of the human soul. Kjetsaa, among others, has pointed out that it is precisely this idea that answers the question as to the novel’s religious message. He suggests that in the context of Dostoevsky’s Russian Orthodox faith the attitude of a man’s heart, his responsiveness to God’s grace, the degree of his spirituality, rather than his moral accomplishments, are the measure of a Christian’s progress.

In a conversation with Rogozhin in chapter 4 of part 2, Myshkin brings up this topic. He tells of a murderer who begs God for mercy even as he cuts his victim’s throat and of a young mother who crosses herself as she sees the first smile on her baby’s face, then observes that “religious feeling does not come under any sort of reasoning or atheism, and has nothing to do with any crimes or misdemeanors” (252-53/183-84). Dostoevsky’s works have a pattern of tolerance of sins of commission. His drunks, thieves, frauds, and even murderers are often treated with sympathy. They also have a pattern of stern judgment of sins of omission — that is, a lack of compassion, kindness, and forgiveness.

With his own example and with those that he reports, Prince Myshkin acknowledges the irresoluble antinomy between the Orthodox Christian’s position and that of the unbeliever. Michael Holquist has defined this antinomy in terms of two aspects of time: chronos and /kairos. There is unstoppable, irretrievable, entropic chronos: Nastasya Filippovna cannot retrieve her innocence, Myshkin cannot stop the unfolding catastrophe, Rogozhin cannot escape his fate. Christ died on the cross, a son of man, nor did He stop the course of history..

This is the only kind of time the unbeliever Ippolit knows, time as man’s enemy, time the destroyer and the bringer of death. But there is also kairos: the good time, the right time, the moment of epiphany, the moment when chronos comes to a stop, all of which Ippolit mockingly rejects (425/318). It is here that Myshkin’s epilepsy acquires a symbolic meaning. He is subject to the course of time in a real world (only Christ is beyond time), but during the moment of ecstasy before a fit time does have a stop (258/188). The experience described by Myshkin is real and not to be confused with “abnormal and unreal visions” triggered by opium, hashish, or wine; it is in fact an experience of reality quintessentially compressed.

Early on in the novel, Myshkin expresses his intuitive awareness of a reality other than that of mundane experience: “I kept fancying that if I walked straight on, far, far away and reached that line where sky and earth meet, there I should find the key to the mystery, there I should see a new life a thousand times richer and more turbulent than ours” (82/51).

Myshkin’s function on the religious-metaphysical level of the novel is “not to alter the course of the action but to disseminate the aura of a new state of being.” This “state of being” is one of communion and unity with the all, with God, and hence with nature and humanity. Somewhat surprisingly the explicit statement to this effect is made by Ippolit and not by Prince Myshkin: “In scattering the seed, scattering your ‘charity,’ your kind deeds, you are giving away, in one form or another, part of your personality, and taking into yourself part of another; you are in mutual communion with one another… All your thoughts, all the seeds scattered by you, perhaps forgotten by you, will grow up and take form” (447/336).

This “state of being” means overcoming the separation from God, nature, and humanity that comes in the wake of human individuation and surrender to hostile chronos. This victory over human alienation is easier for the Orthodox Christian, since Orthodox Christianity, taking a less extreme view of the effect of original sin than the Western church, perceives man as inherently divine as well as earthly, while Western Christendom stresses man’s sinful earthly nature. To Dostoevsky, at Orthodox Christian, moments in which man’s divine nature allows him to commune with God and His cosmos are a part of reality

Ippolit, an unbeliever and a self-centered, alienated individual looking for the absolute but finds none because he looks for it for and within himself. Myshkin, a believer, gratefully accepts what God, nature, and men bring him because he has overcome his sense of separateness. At one point Prince S. suggests that Myshkin believes in finding paradise on earth (380/ 282). However, in several passages in the novel we learn that Myshkin at one time suffered precisely from a sense of separateness and alienation: “What affected me most was that everything was strange [chuzhoe, which is perhaps better translated by “alien”]; I realized that. I was crushed by the strangeness of it. I was finally roused from this gloomy state, I remember, one evening on reaching Switzerland at Bâle, and I was roused by the bray of an ass in the marketplace” (78-79/ 48).

Later in the novel, Myshkin remembers how he had “stretched out his hand to that bright, infinite blue, and had shed tears” because “he was utterly outside all this” (466/351). However, Myshkin’s alienation is different from Ippolit’s. It is not alienation through individuation, the inevitable result of human free will and a condition that follows the fall from grace, but rather the pristine condition of a soul that is awakening to a consciousness of self, of its freedom, and of God.

The allegoric role of Nastasya Filippovna is announced early in the novel. As Myshkin is left alone with her photograph, he raises it to his lips and kisses it (104/68). Adelaida, on seeing it, says: “With beauty like that one might turn the world upside down” (105/69). Nastasya Fi1ippovna is no ordinary beauty. (Adelaida, it must be noted, is herself an exceptionally handsome woman.) Nastasya Filippovna’s is a beauty illuminated by an aura of the ideal. Mochulsky, who on the empirical plane describes Nastasya Filippovna as a “proud beauty” and “wronged heart,” projects her on the metaphysical plane as “a symbol of beauty,” seduced and degraded by “the prince of this world.”

Myshkin immediately recognizes in her divine Psyche, an emanation of the world soul. In a somewhat less fanciful way, one may see Nastasya Filippovna as a symbol of pure beauty cast into a world that is incapable of appreciating beauty. Totsky, Ganya, Epanchin, and Rogozhin, each in his own way, futilely seek to possess her. Totsky, who fancies himself an aesthete, is really a common lecher, who reduces the radiant beauty of an innocent maiden to the glamor of a demimondaine.

Rogozhin, obsessed with the urge to possess her, does not realize that he is pursuing beauty, an ideal entity, which must inevitably elude his violent carnal passion. Nastasya Filippovna tells him that his passion for her is no different from his father’s obsession with the accumulation of money, also a futile pursuit of a forever elusive goal. Rogozhin, wiser than his father, kills her. Only Myshkin can perceive the ideal of pure beauty in her. Myshkin, who says that “beauty will save the world,” cannot save Nastasya Filippovna. The very context (423/317) suggests that he was wrong. This agrees with the message of The Brothers Karamazov, where Dimitry Karamazov, a believer in the power of beauty, learns that it is not beauty that saves the world, but faith.

Nastasya Filippovna’s beauty suffers the same fate as Prince Myshkin’s saintliness. In mundane, temporal terms, it does not save anyone. It does turn the world upside down, and it causes Nastasya Filippovna and all the men around her nothing but grief. But as a vision, as the symbo1of an ideal, it is an immediate revelation of the divine. Again, this makes more sense in an Orthodox Christian context than it does in a secular context.

The Orthodox belief that ideally the human face has retained the divine features of God’s face, a belief on which the worship of icons is based, makes Prince Myshkin’s reaction to Nastasya Filippovna’s portrait more understandable.

The irresoluble contradiction between two opposing principles is underlined by recurrent bursts of strident dissonance, scandal, and violence that disturb the otherwise placid world of middle-class St. Petersburg. Prince Myshkin’s appearance coincides with an eruption of disorder, discord, and ultimately misery and death in the world he has entered. This is allegorically significant. The temporal world to which Christ descended was one of discord and violence. The disharmonious world of The Idiot falls in line with the orientation of modern religious novels by Graham Greene, François Mauriac, Heinrich Boll, Anthony Burgess, and others.

The conjuring of scandals is one of Dostoevsky’s great specialties, and The Idiot features a long line of them. The Prince is a party to a series of scandalous scenes. Varya spits in her brother’s face, who tries to attack her, is stopped by the Prince, and slaps the Prince’s face (142/99). Rogozhin’s drunken crowd crashes the genteel gathering at Nastasya Filippovna’s, and a climactic scandalous scene ensues (184/131-32). Nastasya Filippovna disrupts a gathering that has already seen much unpleasantness by announcing that Rogozhin has bought up Evgeny Pavlovich’s IOUs (337/251). A bit later there comes the horsewhipping scene (391/291).

The scene between Aglaya and Nastasya Filippovna ends in another scandal. Finally, Nastasya Filippovna runs away from her wedding. Myshkin is unable to prevent any of these scandals. Yet his reaction is in each case that of a Christian, not to say that of a Christ figure. The allegoric message of this is that religious feeling “has nothing to do with crimes and misdemeanors” or, more specifically, that the essence of religion does not lie in the successful prevention or curtailment of scandalous behavior, impropriety, violence, or crime but in a willingness to meet these acts with forebearance, kindness, and courage.

The same applies to a series of executions that appear in the text in one form or another throughout the novel. They are another symbol of the jarring dissonance between the principles of chronos and kairos. Myshkin brings up this theme twice at the very outset of the novel and immediately establishes the cruel paradox it entails:

The uncertainty and feeling of aversion for that new thing which would be and was just coming was awful. But he said that nothing was so dreadful at that time as the continual thought, “What if I were not to die! What if I could go back to life — what eternity! And it would all be mine! I would turn every minute into an age; I would lose nothing, I would count every minute as it passed, I would not waste one!” He said that this idea turned to such a fury at last that he longed to be shot quickly. (83-84/52)

The point of this is, of course, that the condemned man will, if his life will be indeed spared, go back on his promise to live a life beyond the tyranny of chronos. He will not “turn every minute into an age” but will waste it, as most men do most of the time.

Subsequently several further executions are brought up. The Countess Du Barry pleads with her executioner for another moment of life (227/164). The boyar [vocab: A member of a class of higher Russian nobility that until the time of Peter I headed the civil and military administration of the country] Stephan Glebov, impaled under Peter the Great, Chancellor Osterman, who went through a mock execution (571-72/432-33), and finally Thomas More (580/440) are brought up to illustrate the idea that in earlier days men were “of one idea” and therefore capable of making death a meaningful part of their existence, while “modern men are broader-minded — and I swear that this prevents their being so all-of-a-piece as they were in those days” (572/433).

We also hear that the Prince is “collecting facts relating to capital punishment” (426/319). There is also the description of Holbein’s “Deposition of Christ,” Ippotit’s “Essential Explanation,” and the death of Nastasya Filippovna under Rogozhin’s knife. In all of these instances Prince Myshkin is more than a passive observer. Rather, he vicariously experiences each death as though it were his own, each execution as though he were the victim — and the executioner. This powerful assertion of dissonance, discord, and death is deeply meaningful, because it does not disturb the Prince faith or his serene acceptance of the world as it is.

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William F. Buckley Jr. Patron Saint of the Conservatives – John B. Judis

July 26, 2010

William F. Buckley Jr. marshaled polysyllabic exuberance, famously arched eyebrows and a refined, perspicacious mind to elevate conservatism to the center of American political discourse.

Let me indulge some nostalgia here: I am a child of the sixties and grew up with William F. Buckley.  I thought he was the funniest thing on TV and like many others had a bowl of popcorn and a dictionary handy when Firing Line came on. No one has ever replaced him for me. The only one the least comparable with WFB (in terms of vocabulary and scholarship) is David Hart, but he’s not a media figure and not political.  A month or so ago I was haunting the library when I saw Judis’ biography of WFB and picked it up.  All the old stories were in there and it was a great memory lane read. Anyways, here are some anecdotes that capture some of Buckley… I do miss him.

The Army Influence
When Bill entered the Army, he was an obnoxious brat incapable of forming friendships except with a select few whose background, beliefs, and intelligence he approved of. When he left the Army two years later, he had learned a certain humility and had become capable of appreciating people who didn’t share his background and beliefs. He explained what he had learned in the Army in a long letter to his father:

I don’t know whether you were aware of this while I was in Millbrook, but I was not very popular with boys. After a good deal of self-analysis, I determined that the principal reason for this revolved around my extreme dogmatism — particularly in matters concerning politics and the Catholic Church. I could not understand another point of view; it seemed to me that anyone who was not an isolationist or a Catholic was simply stupid. Instead of keeping these sentiments to myself, I blurted them out and supported them upon the slightest provocation. I was intolerant about all kinds of things. I would not sit in on sex conversations or trivial gossip because I considered them wrong. Because I was intellectually able to support most of my arguments, my opponents would normally lose out in any discussion. The result of this was that my company was very little sought for except by a few close friends.

When I went to the Army, I learned the importance of tolerance, and the importance of a sense of proportion about all matters — even in regard to religion, morality etc. Some friends I made whom I really prized were atheistic, and even immoral. But I learned. nevertheless, that regardless of the individual’s dogmas, the most important thing as far as I was concerned was the personality: would his friendship broaden your horizon or provide you with intellectual entertainment? I found that there were actually very few prerequisites to, the good friend: he had to have a good sense of humor, a pleasant personality and a certain number of common interests.

Bill had not abandoned his political or religious convictions, nor the sense that he had a mission to defend these beliefs in a world that was hostile to them. But in the Army, he had learned to distinguish the rules of personal friendship from those of political combat.

 Publisher’s Statement in National Review’s First Issue
Buckley saw conservatism as a radical and dissenting philosphy. He made the point in a “Publisher’s Statement” that he wrote for the first issue:

Let’s face it: Unlike Vienna, it seems altogether possible that did National Review not exist, no one would have invented it. The launching of a conservative weekly in a country widely assumed to be a bastion of conservatism at first glance looks like a work of supererogation, rather like publishing a royalist weekly within the walls of Buckingham Palace. It is not that, of course: if National Review is superfluous, it is so for very different reasons: It stands athwart history, yelling Stop, at a time when no one is inclined to do so, or to have much patience with those who do.

Winter Vacations in Switzerland
Buckley spent most of his evenings at dinner parties. According to Kenner, the most memorable was an evening that he and the Buckley’s spent with Charlie and Oona Chaplin, who lived in Monteux. The dinner party at a restaurant in Vevey had been arranged by Buckley’s friend James Mason, who was also there. Chaplin was preoccupied with the assassination of President Kennedy, which had occurred three months earlier, and he suggested to his guests that it had been a plot by the CIA or Texas John Birchers.

“I don’t trust the FBI. Do you, Mr. Buckley?” Chaplin asked.

“No,” Buckley replied. “After all, they let you get out of the country without paying your income tax.”

Pat kept kicking Bill under the table, but Chaplin himself was amused by Buckley. “Bill was being masterfully skeptical,” Kenner recalled. “He was dissenting quite principally from the things that Chaplin was saying without offending him in any way.” Later, Oona Chaplin told Pat, “Mrs. Buckley, you mustn’t mind. Don’t kick your husband. I’ve been kicking mine for thirty years, and it simply doesn’t work.”

Lessons from Whittaker Chambers and James Burnham
Drawing from the theme of the unfinished Revolt Against the Masses, he declared that “there is growing in America a spirit of resistance to the Twentieth Century. . . . In America we are dragging our feet; kicking, complaining; hugging on to our ancient moorings.” But the revolt against the twentieth century was by no means complete, and if conservatives attempted to hurry it beyond its accepted pace, they might risk sidetracking it. Buckley put into his words what he had learned from Chambers and Burnham and what had been reinforced by the Goldwater experience:

A conservative is concerned simultaneously with two things, the first being the shape of the visionary or paradigmatic society towards which we should labor; the second, the speed with which it is thinkable to advance towards that ideal society and the foreknowledge that any advance upon it is necessarily asymptotic; not, at least, until the successful completion of the Society for the Abolition of Original Sin. How this movement, considering the contrary tug of history, has got as far as it has got, is something that surpasses the understanding of natural pessimists like myself. Even so, I am guilty of yielding, from time to time, to the temptation to overstress the ideal, often at moments when the prudential should weigh most heavily. I urge you to join with me in trying to resist that temptation.

These two insights — that conservatism, even on the eve of Goldwater’s humiliation, was on the rise, but that conservative politics, to succeed, must mediate between the ideal and the prudential — would inform Buckley’s politics over the next decades and, through his writings, would influence a great many conservative politicians. Buckley’s speech to the New York Conservatives marked his final break with his own radical and pessimistic past.

The Mayoralty Campaign, City of New York 1965
REPORTER:          What would you do if you were elected?
BUCKLEY:            Demand a recount.

Buckley refused to display what he later called “the usual neurotic confidence of all political candidates.” But he also feared that, come November, he might not only lose, but lose big. “I felt no confidence, other than in the cogency of my views, and would have found it personally and professionally embarrassing to go about town speaking nonsense about my own expectations,” he wrote later.

In reporting his announcement, the Herald Tribune described Buckley as a “right-wing and ultra-conservative debater” and warned that 1965 was not a proper year for “staging esoteric debates.”  But Buckley’s wit and defiance of convention thoroughly charmed the city’s press corps and even attracted national media attention to the campaign. While the editors fulminated, the reporters and columnists covered Buckley’s press conferences the way they might a good Broadway show. According to The New Yorker, the members of the press had a “non-partisan reaction: regardless of what Buckley says, they thoroughly enjoy the way he says it. They seem to be grateful for being spared campaign clichés, and to relish his wit, vocabulary, and rococo style.”

Writing in the New York World-Telegraph after Buckley’s first press conference, Murray Kempton commented:

We have already had candidates for mayor various enough to satisfy every taste except the most refined, and the apparition of William F. Buckley may complete the scale. The truly refined taste, after all, progresses from discontent with each way the thing is being done to the final decision that the thing ought not to be done at all. And Buckley made it plain yesterday that he does not merely disdain the opposition but rather disdains the office itself.

Buckley carried through these indignities as handsomely and containedly as any gentleman ranker offered his first introduction to the men’s latrine. He also had the kidney to decline the usual humiliation of soliciting the love of the voters, and read his statement of principles in a tone for all the world that of an Edwardian resident commissioner reading aloud the 39 articles of the Anglican establishment to a conscript assemblage of Zulus.

The Mayoralty TV Debate
The first televised debate was held on Sunday, September 26, and was broadcast over WCBS-TV. Lindsay was platitudinous (“I ask all New Yorkers to join me, to roll up their sleeves, to care”), Beame was visibly nervous and tedious (“I will go to Washington, where I will be welcomed as a Democrat, and fight for federal aid”), and Buckley was acerbic and witty. Asked if he still would be “flabbergasted” if he were elected, Buckley responded, “Having heard Mr. Beame and Mr. Lindsay, I would be flabbergasted if I weren’t elected.”

The Unmaking of a Mayor
By making his writing more personal, Buckley changed his literary persona. He became far more attractive to his readers — appearing in print the way his friends and his colleagues on National Review experienced him. In his early books, Buckley appeared to be an arrogant brat. In The Unmaking of a Mayor, Buckley portrayed himself as an innocent in the wilds of politics; his humor was often at his own expense. For instance, he (recounted his experience the evening of the day in which he had proudly announced his plan for a bicycle path through Manhattan — a proposal that all his advisers had urged him to forgo because it would be seen as flippant.

I remember the evening of that press conference, which I spent at the home of an old Negro election-district boss in Bedford-Stuyvesant, a former Pullman porter of indefatigable political energy and utterly total recall, who had promised to deliver me the entire Bronx, or whatever, and had got together his family and a few lieutenants. We sat about the living room while his warm and hospitable wife in the kitchen below sent up a torrent of sandwiches, cakes, drinks, cigars, as the old gentleman rambled around in his copious memory telling us of this and that. His daughter-in-law, a sophisticated, slightly cynical, more than slightly bemused nurse’s aide from a local hospital, told me at one point: “You know, I was for John Lindsay until today.” “What,” I asked, delighted, “did John Lindsay do today?” “It was that ridiculous bicycle scheme,” she said. I paused. But only for a moment, let the devil record. “That was ridiculous, wasn’t it,” I exclaimed — changing the subject, and concluding that as of that moment, I had really and truly become a politician, and how would I formulate that sin at my next session with my confessor.

The Bill Buckley of God and Man at Yale had charmed older conservatives and inspired younger ones who felt themselves to be part of an embattled Remnant. But the new Buckley could win the sympathy and attract the interest of a far broader range of readers. The Unmaking of a Mayor made Buckley into a popular writer.

Dislike For Politics
He expressed his dislike for politics in more abstract terms in a speech he gave in December 1965 at National Review’s tenth anniversary celebration.

Politics, it has been said, is the preoccupation of the quarter educated, and I do most solidly endorse this observation, and therefore curse this country above all things, for its having given sentient beings very little alternative than to occupy themselves with politics it is all very well to ignore [the Johnson administration’s] Great Society. But will the Great Society ignore us? . . . Where can we go and feel free not to read the New York Times? No such freedom exists nowadays, which is the conclusive reason, surely, to deplore this century’s most distinctive aggression, which is against privacy, publicly understood

WFB at the U.N.
Having convinced himself that Nixon wasn’t simply trying to appease the right wing by appointing him and that he might have some impact at the U.N., Buckley agreed to serve for one term, from September to December. Over the summer, he was confirmed by the Senate Foreign Relations Committee. (When the FBI called Rusher to check routinely on Buckley, it asked him, “Has Mr. Buckley done anything since 1969 that might embarrass the Nixon administration?” “No,” Rusher replied, “but since 1969 the Nixon administration has done a great deal that has embarrassed Mr. Buckley.”

Buckley’s experience, from the first day, confirmed his initial misgivings about the U.N. job. At the orientation in Washington, Buckley was told that someone must always sit at the U.S. desk in the General Assembly and appear to be listening to the speaker. “Above all, we were warned, we must guard against falling asleep.” When Buckley met with Scali (the UN Ambassador who had asked him to the public delegate position) to receive his formal assignment, Scali began to hedge on appointing him as the head of the Third Committee delegation. It was “my first premonition,” Buckley wrote later, “that Walter Mitty was dead.”

The first week, he sent Scali a memorandum, with a copy to Kissinger, outlining what he thought could be accomplished on the Third Committee. “Unless I am instructed to do otherwise,” he wrote, “I plan to feel free to discuss human rights even if the inference can be drawn from what I say that I also believe in human rights within the Soviet Union.” Scali called him in the next morning and instructed him not to send memoranda either to him or to Kissinger and to clear all his speeches with him. And Scali warned Buckley that détente with the Soviet Union was the “overarching policy.”

Over the next months, Scali and his aides vetoed one after another of Buckley’s speeches as being too “provocative.” A column Buckley wrote describing a speech by Zaire’s President Mobutu (“An aide to General Mobutu placed his speech on the podium, and, after he was done, retrieved it. Such menial tasks as placing one’s own speech on a podium are inconsistent with the pride of the President of Zaire.”) caused a furor in the White House, which was planning to receive the offended Mobutu. Buckley’s best lines had to be reserved for unofficial addresses.

On United Nations Day, Buckley gave a speech on New York politics at a buffet lunch organized by New York socialite Mrs. John Loeb. During the question-and-answer session, a black ambassador asked Buckley what his views were on a transportation bond referendum. “To tell you the truth,” Buckley replied, “I have not studied the issue, which I can divulge in good conscience because I don’t have to vote on it, since I vote in Connecticut.” Mrs. Loeb interjected, “You see, Mr. Ambassador, in America, we don’t vote where we work, we vote where we sleep.” “Well,” Buckley responded, “even that is not exactly correct. If I voted where I slept, I would vote in the United Nations.”

Meeting Ronald Reagan
Buckley’s friendship with Reagan dated back to 1960 when Reagan, the chairman of Democrats for Nixon in California and National Review subscriber, introduced him at a Nixon rally in Beverly Hills. Buckley described the incident in an article about Reagan:

He was to introduce me at a lecture that night in Beverly Hills. He arrived at the school auditorium to find consternation. The house was full and the crowd impatient, but the microphone was dead; the student who was to have shown up at the control room above the balcony to turn on the current hadn’t. Reagan quickly took over. He instructed an assistant to call the principal and see if he could get a key, He then bounded onto the stage and shouted as loud as he could to make himself heard. In a very few minutes the audience was greatly enjoying itself. Then word came to him: no answer at the principal’s telephone. Reagan went offstage and looked out the window. There was a ledge, a foot wide, two stories above the street level, running along the side of the window back to the locked control room. Hollywoodwise, he climbed out on the ledge and sidestepped carefully, arms stretched out to help him balance, until he had gone the long way to the window, which he broke open with his elbow, lifting it open from the inside and jumping into the darkness. In a moment, the lights were on, the amplifying knobs turned up, the speaker introduced.

With David Niven
While Buckley was in Switzerland, Saving the Queen appeared. Although the major reviews were lukewarm—in The New York Times, Walter Goodman called it “serviceable entertainment”– it quickly climbed to the top of the best-seller list. Buckley, Niven, and Gaibraith continued their friendly competition over whose books were superior. Asked by an interviewer to explain Saving the Queen’s success, Gaibraith said, “Bill Buckley has a genuine talent for fiction, as his discriminating readers have always known.” He called Buckley’s decision to write novels “a quantum step in self-recognition.”

David Niven had reasons of his own to take Buckley down a notch. When Niven’s second book of memoirs had appeared in 1975, he had asked Buckley for a jacket blurb and Buckley had responded with “Probably the best book ever written about Hollywood.” When Saving the Queen was about to be published, Buckley asked Niven for a blurb, and the actor, busy filming, told Buckley to write it for him. When they were in Switzerland, Buckley told him casually that he had submitted a statement in his name, “Probably the best novel ever written about fucking the Queen. David Niven.” “1 think that was the only time I ever saw him really caught off balance,” Buckley said. “For about half a second, which for him was a long time. Then he started to laugh.”

But Niven got his revenge that winter. Buckley and Niven painted together in Switzerland at an atelier they rented, and Niven brought the painter Marc Chagall to visit. Niven, who described Buckley as “the worst amateur painter in the world,” had warned him not to show Chagall any of his paintings, but Buckley insisted upon trotting out a collection of paintings, including several of his own. When Chagall came upon a blank canvas, he exclaimed, “I like that one best.”

Debating the Panama Canal Treaties with Ronald Reagan
Reagan became the national leader of the campaign against the treaties, using it as the first stage of his 1980 campaign for the presidency. Buckley and Reagan were both concerned that their disagreement over the treaties might endanger their friendship, and they took pains to soften the blow of their difference. After an exchange of correspondence on the issue, Reagan wrote Buckley: “I must confess we are still disagreeing on the matter of the canal. [But] I assure you it would not in any way affect the friendship I feel for you.”

In January, the two aired their differences in a public debate. Reagan accepted Buckley’s invitation to join him in a special two-hour Firing Line, staged at the University of South Carolina. Buckley took along George Will and Burnham as seconds, while Reagan was accompanied by Pat Buchanan and Latin-American expert Roger Fontaine.

Buckley was in a difficult situation for a debater — one that, ironically, recalled his Yale days. The audience was very conservative and supportive of Reagan’s rather than his own position. Reagan was able to appeal to sentiment — the imperial nostalgia that had affected Americans after the American defeat in Vietnam — while Buckley had to call on his listeners to rise above sentiment. But just as he had at Yale, he relished the situation. “If Bill was concerned, he never showed it,” Neal Freeman recalled. “He delighted in debate and rebuttal.” The debate was held in a theater in the round, with the two camps seated facing each other. The Washington Post described it as a “Super Bowl of the right.” To the audience’s applause, Reagan, tanned and relaxed, argued that without control of the Canal, the U.S. could get pushed around in time of war when it needed to send its ships through the Canal. Buckley, somewhat disheveled, his hair fashionably long, his eyebrows popping up and down, his tongue darting, responded that the U.S. would be better off militarily if the Panamanians were not harboring resentment against the U.S. for controlling part of their land. If the U.S. needed to move its Navy quickly through the Canal, Buckley said, “that mobility is more easily effected if we have the cooperation of the local population.”

The two men made the most of their own embarrassment at being on opposite sides of a major public issue.

If Lloyds of London had been asked to give odds that I would be disagreeing with Ronald Reagan on a matter of public policy, Buckley began, I doubt they could have flogged a quotation out of their swingingest betting man because judging from Governor Reagan’s impeccable record, the statisticians would have reasoned that it was inconceivable that he should make a mistake. But of course it happens to everyone. I fully expect that someday I’ll be wrong about something.

After the two debaters had made their opening presentations, they were given seven minutes to question each other. “Well, Bill,” Reagan began, “my first question is why haven’t you already rushed across the room to tell me that you’ve seen the light? ““I’m afraid that if I came any closer to you the force of my illumination would blind you,” Buckley replied.

When Reagan claimed that it was the Torrijos government, rather than the people of Panama, that was demanding the return of the Canal, Buckley turned his wit on Reagan’s argument.

BUCKLEY:  But it was before Torrijos became the dictator that the initial riots took place demanding an assertion of sovereignty. How do you account for that?

REAGAN:  I think the first time that it was expressed was in 1932 in the Charter of the new Communist Party of Panama that they put as one of their top objectives the taking over of the Canal.

BUCKLEY:  Are you saying that the Communists invented patriotism in Panama?

REAGAN:  No, no.

BUCKLEY:  Yes. Well, you really tried to say that.

In his concluding remarks, Buckley made light of Reagan’s recitation of the history of American-Panamanian relations. He recounted the explanation of the Louisiana Purchase that James Thurber had given to two inquiring ladies:

He said, “Louisiana was owned by two sisters called Louisa and Anne Wilmont, and they offered to give it to the United States, provided it was named after them. That was the Wilmont Proviso.”

Now, intending no slur on my friend Ronald Reagan, the politician in America I admire most, his rendition of recent history and his generalities remind me a little bit about that explanation for the state of Louisiana having been incorporated into this country. He says we, in fact, don’t negotiate under threats, and everybody here bursts out in applause. The trouble with that is that it’s not true.

Buckley’s performance—designed at once to re-establish his credentials as a hardliner and to appeal to American generosity—was masterful and largely defused Reagan’s jingoistic appeals.

Buckley got the last word not only on Reagan but on the press. In his story on the debate, Washington Post reporter Ward Sinclair chided Buckley for being wrong. “He says Cortez crossed Panama and was the first to espy the the Pacific Ocean. It was Vasco Nüfiez de Balboa.” Buckley responded in a letter to the Post.

What I said in my speech was, “If there is a full-scale atomic war, the Panama Canal will revert to a land mass, and the first survivor who makes his way across the isthmus will relive a historical experience like stout Cortez when, with eagle eyes, he stared at the Pacific and ail his men looked at each other with a wild surmise, silent upon a peak in Darien.”

The lines are from John Keats, his sonnet “On First Looking into Chapman’s Homer.” I felt presumptuous enough correcting Ronald Reagan’s foreign policy without straightening out Keats’s historical solecism. But tell Mr. Sinclair not to worry: It happens all the time, people’s inability to tell where I leave off and Keats begins.

Buckley wrote later of Reagan’s stand on Panama, “I think, ironically, that Reagan would not have been nominated if he had favored the Panama Canal Treaty, and that he wouldn’t have been elected if it hadn’t passed. He’d have lost the conservatives if he had backed the treaty, and lost the election if we’d subsequently faced, in Panama, insurrection, as in my opinion we would have.” (Overdrive. 119.)

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The Philosophical Act II by Josef Pieper

July 21, 2010

A continuation of yesterday’s essay on the nature of the philosophical act. Written over 60 years ago, but still relevant to asking the big questions in a world where the capacity to see the laws of material being seems to make us incapable of seeing the ethical message contained in that being. Let’s remind ourselves what the philosophical act is all about…
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So, then: whoever philosophizes, takes a step beyond the work-a-day world and its daily routine.

The meaning of taking such a step is determined less by where it starts from as by where it leads to. We must ask a further question: just where is the philosopher going when he transcends the world of work? Clearly, he steps over a boundary: what kind of region lies on the other side of this boundary? And what is the relationship of the place where the philosophical act happens, to the world that is transcended and left behind by this same philosophical act? Is that the “authentic” world, and the world of work the “inauthentic”? Is it the “whole” as opposed to the “part”? Is it the “true reality” as opposed to a mere shadow world of appearances?

No matter how such questions could be answered in detail, in any case, both regions, the world of work and the “other realm,” where the philosophical act takes place in its transcending of the working world — both regions belong to the world of man, which clearly has a complex structure.

Therefore, our next question is, “What is the nature of the world of man?” — a question that cannot be answered if the human being is ignored. In order to give a clear answer at this point, we must begin again, and start as it were from the very bottom.

It is in the nature of a living thing to have a world: to exist and live in the world, in “its” world. To live means to be “in” a world. But is not a stone also “in” a world? Is not everything that exists “in” a world? If we keep to the lifeless stone, is it not with and beside other things in the world? Now, “with,” “beside,” and “in” are prepositions, words of relationship; but the stone does not really have a relationship with the world “in” which it is, nor to the other things “beside” which and “with” which it lives. Relationship, in the true sense, joins the inside with the outside; relationship can only exist where there is an “inside,” a dynamic center, from which all operation has its source and to which all that is received, all that is experienced, is brought.

The “internal” (only in this qualitative sense: the “inside” of a rock would refer only to the spatial location of parts) — the “internal” is the ability to have a real relationship, a relation to the external; to have an “inside,” means ability to be related, and to enter into relationship. And “world”? A world means the same thing, but considered as a whole field of relationships. Only a being that has an ability to enter into relationships, only being with an “inside,” has a “world”; only such a being can exist in the midst of a field of relations.

There is a distinctly different kind of proximity that obtains in the relationships of pebbles, which lie together in a heap somewhere beside the roadway and are “related” in that way, and, on the other hand, in the relationship of a plant to the nutrients which it finds in the vicinity of its roots. Here we see not merely physical proximity as an objective fact, but genuine relationship (in the original, active meaning of relationship): the nutrients are integrated into the orbit of the plant’s life — by way of the real internality of the plant, through its power to be related, and to enter into relationship. And all this — all that can be taken in by the relating-power of that plant — all this makes up the field of relationships, or the world, of that plant. The plant has a world, but not the pebble.

This, then, is the first point: “world” is a field of relations. To have a world means to be in the midst of, and to be the bearer of, a field of relations. The second point is, the higher the level of the inwardness or, that is to say, the more comprehensive and penetrative the ability to enter into relations, so the wider and deeper are the dimensions of the field of relations that belongs to that being; to put it differently: the higher a being stands in the hierarchy of reality, the wider and more profound is the standing of its world.

The lowest world is that of the plant, which does not reach beyond what it touches in its own vicinity. The higher-ranking, spatially wider realm of the animal corresponds to its greater ability to enter into relationships. The relation-ability of the animal is greater, insofar as the animal has sense-perception. To perceive something is quite extraordinary, compared with what the plant can do: it is a completely new mode of entering into relationship with one’s environment.

But not everything that an animal, as such, can perceive (because it has ears to hear and eyes to see) really belongs to the world of such an animal: it is not true that all the visible things in the environment of an animal with vision are in fact seen, or even can be seen. For “environment” as such, the perceivable environment, is still not a “world.” That was the typical belief, until the environmental researches of the biologist Jakob von Uexküll; until that time, as Uexküll puts it, “it was generally held, that all eye-equipped animals could see the same things.” But Uexküll discovery was that, on the contrary, “the environments of animals are not at all the whole expanse of nature, but resemble a narrow, furnished apartment.” For example, one could well imagine that a crow could see a grasshopper (a very desirable object for a crow) whenever the grasshopper came across its path, or to be more precise, whenever in came into view of its eyes. But that is not the case! Instead, to cite Uexkull, “the crow is completely incapable of seeing a grasshopper sitting still… we would first assume that the form of a resting grasshopper would be very well known to a crow, but because of the blade of grass in the way cannot be made out as a unit, just as we have difficulty seeing an image hidden in a picture-puzzle. Only when it jumps does its form ‘release’ itself from the neighboring shapes — or so we would think. But after further investigation, it can be shown that the crow does not even recognize the form of a resting grasshopper, but is only prepared to sense moving things. This would explain the ‘playing dead’ behavior of many insects. Since their resting-form does not at all appear in the sense-world of their predators, they escape that world completely and securely simply by lying still, and cannot be found, even if they are actively sought.”

This selective milieu, then, to which the animal is completely suited, but in which the animal is also enclosed (so much so that the boundary cannot be crossed — since “not even if it looks for something” — even if equipped with an excellent searching-organ, could it find something that does not correspond to the selective principle of this partial world); this selective reality, determined and bounded by the biological life-purpose of the individual or the species, is called an “environment” [Umwelt] by Uexküll (in distinction from a “surrounding” [Umgebung], and in distinction also, as we will later see, from a “world” [Welt]). The field of relations of the animal is not its “surroundings,” nor the “world,” but is its “environment,” in this special sense: a world from which something has been left out, a selected milieu, to which its dweller is at once perfectly suited — and confined.

Someone will perhaps ask at this point, what has this to do with our theme, “What is it to philosophize?” Now the connection is not as distant or indirect as it may seem. We last inquired about the world of the human being, and this was the immediate interest in Uexküll concept of environment — namely, that our human world “can in no way claim to be more real than the sense-world of the animal” (so he says); that, consequently, the human being is in principle confined to his world in the same way as the animal; that is, to a biologically selected partial environment, and that man cannot perceive anything that lies outside this environment, “not even if it was actively sought” (no more, then, than the crow could find the resting grasshopper). One might well ask how a being so enclosed in its own environment, so closed in on itself, could be able to perform scientific research on the nature of environments.

But we don’t want to engage in controversy on this point; rather, we can leave the point aside and ask another question instead, since our attention is directed to man and the human world to which he belongs: what is the relating-power of the human being? What is its nature? What power does it have? We said that the perceptive-ability of the animal, when compared with what is in plants, is a more far-reaching way of relating to things. Would not, then, the peculiarly human manner of knowing — for ages past, termed a spiritual or intellective knowing — in fact be another, further mode of putting-oneself-into-relation, a mode which transcends in principle anything which can be realized in the plant and animal worlds?

And further, would this fundamentally different kind of relating power go together with a different field of relations, i.e., a world of fundamentally different dimensions? The answer to such questions can be found in the Western philosophical tradition, which has understood and even defined spiritual knowing as the power to place oneself into relation with the sum-total of existing things. And this is not meant as only one characteristic among others, but as the very essence and definition of the power. By its nature, spirit (or intellection) is not so much distinguished by its immateriality, as by something more primary: its ability to be in relation to the totality of being.

“Spirit” means a relating power that is so far-reaching and comprehensive, that the field of relations to which it corresponds, transcends in principle the very boundaries of its surroundings. It is the nature of spirit to have as its field of relations not just “surroundings” [Umwelt] but a “world” [Welt]. It is of the nature of the spiritual being to go past the immediate surroundings and to go beyond both its “confinement” and its “close fit” to those surroundings (and of course herein is revealed both the freedom and danger to which the spiritual being is naturally heir).

In Aristotle’s treatise on the soul, the De Anima,[De Anima III, 8 (431b)] we can read the following: “Now, in order to sum up everything said up until this point about the soul, we can say again that, the soul, basically, is all that exists.” This sentence became a constant point of reference for the anthropology of the High Middle Ages: anima est quodammodo omnia [“The soul, in a certain way, is all things”. “In a certain way”: that is to say, the soul is “all” insofar as it sets itself in relation to the whole of existence through knowing (and “to know” means to become identical with the known reality -- although we cannot go into any further detail about this as yet).

As Thomas says in the treatise De Veritate (“On Truth”), the spiritual soul is essentially structured “to encounter all being” (convenire cum omni ente[Quaestiones disputatae de veritate I, 1]), to put itself into relation with everything that has being. “Every other being possesses only a partial participation in being,” whereas the being endowed with spirit “can grasp being as a whole.” [Summa contra gentiles III, 112] As long as there is spirit, “it is possible for the completeness of all being to be present in a single nature.”[Quaestiones disputatue de veritate III, 2] And this is also the position of the Western tradition: to have spirit [Geist], to be a spirit, to be spiritual — all this means to be in the middle of the sum total of reality, to be in relation with the totality of being, to be vis-à-vis de l’univers. The spirit does not live in “a” world, or in “its” world, but in the world: world in the sense of “everything seen and unseen” (omnia visibilia et invisibilia).

Spirit, or intellection, and the sum-total of reality: these are interchangeable terms, that correspond to one another. You cannot “have” the one without the other. An attempt to do just this (we mention only it in passing) — to grant the human being superiority to his surroundings, to say that man has “world” (Weld) (and not merely “environment” [Umwelt]), without speaking of man’s spiritual nature, or rather (what is more extreme), to maintain that this fact (that man has “world” and not only “environment”) has nothing whatever to do with this “other” fact, that the human being is equipped with intellection or spirit — this attempt has been made by Arnold Gehlen in a very comprehensive book which has received a great deal of attention: Man: His Nature and Place in the World.

In opposition to Uexküll, Gehlen rightly says that the human being is not closed within an environment but is free of his surroundings and open to the world; and yet, Gehlen goes on to say, this difference between the animal as environmentally limited and the human being as open to the world-as-a-whole does not depend “on the characteristic of. . . spirit.” Instead, this very power to “have the world” is spirit. Spirit by definition is ability to comprehend the world.

For the older philosophy — that is, for Plato, Aristotle, Augustine, and Thomas — the connection of the two terms “spirit” (or “intellection” [Geist) and “world” (in the sense of total-relatedness) is so intimately and profoundly anchored in both directions that not only is it true to say that “spirit is relatedness to the sum total of existing beings”; for the earlier philosophers, the other truth, asserting that all things are essentially in relation to spirit, is just as valid, and in a very precise sense, which we do not dare to formulate in words as yet. For not only is it the property of the spirit that its field of relations includes the sum total of existing things; rather, it is also the property of existing things that they lie within the field of relations of the spirit. And to go further: for the older philosophy, it is all the same to say that “things have being” as to say that “things lie in the field of relations of the spirit, are related to spirit,” whereby is meant, of course, no mere “free-floating” spirituality in some abstract sense but rather personal spirit, a relating power that is well grounded, but then again, not only God, but the created, finite, human spirit as well. For the old ontology, it belonged to the nature of existing things to be within the field, within the reach of the spiritual soul; “to have being” means the same as “to lie within the field of relations of the spiritual soul”; both statements refer to one and the same situation. This and nothing else is the meaning of the old doctrine which has become so removed from us:

“All being is true” (omne ens est verum), and the other doctrine with the same meaning: “being” and “true” are convertible expressions. For what does “true” mean, in the sense of “the truth of things”? To say that something is true is to say that it is understood and intelligible, both for the absolute spirit as well as for the non-absolute spirit. I need to ask for your patience in simply accepting this for the moment, since it is not possible to justify these things in any detail at this point.

“Intelligibility” is nothing other than being related to a spirit that has understanding. So when the old philosophy states that it belongs to the nature of existing things, that they are intelligible and are understood, there could not be any being which is not known and knowable (since all being is true); when it is the said that the concepts “being” on the one hand, and “intelligibility” on the other, are convertible, so that the one could stand in the other’s place, so that it is the same for me to say that “things have existence” as to say that “things are known and intelligible”; in saying this the old philosophy also taught that it lies in the nature of things to be related to the mind (and this -- the concept of the “truth of things” -- is what matters in the context of our present inquiry). To summarize, then, what we have been saying: the world that is related to the spiritual being is the sum-total of existing things; this is so much the case that this set of relations belongs as well to the nature of spirit; the spirit is the power of comprehending the totality of being, as it belongs to the nature of existing beings themselves: “to be” means “to be related to spirit.”

What stands revealed to us, then, is a series of “worlds”: at the lowest, the world of plants, already locally limited to the surroundings they touch. Beyond this is the realm of the animals; and finally, transcending all these partial worlds, is the world related to spirit, the world as the totality of being. And to this ranking of worlds and fields-of-relations correspond, as we have seen, the ranking of the powers that relate: the more comprehensive the power, the more highly dimensioned is the corresponding field of relations, or “world.”

Now a third structural element is to be added to this twofold structure. For the stronger power of relating corresponds to a higher degree of inwardness; the power to relate is greater to the same degree as the bearer of that relation has “inwardness”; the lowest power of relating not only corresponds to the lowest form of being in the world but also to the lowest grade of “inwardness,” whereas the spirit, which directs its relating-power to the sum total of being, must likewise have a corresponding inwardness. The more comprehensive the power of relating oneself to the world of objective being, so the more deeply anchored must be the “ballast” in the inwardness of the subject. And when a distinctively different level of “world” is reached, namely, the orientation toward the whole, there too can be found the highest stage of being-established in one’s inwardness, which is proper to the spirit.

Thus both of these comprise the nature of spirit: not only the relation to the “whole” of the world and “reality,” but also the highest power of living-with-oneself, of being in oneself, of independence, of autonomy -- which is exactly what has always been the “person,” or “personality” in the Western tradition: to have a world, to be related to the totality of existing things -- that can occur only in a being that is “established in itself”: not a “what,” but a “who” -- an “I,” a person.

But now it is time to look back over the path we have taken and return to the questions from which we began. There were two questions, one more immediate, the other more remote. The first was, “What kind of world is the world of man?” and the second was, “What does it mean to philosophize?”

Before we begin again with our formal discussion, a brief remark is in order about the structure of the world that is related to the spirit. It is not, of course, by a greater spatial compass that the world that is spirit-related differs from the world that is related to the non-spiritual (a point that was not addressed when I distinguished “environment” from “world”). It is not only the sum-total of things; but it is also the “nature of the things,” with which the world related to the spirit is constituted. The reason why the animal lives in a partial world is because the nature of things is hidden from it. And it is only because the spirit is able to attain to the essence of things that it has the ability to understand the totality of things.

This connection was made by the old doctrine of being, whereby “the universe,” as well as the nature of things, is “universal.” Thomas says, “Because the intellectual [or spiritual] soul is able to grasp universals, it has a capacity for the infinite.”[Summa Theologiae L Q, 76, a. 5, ad 4um] Whoever attains to an understanding of the universal whole essence of things is thereby able to win a perspective from which the totality of being, of all existing things, are present and ascertainable; in intellectual understanding, an “outpost” is reached, or can be reached, whence the whole landscape of the universe can be taken in. We have reached a context into which we can take only a brief glimpse but which will also lead us into the very center of a philosophical understanding of being, knowing, and spirit.

But now, let us return to the questions which we set out to answer. The first step to take is to the more immediate question, “What kind of world is the world of man?” Is the world of man the world that is related to the spirit? The answer would have to be that man’s world is the whole reality, in the midst of which the human being lives, face-to-face with the entirety of existing things — vis-à-vis de 1’univers — but only insofar as man is spirit. But man is not pure spirit; he is a finite spirit so that both the nature of things and the totality of things are not given in the perfection of a total understanding, but only in “expectation” or “hope.”

But first, let us consider the fact that man is not pure spirit. This statement, of course, could be spoken in a variety of tones. Not seldom, it is said with a feeling of regret, an accentuation that is usually understood as something specifically Christian, by both Christians and non- Christians alike. The sentence can also be said in such a way as to imply that “certainly, man is not pure spirit,” but that the “true human being” is nevertheless the intellectual soul.

Now these. doctrines have no basis in the classical tradition of the West. Thomas Aquinas used a very pointed formula on this matter which is not as well known as it should be. The objection he raises is the following: “The goal of the human being is to attain complete likeness to God. But the soul when separated from the body which is immaterial would be more like God than the soul with the body. And therefore the souls will be separated from their bodies in their final state.” This is the objection, that the real human being is the soul, dressed out in all the tempting glamour of theological argumentation.

And how does Thomas reply to the objection? “The soul that is united to the body is more like God than the soul that has been separated from its body because the former more perfectly possesses its own nature.” [Quaestiones disputatae de potentia Dei 5, 10, ad 5] This is no easily digested statement, considering how it implies not only that the human being is bodily, but that the soul itself is also bodily.

If this is the case, if man essentially is “not only spirit,” if man is not in virtue of a denial, or on the basis of a departure from his authentic being, but really and in a positive sense a being in whom the various realms of plant-, animal-, and spiritual beings are bound into a unity — then man lives essentially, not exclusively, in the face of the totality of things, the whole universe of beings. Rather, his field of relations is an overlapping of “world” and “environment,” and necessarily so, in correspondence to human nature. Because man is not purely spirit, he cannot only live “under the stars,” not only vis-à-vis de l’univers; instead, he needs a roof over his head, he needs the trusted neighborhood of daily reality, the sensuously concrete world, he needs to “fit in” with his customary surroundings — in a word: a truly human life also needs to have an “environment” (Umwelt), as distinct from a “world.”

But at the same time, it pertains to the nature of body/soul being that man is, that the spirit shapes and penetrates the vegetative and sense-perceived regions in which he exists. So much so, that the act of eating by a human being is something different from that of the animal (even apart from the fact that the human realm includes the “meal,” something thoroughly spiritual!). The spiritual soul so profoundly influences all the other regions that even when the human being “vegetates,” this is only possible because of the spirit (neither the plant nor the animal “vegetates”). Consequently, this very non-human phenomenon, this self-inclusion of man in the environment (and that means, in that selective world determined solely by life’s immediate needs), even this confinement is possible only on the basis of a spiritual confinement. On the contrary, to be human is: to know things beyond the “roof” of the stars, to go beyond the trusted enclosures of the normal, customary day-to-day reality of the whole of existing things, to go beyond the “environment” to the “world” in which that environment is enclosed.

But now, we have unwittingly taken a step closer to answering our original question: What is it to philosophize? Philosophy means just this: to experience that the nearby world, determined by the immediate demands of life, can be shaken, or indeed, must be shaken, over and over again, by the unsettling call of the “world,” or by the total reality that mirrors back the eternal natures of things. To philosophize (we have already asked, What empowers the philosophical act to transcend the working-world?) — to philosophize means to take a step outside of the work-a-day world into the vis-à-vis de l’univers. It is a step which leads to a kind of “homeless”-ness: the stars are no roof over the head. It is a step, however, that constantly keeps open its own retreat, for the human being cannot live long in this way.

He who seriously intends to wander finally and definitively outside the world of the Thracian maiden is wandering outside the realm of human reality. What Thomas said about the vita contemplativa applies here also: it is really something more than human (non proprie humana, sect superhumana). [Quaestio disputata de virtutibus cardinalibus I] Of course, man himself is something more than human: man transcends man himself for the sake of the eternal, Pascal said; an easy definition does not go far enough to reach the human being.

But instead of developing these considerations, which may lead us too near to babbling nonsense, let us return to the question, “What does it mean to philosophize?” and attempt another approach to it, in more concrete fashion, and on the basis established by the foregoing. How does the philosophical question different from the non-philosophical question? To philosophize means, we said, to direct one’s view toward the totality of the world. So is that a philosophical question (and that alone) which has for its explicit and formal theme this sum-total of all existing things? No! What is peculiar and distinctive about a philosophical question is that it cannot be posed, considered, or answered (so far at least as an answer is possible), without “God and the World” also coming into consideration, that is, the whole of what exists.

Once again, let us speak quite concretely. The question, “What are we doing, here and now?” can clearly be intended in various ways. It can be meant philosophically. Let us attempt it, then. The question can be asked in such a way as to anticipate a technical-organizational answer. “What is happening now?” “Well, a lecture is being delivered during the Bonn Week of Higher Education.”

That is a straightforward, informative sentence, standing there in a clearly lit world — or rather, “environment.” It is an answer spoken with one’s attention directed to what is immediately at hand. But the question could also be meant in another sense so that the questioner would not be content with the answer just now given. “What are we doing right now?” One person is speaking; others are listening to what he is saying, and the listeners “understand” what is being said; approximately the same process is taking place within the minds of the many listeners: the statements are grasped, thought about, weighed, accepted, denied, or accepted with some hesitation, and then integrated with each person’s own fabric of thought. This question expects an answer coming from the special sciences; it can be meant so as to call on the psychology of sense perception, cognition, learning, mental states, and so on, and these sciences would provide the adequate answer.

An answer of this kind, then, would exist in a world of higher and deeper dimensions than the first answer, with its merely organizational interest. But the answers of the special sciences have still not reached the horizon of total reality; this answer could be given without having to speak at the same time of “God and the World.” But if the question, “What are we doing right now?” were meant as a philosophical question, such an exclusion would not be possible; for if the question is meant philosophically, then the question is about the nature of knowing, of truth, or even of the nature of teaching itself.

What, in the last analysis, is it “to teach”? Now someone will come along and say, “A man cannot really teach; just as when someone is healed from illness, it is not the doctor who has healed him, but nature, whose healing powers the doctor has, perhaps, allowed to operate.” Someone else will come up and say, “It is God who really teaches, within, on the occasion of human teaching.” Then Socrates will stand up and say that the teacher only makes it possible for the one who learns “to acquire knowledge from himself” through reminiscence; “there is no learning, only recollection.”[ Plato, Meno 85; 81] And still another one will say, “All human beings are confronted by the same reality; the teacher points it out, and the learner, or the listener, sees for himself.”

What are we doing here? What kind of phenomenon is taking place? Is it something of a socially organized nature, a part of a lecture series? Is it something that can be analyzed and researched in terms of psychological science? Is it something taking place between God and the World?

This, then, is what is peculiar and distinctive about a philosophical question, that something comes to the fore in it, touching the very nature of the soul: to “come together with every being” (convenire cum omni ente) — with everything that exists. You cannot ask and think philosophically without allowing the totality of existing things to come into play: God and the World.

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Pope Benedict XVI’s Theological Vision by Fr. Thomas Rauch, S.J.

July 14, 2010

This is a reading selection from Fr. Thomas Rauch’s Pope Benedict XVI: An Introduction to His Theological Vision. The Holy Father is an “enormously competent” theologian and I for one needed to get an overview of his numerous (over one hundred) publications. I think Fr. Rauch’s book does a fairly good job of that although I had to scratch my head here and there at some of the criticisms he seems to favor (Luke Timothy Johnson’s off the reservation comments on sexuality and the Church seem to push the envelope somewhat.) Pay close attention to the footnotes when you read it.

As a theologian, Pope Benedict XVI is enormously competent. At home discussing biblical texts and their languages, the fathers of the church, or the writings of contemporary theologians and philosophers, he is a man of culture as well as of learning. He is a member of the Academic Française, the Rhineland-Westphalia Academy of Sciences, and the European Academy of Sciences and Arts. Best known for his work on episcopacy, Eucharist, ministry; tradition, and eschatology, he has published over one hundred books. One cannot read him without being amazed at the breadth of his scholarship. While clearly an intellectual, his pastoral concern has always been to safeguard from harmful speculation the faith of those whom he calls the “simple faithful.”

As a person, Pope Benedict is unfailingly gracious; he is reserved, diffident, even shy in his manner. But as Joseph Ratzinger he was also something of a polemicist. He often responded to critics directly and was not above using sarcasm in dismissing arguments he deemed frivolous. He has expressed his distaste for abstract theological texts, and though he can be as abstract as any philosopher, there is a passion in his writing, a concern to present the truth of the faith as he sees it against the wisdom of the world, which without the gospel is no wisdom at all. Even as Cardinal Prefect of the CDF [Congregation for the Doctrine of the Faith], he was not afraid of controversy, responding at times to his critics by name. If he knows the church’s theological tradition intimately and can articulate it with grace, his own theological wisdom flows from certain distinctive fonts.

Ratzinger was never comfortable with the Neo-Scholasticism so dominant at the time he did his studies. He found it abstract, dry; and lifeless. This included Aquinas. In his memoirs, he said, “I had difficulties penetrating the thought of Thomas Aquinas, whose crystal-clear logic seems to me to be too closed in on itself; too impersonal and ready-made.” His own theology has always been rooted, first in scripture, then in the liturgy and the fathers of the church, the “return to the sources” or ressourcement that was to bear enormous fruit at the Second Vatican Council. If he was also concerned with aggiornamento, that bringing up-to-date and renewal of structures and life sought by the more progressive members of the council, his deepest instincts have been for ressourcement.

In a second polarity, the traditional tension between Catholicism’s two greatest doctors, Augustine and Aquinas, a tension evident at the council and in its aftermath, Pope Benedict has always been on the side of Augustine. Augustine was not dry; he wrote with passion. In commenting on the 1985 Extraordinary Synod of Bishops, Avery Dulles noted the presence of two major schools, the first of which, “led by figures such as the German cardinals Ratzinger and Hoeffner, had a markedly super-naturalistic point of view, tending to depict the church as an island of grace in a world given over to sin. This outlook I call neo-Augustinian.” Ratzinger is not reluctant to acknowledge his debt to Augustine. In an address to seminarians at Rome’s major seminary in February 2007, he reminisced about his own seminary studies: “I was fascinated from the beginning especially by the figure of St. Augustine and then also the school of St. Augustine in medieval times, St. Bonaventure, the great Franciscans, the figure of St. Francis.” But just as Augustine’s thought owes much to the Platonic tradition, particularly to the Neo-Platonism that was so strong in his own time, so Ratzinger owes a considerable debt to the heritage of Plato. Plato, Augustine, and Bonaventure have all left their marks on his thinking.

First, from Plato he learned to understand and privilege truth as the intelligible. Second, his anthropology or view of the human is deeply Augustinian. Finally, his epistemology and understanding of eschatology are profoundly stamped by his study of Bonaventure. In attempting to give an overview of Ratzinger’s theology we will consider the formative influence of these three thinkers and examine how they have affected his approach to modernity.

The Platonic Heritage
Ratzinger’s episcopal coat of arms bears the motto Cooperatores Veritatis, Co-workers of the Truth (“Therefore we ought to support such people, so that we may become co-workers with the truth.” 3 John 8). He has always seen his vocation, as a scholar and as a bishop and now as pope, to be in the service of truth. He sees truth as illumining the world of the sensible and the experiential from beyond, finding its ultimate embodiment in the logos, the person of Christ, who is the way, the truth, and the life (John 14:6). Indeed, much of the criticism he has received over the years can be attributed to his professorial way of boldly speaking the truth as he sees it. His understanding of truth very much reflects the Platonic heritage that has so nourished his thought. First, like Plato, Ratzinger locates the true and the good beyond the world of experience, in the spiritual. Second, his notion of wisdom, though illumined by his faith, is very much formed by Plato.

Truth as the Intelligible
Plato and the Neoplatonism that so influenced Augustine located the true and the good in the spiritual realm, reflective of Plato’s world of the forms or ideas. Though this tradition saw an epistemic connection between these forms and human knowledge, the material world that we experience every day was only a poor reflection of the ultimately real. The true was the intelligible, not the merely sensible. Knowledge comes from recollection.

While Aquinas also emphasized the intelligible as the object of human understanding, he was formed in the tradition of Aristotle, who was considerably more empirical or experimental in his approach to human understanding. With his esteem for the physical sciences, Aristotle prized what humans could learn by careful observation and achieve through the application of critical reason. Ratzinger’s epistemology is much more Platonic than Aristotelian; in a remark that cleverly reverses the popular view of the seventeenth-century controversy with Galileo, he once argued that Galileo’s opponents were Aristotelian empiricists, while Galileo himself was a Platonist who placed more emphasis on understanding than on what appeared to the senses.

Ratzinger sees Plato as doing battle against the radical enlightenment of his day that denied that truth was in any way accessible to human beings. Of course he sees parallels here with contemporary, post-Enlightenment Western civilization with its skepticism, limiting knowledge and truth to what can be empirically demonstrated. For modern thought, ultimate reality remains unknowable, while the postmodernist ethos reduces all knowledge and “meta-narratives” to systems of meaning, “socially constructed” on the basis of one’s social location, meaning that all knowledge is relative to issues of gender, race, ethnicity, and sexual identity, which filter how we perceive the world. Ratzinger’s objection to the “dictatorship of relativism” is rooted here, in the modern reduction of knowledge to what is constructed on the basis of social location and thus is relative. Against this contemporary relativism, Ratzinger juxtaposes wisdom.

Wisdom
In his discussion of the gift of wisdom, Ratzinger goes back to Plato, who so shaped the development of wisdom in the Christian tradition. Plato taught that truth is an attribute of God. If humans cannot actually possess it, they can love it and search for it, drawn by Eros, which moves them to search for the Good and the Beautiful, in this way moving them beyond the limits of the merely intelligible toward the eternal. Ratzinger does not, however, rule out experience; even in the human sphere there is no knowledge without experience, and only the experience of God can yield knowledge of God. Wisdom can learn much from science, particularly to be sober, exact, and methodological. But knowledge cannot be limited to what is rational from a scientific point of view; in language familiar to us today he says that in a totally rationalized world, which limits rationality to the exact sciences, there evolves “a frightening dictatorship of uncontrolled irrationality.” Instead, he argues that when Eros is ordered, not just to the intellectual but to the eternal, then “the rational receives fecundity and warmth from the depths of the Spirit in whom truth and love are one.”

This theme of Eros drawing humans to God reappears in Benedict’s first encyclical, Deus Caritas Est. He finds in Plato an ally against the skepticism of our own day. But finally he privileges Augustine over Plato, for while Plato’s philosophy remained elite and in the last analysis hypothetical, Augustine was able to discover true wisdom in Jesus, the self-subsistent wisdom of God.7

The Primacy of the Idea
Nevertheless there remains a Platonic or Neo Platonic cast to Ratzinger’s thought, privileging the idea over the concrete and the empirical, which others have noted. Walter Kasper has several times called attention to the Platonic character of Ratzinger’s thought. In the late 1960s, shortly after Ratzinger’s Introduction to Christianity was published, Kasper wrote a critical review that led to several exchanges. Calling attention to the “latent idealism” in Ratzinger’s book, he noted that Ratzinger’s starting point was the Platonic dialectic between the visible and the invisible. What was real was the invisible, the ground for the real. Kasper suggested an alternative starting point for a systematic theology, the embodied situation of humans in nature, society; culture, and history. His point was that only in this way could theology take seriously the concrete problems of real people in a world where injustice, hunger, and violence rule. In his responses, Ratzinger denied the accuracy of Kasper’s charges.

More than thirty years later, Kasper, now a cardinal himself, raised the same issue in regard to Ratzinger’s ecclesiology. Ratzinger has long maintained the ontological and temporal priority of the universal church over local churches. In a disagreement on this point, Kasper observed that the debate was not about any point of Catholic doctrine but a “conflict between theological opinions and underlying philosophical assumptions.” Ratzinger’s argument, Kasper maintained, is essentially Platonic, starting from the primacy of the idea, while his own position is more Aristotelian, seeing the universal as existing in the concrete reality.

Another example of the primacy of the idea in Ratzinger’s thought is what we might call a “principle of reception,” with the emphasis always on what is received in its givenness, rather than on what develops or changes in the world of time and experience. Again this suggests a certain conceptual, even a priori character to his approach to theology and to the problems it must address. Jim Corkery calls this the priority of logos over ethos, of receiving over making, of being over doing, and sees it as lying at the heart and center of Ratzinger’s theological synthesis. It shows how Ratzinger thinks, but it also has concrete implications as to how theology addresses challenges in the church and its life.

Thus, from an anthropological perspective, Ratzinger typically argues that the human person is oriented not to some interior depth but to the God who comes from without. In the rite of baptism, for instance, the exorcism implies that the catechumenate is more than instruction and decision; only the Lord can effect our conversion, breaking our resistance to the powers that enslave us and enabling us to believe (37-38). Faith comes not from reaching deep into ourselves but from outside us; it is based on our meeting something (or someone) for which our experience is inadequate.

Ecclesiologically, the church lives from the faith it receives as a gift and from the sacraments that it cannot institute but only receive. It does not resemble a club, creating its own rules and statutes. ‘While there is a certain truth here, Ratzinger’s approach seems to leave little room for the church to respond to new challenges in the light of its faith, to renew and reform its structures or sacramental forms. A more historically oriented ecclesiology would show how the church’s structures developed in time, often borrowing from political and cultural models.

Liturgically, he argues that the community cannot bestow the Eucharist on itself, it can only receive it. “The Lord does not arise, as it were, from the midst of the communal assembly. He can come to it only from ‘without’ — as one who bestows himself’ in unity with all other communities (293). Similarly, for Ratzinger, a holy day, unlike a holiday, is God’s gift to humans; we do not make it, nor is it dependent on our decision; we receive it (82). Ecumenically, the unity of the church cannot come from the base, a sociological program inspired by neo-Marxism, or from the churches themselves; “it is no longer just a question of institutional ecumenism against ‘base’ ecumenism but of the ecumenism of a Church man can construct against that of a Church founded and given by the Holy Spirit” (303). Thus Ratzinger’s typical impulse is to see meaning as already given and fixed; he does not seem to leave room for development, higher viewpoints, new understandings, and change.

At one point Ratzinger raises the problem of the shortage of priests. But his approach is hardly empirical. He does not look at changing attitudes toward sexuality and the importance of marital intimacy; or at a culture unable to see celibacy as a value, or to families with fewer children reluctant to encourage a priestly vocation. Instead he questions the efficacy of the Eucharist in the church experiencing the shortage, arguing that “there is a correspondence between the capacity for sacramental marriage in accordance with the gospel and an openness to virginity” (298). While of course there may be some truth to what he says, there are certainly other, perhaps more persuasive reasons to be considered.

As far as reform in the church goes, he eliminates the usual arguments, for example, that the church restricts human freedom with its rules, that it has not integrated the rights and freedoms that are the patrimony of the Enlightenment, that we need to move from a paternalistic church to a community church for which we ourselves are responsible. He acknowledges that the church will always need human constructions. But just as Michelangelo sees the image hidden in the block of stone and works by an ablatio, the removal of what is not really part of the sculpture, true reform of the church takes place, he argues, by a similar ablatio, removing obsolete human constructions, “to allow the nobilis forma, the countenance of the bride, and with it the Bridegroom himself, the Living Lord, to appear.” Reform is not a matter of tinkering with the structure; it means letting the church’s true nature as the embodiment of Christ shine forth.

In regard to the debate over the ordination of women, in a comment on the 1976 CDF instruction concerning the exclusion of women from the priesthood, Inter insigniores, Ratzinger published a commentary that juxtaposed a functionalist conception of law with a sacramental conception of the church. According to Michael Fahey’s summary Ratzinger argued, “The sacramental view recognizes ‘pre-existing symbolic structures of creation, which contain an immutable testimony.’ The priesthood is not a career at the disposal of the institutional Church but is an independent, pre-existing datum.’

Thus, Ratzinger’s tendency is to stress the idea over the real and the existential, not unlike Plato’s famous allegory of the cave, in which the objective world of ideas lies beyond the world of appearances experienced in the cave. This suggests an a priori dimension to his theology. Others would argue that theology today must always be concerned with the real and the experiential, not just the ideal; praxis is important.

Augustine
The most formative influence on Ratzinger’s thought was Augustine (354-430), the great doctor of the church whose ecclesiology was the subject of Ratzinger’s doctoral dissertation. In an article about one of his most successful books, his Introduction to Christianity, Ratzinger acknowledged his debt to Augustine:

“Augustine has kept me company for more that twenty years. I have developed my theology in a dialogue with Augustine, though naturally I have tried to conduct this dialogue as a man of today.”

Augustine was to shape to a remarkable degree Ratzinger’s understanding of the human person, and of the world which we inhabit.

Ratzinger’s dissertation was on the church as the people and house of God. In it he contrasted the ancient Roman “city of the gods” and its cult with the true City of God now revealed in the church where true worship took place. True worship means human life lived according to God’s will and God’s revelation. Specifically, as we shall see, it means the Eucharist. But in a pagan state or secular society, when human activity is no longer governed by a proper relationship with God, the demonic takes over. When God’s law is not honored, life is no longer held sacred, materialism and consumerism rule, and the autonomous self emerges with all its self-aggrandizing tendencies. Ratzinger experienced this firsthand in the Germany of his youth, when Nazi neo-paganism brought the whole world into conflict. His experience of growing up under the Third Reich only reinforced the Augustinian cast to his theological sensibilities.

Augustinianism and Thomism
The contrast between Augustine and Aquinas can be overemphasized. Aquinas had great respect for Augustine and cited him more than any other author. Augustine was largely responsible for joining the Greek philosophical tradition, particularly that of Plato and the Neoplatonists to the Christian tradition of the West. He insisted that reason is to govern the other faculties of the soul, thus stressing the superiority of the rational over the merely experiential. Understanding was based on an isomorphism between what is known and what is, that is, between the structure of being and what is known, assisted by God’s illumination of the human mind. In this there is little difference between Augustine and Aquinas.

But Augustine’s epistemology was far more Platonic than that of Thomas, who depended on Aristotle, as we have seen. For this reason, the Augüstinian tradition has sometimes been described as “voluntarist” because it emphasizes the role of the will in knowing, in contrast to Aquinas’s emphasis on the intellect)8 True knowledge is based on a prior choice of the good; we know what we love. Because Augustine regards intelligence as at least damaged by original sin, he esteems wisdom, the gift of God, far more than knowledge. The doctrine of original sin remains one of Augustine’s greatest theological achievements, but it colors his view of the goodness of humankind, as would become so clear in the teaching of the Protestant Reformers, particularly as developed in the Calvinist doctrine of total depravity.

This Augustinian emphasis reappears in Ratzinger’s thought; he calls attention to the fathers of the church, who saw Jesus’ words “Blessed are the clean of heart, for they will see God” (Matthew 5:8), as the key to knowledge of God. “The possibility of ‘seeing’ God, that is, of knowing him at all, depends on one’s purity of heart, which means a comprehensive process in which man becomes transparent, in which he does not remain locked in upon himself.” Humility plays a key role in Ratzinger’s epistemology. He quotes with approval the words of his two mentors, Augustine, who said of his mother, Monica, a woman without the benefit of an education, that because of her simplicity of life she had reached the pinnacle of philosophy; and Bonaventure, who remarked of an elderly woman of deep faith that she “actually possessed more wisdom than the greatest scholars.” As Jim Corkery observes in reference to Ratzinger, “Augustine’s extolling of the humble believer over the proud philosopher surfaces repeatedly; and the point is frequently made that it is not proud philosophical insight, but humble, purifying faith that is needed for knowledge of the truth, for knowledge of God.” As Pope Benedict would write in his book Jesus of Nazareth, “The organ for seeing God is the heart. The intellect alone is not enough.”

In contrast, the Thomistic tradition is more intellectualist. While Aquinas, like Augustine, stressed that reason must work with faith, Aquinas tended to be more optimistic on what reason can know on its own. Our intelligence is “nothing more than a participated likeness of the uncreated light, in which are contained the eternal types.” In the words of Joseph Komonchak, intelligence “was a created power, resident in each individual and making the human knower the active co-agent in understanding and judging rather than the simply passive recipient that the knower appeared to be in the Augustinian view.” Thus, Aquinas had far more confidence in what intelligence could know; he taught that the intellect could grasp self-evident truths and had an important role to play in both philosophy and theology.

Ratzinger agrees with Aquinas that all knowledge begins with the senses, that there is a sensory structure to all human knowing, that even our way of thinking about God is dependent on and mediated by the senses, as we have seen. Even faith begins with experience, but it is never limited by experience. There is a self-transcending quality to faith that creates new experiences, allowing us to know something of the always greater God. But without faith, philosophy — that is to say, merely worldly wisdom — remains in darkness. Thus, from Augustine comes the distinction between wisdom (sapientia) and knowledge (scientia), so important for Ratzinger.

An Augustinian Pessimism
Ratzinger’s thought remains deeply influenced by the pessimism about the human evident in Augustine. The confidence one finds in Aquinas concerning the integrity of human knowing and willing is absent in Ratzinger. In many ways, Ratzinger’s instinctive attitudes toward human intelligence and thus its achievements in “modernity” show him to be much more like Jean Calvin and the Reformers than like Thomas Aquinas and his modern commentators. He frequently quotes Luther, and, like Luther, he emphasizes a theologia crucis, a theology of the cross that stresses the priority of grace over human achievement, philosophical reason, or ecciesial power.

Always he accentuates the sinful nature of the human person. In 1985 he told an interviewer that if he were to retire from his position at the Congregation for the Doctrine of the Faith, he would return to the university and devote the remainder of his life to writing about original sin, for “the inability to understand ‘original sin’ and to make it understandable is really one of the most difficult problems of present day theology and pastoral ministry” His sober, if not pessimistic, Augustinian vision is evident in his lack of enthusiasm for what is for many Vatican II’s most optimistic document, the Pastoral Constitution on the Church in the Modern World, Gaudium et spes.

As a peritus at Vatican II, Ratzinger was known as one of the progressives. He played an important role in the development of the conciliar texts on the church, divine revelation, and the missions. Yet he found problems with the text on the church in the modern world, precisely for conceding too much to the world. In his reflections on his experience at the council, published a year after it ended, he described a conflict between what he called Biblicism and modernity evident among the drafters of the constitution. Those advocating a modern theology, particularly certain French theologians, were legitimately concerned with using a language that contemporary men and women would understand. The text they produced was reasonable and polite, but Ratzinger found it problematic. He contrasted “the very plausible idea of man as a being called to subdue the world and free to decide his own fate” with “the Christological idea that man is saved by Christ alone.”

Suggesting that the text had opted for dialogue instead of engaging faith’s radical claim on human existence, it risked, in his opinion, reducing faith “to a kind of recondite philosophy.” In criticizing the schema for “an almost naïve progressivist optimism,” Ratzinger was touching on a theme that would come to dominate his thought when he moved from the university to Rome.

These same themes are present in his reflecting on Gaudium et spes more than fifteen years after the council’s close, indicating the consistency in Ratzinger’s thought. He acknowledged that the content of Gaudium et spes was entirely in keeping with the tradition. At the same time, he questioned its pre-theological concept of world, its emphasis on dialogue, and the “astonishing optimism” it displayed. Here his neo-Augustinianism emerges into focus. Some of the French and Belgian bishops and theologians who drafted the schema saw the “world,” with its scientific and technical mentality; as the counterpart to the church, and looked forward to a new cooperation with the world, in order to build it up. The council emphasized the concept of dialogue, seeing the relationship between the church and the world as a “colloquium” or conversation, as though both could enter into dialogue as equals.

Of course Ratzinger was suspicious of this emphasis. For him and some of the Germans, the world is the realm touched by sin, always in contrast to that of grace. And he found the assumption that nothing would be impossible if both church and humanity could work together simply too optimistic. What seemed to be missing was the “attitude of critical reserve towards the forces that have left their imprint on the modern world.” As Joseph Komonchak has observed, “The Augustinian distinction between science and wisdom would have offered a deeper epistemology than that of Aquinas, and greater emphasis on the Cross as the necessary point of contradiction between church and world would have enabled the council to avoid semi-Pelagian language and notions.” Ratzinger called Gaudium et spes a “counter syllabus” to the famous Syllabus of Errors of Pius IX (1864), acknowledging that it represented an attempt on the part of the council to reconcile the church to the new era that was inaugurated by the French Revolution; in other words, it was to be a reconciliation with modernity.

Another example of how his own thought is influenced by the heritage of Augustine is evident in his disagreement with his onetime colleague Karl Rahner. Specifically, he objects to Rahner’s insistence that what is truly human is truly Christian, as it seems to him to collapse God’s special revelation into a more general revelation readily accessible to human reflection. Thus, when Rahner says “He who.. .accepts his existence.. .says. .Yes to Christ,” Ratzinger argues that this means resolving the particular into the universal, denying the newness or uniqueness of Christianity or of Christian revelation. Furthermore, it seems to ignore the fallen nature of the human person. He writes that both Testaments teach “that man is what he ought to be only by conversion, that is, when he ceases to be what he is… A Christianity that is no more than a reflected universality may be innocuous, but is it not also superfluous?” It means a self-affirmation of the human person rather than the biblical call to conversion.

Here again, Ratzinger’s basically Augustinian view of the relationship between the divine and the human emerges; he stresses humanity’s fallenness, and thus the “ultimately paschal” character of God’s dealing with us, converting and transforming us, purifying us through grace.

Ratzinger’s anthropological writings embody a distinctive position, a definite “take,” on the relationship between nature and grace. This position emphasizes discontinuity over continuity; it indicates that the way of grace is the way of the cross; it puts the stress on grace healing and transforming nature (gratia sanans) more than on grace elevating and perfecting nature (gratia elevans). In itself, this is unsurprising, given Ratzinger’s preference for Augustine and Bonaventure over Aquinas.
Jim Corkery, “Joseph Ratzinger’s Theological Ideas” in Doctrine and Life 56 (2006)

Thus, Ratzinger’s discomfort with Rahner’s exaltation of the human is rooted in the Augustinian and Bonaventuran cast to his thought. It also illustrates how different his anthropology is from contemporary Western culture, with its optimistic attitude toward the human and its relativism regarding truth and value.

Bonaventure
Ratzinger did his Habilitation, the second dissertation required for a university chair in Germany, on the neo-Augustinian thought of St. Bonaventure. As he explains in his memoirs, since his dissertation on Augustine had dealt with ecclesiology, this new effort was to engage him with the theology of revelation. His work on Bonaventure was later to pay dividends at the council. But Ratzinger’s own attitude toward secular learning was to be deeply stamped by Bonaventure’s epistemology, and, even more significantly, his study of Bonaventure’s theology of history was to profoundly influence his understanding of eschatology.

At the time that Ratzinger took up the study of Bonaventure, European theology, particularly in Germany, had focused on the concept of salvation history, the idea that God’s saving plan for humanity is both worked out and revealed in a special history intermingled with world history. While Catholic scholars had also adopted this concept, Protestant thought tended to divorce a theology of salvation history from the metaphysics so important to Catholic theology. They rejected this joining of faith and metaphysics as a problematic “Hellenization” of the Christian tradition. To address this problem Ratzinger turned to Bonaventure.

Bonaventure’s Eschatology
Elected minister general of the Franciscan order in 1257, Bonaventure (1221-74) was caught up in an inner-Franciscan struggle with a group known as the “Spiritual Franciscans” or simply the “Spirituals,” disciples of a charismatic Cistercian abbot from Calabria, Joachim of Fiore (1135-1202). According to Joachim’s teachings, history is divided into three epochs or ages. The first was the Age of the Father (ordo conjugatorum). It embraced the period of the Old Testament, when God’s people lived under the Mosaic Law. The second was the Age of the Son (the ordo clericorum), the period beginning with the New Testament, in which God’s grace is mediated by the rites and sacraments of the church, administered by clerics or priests. The third was the Age of the Spirit (ordo monachorum), which Joachim proclaimed would dawn in the mid-thirteenth century introduced by St. Francis and his coinmunity. The Franciscans were the most spiritual of the traditional orders and would be the new and final order, representing the new people of God, the ecclesia contemplativa, arising out of the tribulation of the last days. Ratzinger translates this novus ordo as the “new People of God.” The Spiritual Franciscans saw themselves as representing the beginning of this new age of the Spirit.

While Bonaventure found much of Joachim’s thought problematic, not least for the tensions it had created within the Franciscan order, he also saw Francis as the sign of a new age, recognizing the possibility that this new age had actually begun. As Aidan Nichols says, “Bonaventure, just like Joachim, hopes for a new age of salvation within history. Between Jesus Christ and the final consummation of history he makes space for an ‘inner-historical transformation of the Church.” Bonaventure also taught that

[P]rior to history’s entry into God’s eternity there will be a “last age” in which the poverty of the church’s Jerusalem beginnings will blossom again in a reign of the poor on earth. Before the name “liberation theology” was ever heard of Ratzinger had to arrive at some judgment about this uncanny thirteenth century anticipation of liberationist eschatology.
Aidan Nichols, Thought of Pope Benedict XVI

One can see immediately where Ratzinger would have profound difficulties with Bonaventure’s vision. He objects that Bonaventure’s eschatology was raising “a new, inner-worldly messianic hope,” “a new salvation in history;” “an inner-historical transformation of the church” — all of which rejected the view “that with Christ the highest degree of inner-historical fulfillment is already realized so that there is nothing left but an eschatological hope for that which lies beyond all history.” It also amounted to making salvation something in history, rather than beyond it, relativizing if not replacing the unique role of the church by making it primarily contemplative rather than mediational, and anticipating a new mission of the poor against the covetous. What Ratzinger learned from his study of Bonaventure had a profound effect on his thinking, an insight or judgment that would return again in the face of new theologies of liberation with similar tendencies to place eschatology in history rather than beyond it, or to speak of a church of the poor, or to advocate modern congregationalist ecclesiologies that dispense with hierarchical mediation.

Bonaventure’s Epistemology
If Ratzinger was critical of Bonaventure’s theology of history, he also learned considerably from Bonaventure’s epistemology, which privileged the wisdom of faith over philosophy and the natural sciences. Writing in the mid-thirteenth century, a time in which the recent introduction of the thought of Aristotle was changing the traditional, largely Platonic understanding of theology Bonaventure saw theology as “nothing other than the understanding of Scripture.”~ Since Christ was the center of all things, philosophy for Bonaventure had to be radically Christian. But under the influence of the Aristotelians, philosophy was becoming increasingly self-sufficient, an autonomous discipline based on natural reason. While Bonaventure did not include Aquinas among the contemporary Aristotelians he was criticizing, he felt that Aquinas showed too much confidence in Aristotle. His own thought moved in another direction. According to Ratzinger, Bonaventure’s Collationes in Hexaemeron represented “a battle against a self sufficient philosophy standing over against faith.” It was not just anti-Aristotelian, but developed “into a general anti-philosophical attitude.”

There are of course parallels here between Bonaventure’s epistemology and Ratzinger’s. Ratzinger admires especially Bonventure’s absolute rejection of any philosophy not integrated into Christian wisdom. For both, Christ is the true wisdom. Komonchak refers to Ratzinger’s “Bonaventuran” theological vision:

“The gospel will save us, not philosophy, not science, and not scientific theology. The great model for this enterprise is the effort to preach the gospel in the alien world of antiquity and to construct the vision of Christian wisdom manifest in the great ages of faith before philosophy, science, and technology separated themselves into autonomous areas of reflection and activity.”
Komonchak, Church in Crisis, 13

Bonaventure, for whom Francis of Assisi was always a model, saw an essential relation between revelation and humility; the relation was such “that anyone who is entirely lacking in humilitas is also incapable of receiving any knowledge of revelation.” This emphasis, learned from both Augustine and Bonaventure, also becomes characteristic of Ratzinger’s thinking.  

Attitude toward Modernity

Given the Platonic and Augustinian currents in Benedict’s thought as well as his own personal liistory his evaluation of modernity is ambiguous at best. His Augustinian tendency to contrast ±e wisdom of the world with that of the church was certainly reinforced by his experience of coming to maturity in Nazi Germany. He looks back on the church and its teaching as the one bulwark against the destructive ideology of the Nazis: “she had stood firm with a force coming to her from eternity. It had been demonstrated: The gates of hell will not overpower her.”

While many have argued that his thought moved in a more conservative direction after the student revolts of 1968, much of which he saw as Marxist-inspired, Michael Fahey insists that his thought “shows an amazing consistency.” According to Joseph Komonchak, Ratzinger very early aligned himself with a stream of renewal represented by theologians like Henri de Lubac and Jean Daniélou, who advocated a ressourcement, or return to the sources of Christian faith and life. “He showed little interest in another stream (represented by figures such as Marie-Dominique Chenu, Bernard Lonergan, Karl Rahner, and Edward Schillebeeckx) which, inspired by Aquinas, proposed and attempted a positive engagement with modern intellectual and cultural movements.” Indeed, Ratzinger’s attitude becomes evident in his observation that the movement toward renewal in Catholic theology after World War I had been based on ressourcement, but since the council the emphasis has been on aggiornamento, so concerned with the present moment that “it regards any recourse to the past as a kind of romanticism.”

Benedict wants the church to be distinct from the world and its wisdom. He feels that a tendency to accommodate modem thinking has led to the loss of a sense of identity and mission for the church. Thus, his tendency is to return always to the sources of the faith in the scriptures, the liturgy, and the fathers of the church. But, important as this is, it makes him seem less open to advances in learning that could be identified as “secular” rather than “sacred.” In the words of one critic, he “sees all traditions and historical experiences outside his own as gray, while the castle of Catholic tradition that he inhabits is suffused with the deep reds and blues of stained glass and the flame of candles… .As the searchlight of orthodoxy and liturgy drown out the weaker voices of liberal critics.. .the Pope and the magisterium—the centralized authority of Roman Catholic wisdom—have no need to look outside for enlightenment.”

For example, like Pope John Paul II, who described contemporary culture as a “culture of death,” Pope Benedict in his installation homily used the metaphors of “desert” and “sea of darkness without light” to describe the contemporary world. While these metaphors may sometimes be meaningful, they also suggest that there are no values or advancements in understanding in contemporary culture from which the church might learn, for example, an emphasis on democratic structures, participation in decision making, transparency, the accountability of those in authority; and the principle of subsidiarity, which honors the right of smaller communities to make decisions appropriate to their life. This makes his approach seem overly negative.

Ethical Questions
His approach to ethical questions suggests a closed hermeneutical circle. He correctly argues that the scripture does not offer specific moral propositions but rather a structure; it points to reason as the source of moral norms. Here he sees three agencies at work: the Christian and human experience of the church at large, the work of scholars, and the listening and deciding undertaken by the church’s teaching authority. In Nichols’s words, the teaching charism of the pope and bishops “is not meant to substitute for the exercise of the experiential and learned elements in the Church, but to ‘place’ the results of the latter within a wider whole: the apostolic Church in its response to the apostolic revelation.” While this does not exclude doctrinal development in the area of morals, it does not presuppose it either.

Ratzinger, however, does seem to overload the church’s teaching authority with the presumption that it always knows the truth. He does not appeal to extra-ecclesial sources, for example, to advances in knowledge assisted by scientific research, sociological evidence, or psychology. The church today faces many questions that come from such advances, questions that are not answered simply from within the hermeneutical circle of scripture, the tradition, and the magisterium. What about what is learned through the sciences—can such historical data also become data for theology? For example, does the church need to rethink its discipline excluding those in second marriages without annulments from receiving holy communion, appealing to the principle of “economy,” as do the Orthodox? What about the relatively recent discovery of the concept of sexual orientation as given, not chosen, with increasing indications that it is determined very early in a child’s life or even before birth—does this have any implications for the church’s understanding of homosexuality? What about the many issues raised by advances in modern medicine, questions in the area of bioethics, such as the “end of life”? Has the church kept pace with a new appreciation of women in society; and the implications this might have for the church? Has the church sought to address these issues, drawing on the wisdom of its scholars and bishops and the experience of its faithful, or does it speak simply in the voice of the Roman congregations? Is there some wisdom, born of experience, from which the church might learn?

The apparently closed nature of Ratzinger’s hermeneutic circle has led some commentators to argue that he is not really open to what might be learned from other sources. As Komonchak observes, there are in his writings “very few positive references to intellectual developments outside the church; they almost always appear as antithetical to the specifically Christian.”

Theological Pluralism
The phenomenon of globalization has brought new challenges to the church and its theology; with the inevitable tensions between the local and the universal. How can a universal, multicultural church embrace theologies that reflect the unique insights, problems, and approaches that make up the diverse cultures of the Catholic Church? Can there be genuinely Asian or African theologies? Will Rome be open to the whole issue of theological inculturation? Or does the theological language that developed in the West become a standard for the newer theologies of Asia, Africa, or Latin America?

Many theologians today argue that effective evangelization depends on regional churches being able to develop their own theologies, reflective of their own contexts. Others are much more cautious, suggesting that local theologies pose a threat to the unity and universality of the church. In an early reflection on the highlights of Vatican II, Ratzinger seemed more open to local theologies. He observed that the implantation of Christianity in Asia had so far failed, in part because it had been unable to move beyond Occidental culture. “To this hour there has arisen no really indigenous Asiatic Christianity reflecting a genuine grasp of the spirit and culture of the Orient.”

Yet as prefect of the CDIF, Cardinal Ratzinger was reluctant to use the term inculturation. In 1993 he told the bishops of Asia that they should avoid the term, using instead inter-culturality. The idea of inculturation seemed for him to imply that “a faith stripped of culture could be transplanted into a religiously indifferent culture whereby two subjects, formally unknown to each other, meet and fuse.” Inter-culturality suggests a meeting of two cultures, such that one does not destroy, but can enrich the other. His point here is an important one. As Francis Schussler Fiorenza points out, Ratzinger does not think it possible to conceive of Christianity independent of culture. He fears that such a transcultural vision of Christianity would entail a loss of its distinctive Christian identity.

But he also seems to presume the normativity of Western culture for Christian theology In his interview with Vittorio Messori, he said that “there is no way back to the cultural situation which existed before the results of European thought spread to the whole world.” His 2006 academic lecture at Regensburg seemed to go even further. He pointed out that the Septuagint, the Greek translation of the Hebrew Scriptures produced in Alexandria between 300 and 200 BCE, was more than a mere translation; it was “an independent textual witness and a distinct and important step in the history of revelation” in which a profound encounter of faith and reason is taking place, evident in the later Wisdom literature. The New Testament also reflects this Greek spirit. Thus, for Ratzinger the Western rapprochement between faith and the use of human reason is part of biblical revelation; it is “part of the faith itself.

He sees Western thought as having moved beyond this synthesis between Christian faith and Greek reason, the result of the call for a “de-Hellenization of Christianity” that had already begun to emerge with the Reformation’s rejection of metaphysics, with its principle of sola scriptura. This same rupture of reason and faith was continued by liberal theology in the nineteenth and twentieth centuries and in the contemporary effort to argue that the early church’s synthesis of faith and reason under the influence of Hellenism is not binding on other cultures. Indeed, he argues that Christianity has more in common with ancient cultures, and, indeed, with other religions, both of which teach that humans must turn toward God and the eternal, than with the relativistic and rationalistic world of today that has cut itself loose from these fundamental insights.

While Benedict’s privileging of Western thought, at least in its historic synthesis of faith and reason, makes him less open to non-Western modes of thinking in principle, the point of his address at Regensburg was to insist that the modern, Western self-limitation of reason to the empirical and the demonstrable rules out a genuine dialogue with other cultures and religions, particularly with those that see the exclusion of the divine from the universality of reason as an attack on their deepest convictions. This of course was the main point of the address, which was largely lost because of the controversy over his remarks about Islam.

Nevertheless, Benedict’s point here was crucial. Without a concept of reason open to the questions of religion and the divine, a critical dialogue with religion that examines the rationality of faith remains for the West impossible. Nor will such a culture be able to enter into a genuine dialogue with a religion such as Islam, which looks upon Western culture as essentially atheistic.

Interreligious Dialogue
Ratzinger’s attitude toward dialogue differs considerably from that of his predecessor, John Paul II. In his encyclical Redemptoris Missio, John Paul affirmed that the “Spirit’s presence and activity affect not only the individuals but also society and history peoples, cultures and religions” (no. 28). In other words, for John Paul, the Spirit is mysteriously at work in some way in other religions. Though he holds firmly to Jesus as the one mediator between God and humankind, he also recognizes what he calls “participated forms of mediation,” which acquire meaning only from his mediation (no. 5).

However, Ratzinger seems much less willing to recognize the Spirit’s work in other religions. While the declaration Dominus Jesus, which came from Ratzinger’s CDF, quotes John Paul’s remarks in Redemptoris Missio (no. 55) that God “does not fail to make himself present in many ways, not only to individuals, but also to entire peoples through their spiritual riches, of which their religions are the main and essential expression even when they contain ‘gaps, insufficiencies and errors” (DI 8), it also distinguishes between faith as a supernatural virtue and gift of grace found only in Christianity and belief. James Fredericks asks:

Dominus Jesus concludes that “the sacred books of other religions, which in actual fact direct and nourish the existence of their followers, receive from the mystery of Christ the elements of goodness and grace which they contain.” If the grace contained in the Sutras and the Upanishads, the Qur’an, and the Dao-de king is from Christ and not merely the product of human wisdom untouched by grace, how then can Christians maintain a stark, un-nuanced distinction between “theological faith,” on the one hand, and “belief, in the other religions” which is merely “that sum of experience and thought that constitutes the human treasury of wisdom and religious aspiration”?

What emerges in Ratzinger’s language here is a characteristic distinction between the natural and the supernatural, reflective of his own Augustinian emphasis on the primacy of grace. Dominus Jesus, which came from the CDF under Ratzinger’s prefecture, spoke of those in other religions as capable of receiving divine grace, but added “objectively speaking they are in a gravely deficient situation in comparison with those who, in the Church, have the fullness of the means of salvation” (no. 22). In many ways Pope John Paul’s approach to other religions was more like Rahner’s, more willing to recognize the ubiquity of the Spirit’s presence.

Ratzinger’s emphasis on evangelization in Dominus Jesus, while making an effort to incorporate what Vatican II says positively about other religious traditions, is so focused on the need to evangelize, to recognize the equal dignity of persons but not of doctrinal content, and to announce “the necessity of conversion to Jesus Christ” even in interreligious dialogue (DI 22) that it fails to communicate a sense that to enter into dialogue with another religious tradition can itself be a truly religious act. It is not simply a means of evangelizing but a way of approaching the mystery of God’s truth, for these religions “often reflect a ray of that truth which enlightens all men and women” (NA 2).

In a more positive essay, “The Dialogue of the Religions,” he outlines three principles. First, dialogue takes place not by renouncing truth but by entering more deeply into it. Second, while looking for what is positive in the belief of the other, we must be willing to accept criticism of ourselves and of our own religion. Third, dialogue is always a dialogical process. It does not replace missionary activity but is always aimed at finding the truth, at conviction, so that mission and dialogue become not opposites but rather mutually interpenetrate each other. The “dialogue of religions should become more and more a listening to the Logos, who is pointing out to us, in the midst of our separation and our contradictory affirmations, the unity we already share.”

Conclusion
Though Joseph Ratzinger was one of the youngest of the peritus at the Second Vatican Council, his instinctive tendency is much more toward ressourcement than aggiornamento. Few contemporary theologians are more rooted in tradition, particularly in the biblical and patristic tradition of the church. From his long years as a professor he is well read in contemporary theology and refers to it constantly in his work.

Yet his particular gift is to expound the tradition with a remarkable clarity rather than to reinterpret it creatively for new situations and problems. His optic on the human is colored by his love for Augustine. His own thought, often described as neo- Augustinian, has more in common with Augustine and the Reformers, especially with Luther and his theologia crucis, than with Aquinas or modern interpreters such as Kit! Rahner and Bernard Lonergan. While he contrasts Rahner’s theology as speculative and philosophical, conditioned by Suarezian scholasticism and its new reception in the light of German idealism and Heidegger, he characterizes his own intellectual formation as shaped by scripture, the fathers, and “profoundly historical thinking.”

Yet it is not clear how much historical consciousness has really shaped his thinking. There is a decidedly Neo-Platonic cast to his thought, deepened by his study of Bonaventure which has left him suspicious of any wisdom that is merely secular. At the same time, his preference for the idea over the real and the existential gives an a priori character to much of his theology and raises the question of how “new data,” whether from recent discoveries, from the social sciences, or from practical human experience, are integrated into his theological reflection. His tendency is to stress the supernatural over the merely natural.

His firm conviction of the complete character of the revelation of Jesus Christ (DI 4) makes him somewhat ambivalent in regard to dialogue with non-Christian traditions. His concern is always to safeguard the absolute truth possessed by the church, not just from the “acids of modernity” but also from the modern tendency to see all religions as equally valid ways to the truth, which is detrimental to the church’s mission. This is not entirely wrong. As Francis Clooney emphasizes, “in the West we have forgotten that dialogue is a search for truth, not simply a modus vivendi.” Benedict argues that if all religions are equal in principle, “then mission can only be a kind of religious imperialism, which must be resisted.” The truth of God’s revelation in Christ must be offered as a gift, but freely and in love.

Thus, an obvious strength of Ratzinger’s theology is his adamant refusal to let secular modernity define the rules of the dialogue. In his view, the West since the Enlightenment has cut itself loose from its Christian roots with its historical synthesis of faith and reason, reducing knowledge to a narrow model based on scientific reason and the criterion of verifiability. Christianity cannot be reduced to an illumination in the depths of the person; its nature is historical because it is based on events.

Even biblical interpretation has been subjected to this same rationalism. Without a place for the transcendent, or for Christian revelation, Western intellectual culture has settled for technical knowledge rather than wisdom. Rather than constructing a society based on shared moral values rooted in God’s revelation, modern society relies on social engineering. Religion has been confined to personal interiority thus to the realm of subjectivity Each person is left free to construct his or her personal faith.

Of course Pope Benedict rejects all this. His theology begins from the principle that God has spoken in our history, that the divine self-disclosure takes place in the person of Jesus, the Word made flesh. He has challenged secular rationality not just as a religious leader but precisely as a theologian. He wants scripture to be the word of God, not just another historical text. 

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Robert Browning and the Irony of Humility

July 6, 2010
 

Robert Browning

Anthony Esolen uses Robert Browning’s The Ring and the Book here to demonstrate how the richest irony presupposes truth and order. In his book Ironies of Faith he also shows how irony is used by Shakespeare, Herbert, Dickens and Gerard Manley Hopkins to reveal the mysteries of Christian faith.

Before I define what irony is, let us examine what habits of mind are necessary for understanding so subtle a feature of language. Those habits are all the more necessary as the language of Christendom grows more distant and the culture more foreign.

Cleverness is not the answer. I would like to illustrate why by turning to a masterpiece of Christian poetry. Robert Browning wrote his longest and most difficult work, The Ring and the Book, precisely to show human beings failing to interpret correctly the actions and motives of one another. They fail not because they are dim-witted, but because their moral compromises limit their vision. Pride — and its concomitant assumption that everyone must be just like oneself, only not quite so intelligent or strong-willed — is the problem.

Browning derives his plot from the account of a notorious series of trials in late-seventeenth-century Rome. Violante, a childless wife, finds a woman of the streets who has recently given birth to a girl. She pays her for the baby and passes it off to her husband Pietro as their own. They christen her Pompilia , and together they live well enough for people with no hereditary title. ‘Worried that the secret of the birth will come out, Violante seeks to marry Pompilia away as soon as she can to someone with the title they lack. She finds one Guido, an Aretine and hanger-on at the cardinal’s court, no priest but enough of a cleric to claim ecclesiastical privilege. He is a short, middle-aged, cowardly, ugly, embittered, and poverty-stricken aristocrat. The marriage is a hugger-mugger affair, Pietro not even present. Guido expects a large dowry; Pietro imagines the wealth of Guido’s ancestral home. When that castle in Arezzo proves dilapidated and cold, and when Guido treats the parents with brute tyranny, they flee to their old home in Rome, leaving Pompilia behind.

There she bides, patient and unhappy, subjected to Guido’s tyrannical whims and to the obscenity of his brother, a canon of the church. When the parents suddenly turn about and attack their attacker, testifying that Pompilia was not their daughter (and that therefore Guido was not entitled to her dowry), Guido counters by attempting to tar her as an adulteress. Fic uses maids and “friends” to try to press Pompilia into compromising herself with a local priest, the dashing Giuseppe Caponsacchi. He goes so far as to compel her to “write” letters at his instruction: he holds her hand and forces the pen along, as she can neither read nor write, nor does she know the content of what he has her compose. Caponsacchi, however, who has never spoken with or met Pompilia but only looked upon her sad, strange beauty once and from afar, sees through the ruse and resists.

Pompilia entreats first the governor of Arezzo, then the archbishop, while weeping like a child, pleading to he rescued from the evil that threatens her, body and soul. But they are worldly men and cronies of her husband. They know better. They wink at the wickedness and tell her to go home. They have no ears to hear.

At that, Pompilia turns to her last hope. She has never spoken to Caponsacchi. By all rights she should know nothing about him. But she does know. She has looked into his eyes once and seen — her knight.

Browning dares the reader to play the archbishop or the governor, to smile and shake his head and say that such “knowledge” is for fairy tales and not for real life (whatever that is). But a true man is what Pompilia sees. She manages to send him a plea to come take her away. After some days of hesitation, for he knows that no one will understand, and that he is about to destroy the churchly career his superiors have chiseled out for him, Caponsacchi submits to the promptings of a holy love. He sweeps her away to Rome. Just before they arrive, they are overtaken by Guido and his henchmen — Pompilia sleeping in a bedroom in a wayside inn, the priest watching over her.

 So incriminating are the appearances that Guido might have slain her on the spot and been pardoned. But he is a coward; the priest raises a sword to defend Pompilia, and when the henchmen pinion his arms, the girl herself seizes a sword and raises it against Guido. At this point he retreats and decides to take legal action. The trial of charge and countercharge ends in stalemate: Guido is allowed to keep the dowry, Caponsacchi is removed to a retreat house, and Pompilia is committed to a convent outside Rome. When, a few weeks later, she is found pregnant, the court mercifully remands her to the home of her mother and father, under provision that she not leave. There she gives birth to a son, whom she names Cactano, after a recently canonized saint, for as she sees it, Guido has no part in this son — only heaven.

Infuriated by the perceived insult to his honor, Guido steals to Rome during Christmastide and knocks at the door where the family dwells. When they ask who is there, he utters the magic word, “Caponsacchi.” When Violante opens, he slashes her in the face. He and his fellows cut her mother and father to pieces, and give Pompilia what should have been a dozen death-stabs. But Pompilia does not die, not yet. Guido is discovered fleeing back to Arezzo and is brought to Rome to stand trial. Pompilia gives her full testimony from the bed where she will soon die — the testimony of a young woman in love, chaste love, with her champion, the gallant Caponsacchi The priest and Guido testify and Browning provides us with the “opinions” of the half of Rome that is for Guido, and of the half of Rome that is for Pompilia, and also of what he calls “Tertium Quid,” the sophisticates who see more keenly, so they think, than does either side of the rabble. We are likewise presented with the trial preparations of the prosecutor (the grandly titled Fisc) and the defense attorney — worldly men, not exactly had and not exactly good, full of themselves, and cutting a partly comic figure in their pretending to know everything.

When Guido is convicted and sentenced to death, he appeals to the pope, Innocent XII, himself old and dying. The pope responds that while, everyone might have expected Guido to long outlive him, as it is, in all his weakness the pope will live another day, while Guido shall not see the sun set again.

What Browning shows us in this tangle of purity and wickedness, and half-virtue and shadowy half-vice, is not only how difficult it is for us to “read.” That is what critics of Browning put forth: he is the poet, they say, of multiple points of view, himself coolly distant from judgment. We are granted the irony of seeing that the same events might he viewed in a variety of ways, with all kinds of arguments to justify them.

But the irony Browning relishes is deeper than that. The spokesman for “Tertium Quid,” a cool aristocratic skeptic, dismisses Pompilia’s claim of innocence as incredible and dismisses Guido as a coward who in part got what he deserved. And he expects the pope to do the “reasonable” thing, to commute the sentence. Tertium might well be a modern trader in literary criticism. He is well-heeled, smiling at outrageous claims either to surpassing virtue or to surpassing wickedness. He pretends to a careful examination of evidence, hut actually he works for self-advancement, whispering into the ear of his lordly master just what his lordly master is to believe of all the brouhaha. Yet the irony cuts against him and against all skeptics: for Browning reveals that Pompilia was not only innocent but miraculously pure. We who cannot believe are the ultimate objects of his admonition.

Pompilia is also the most acute “critic” in the poem — she, barely seventeen, who can neither read nor write, and who was married, as she says, “hardly knowing what a husband meant” (7.410). What makes her wise? Browning identifies it unhesitatingly. Pompilia’s humility enables her to move outside herself, to imagine what it might be like to be someone else. So she is the only one in the poem, aside from the similarly humble pope, to excuse the whore who sold her away:

Well, since she had to hear this brand  — let me!
The rather do I understand her now, —  
From my experience of what hate calls love, –
Much love might be in what their love called hate. (874-77)

So too she reads the virtue in Caponsacchi, though he — trained for worldly expectations, and having priested it so far among the gentry — struggles honestly and abashedly to find the same. And, ironically, she knows that others will “know” better:

So we are made, such difference in minds,
Such difference too in eyes that see the minds!
That man, yon misinterpret and misprise –
The glory of his nature, I had thought,
Shot itself out in white light, blazed the truth
Through every atom of his act with me:
Yet where I point you, through the crystal shine,
Purity in quintessence, one clew-drop,
You all descry a spider in the midst.

One says, “The head of it is plain to see,”
And one, “They are the Feet by which I judge,”
All say, those Films were spun by nothing else.” (7.918-29)

We judge by what we see, and unless we love deeply, we see ourselves. So will a cheat watch the fingers of everyone else at the card table.

What do the Romans make of the evidence? Most often, Browning shows, evidence is a motley’ thing, patched up with fads, haff—heard news, clichés, smug assumptions about how all people must be, self—satisfaction, and, in the case of the, professional Fisc and his hilariously slick—talking opponent Lord Hyacinth of the Archangels, the false alleys provided by a little learning and a heap of rhetorical trash. Pompilia, Caponsacchi, and the pope also have to weigh evidence; but humility opens their hearts to insight. Here is Pompilia, trying to express a joy in bearing a child who xviii never know his mother, but who will probably hear the lies:

Who is it makes the soft gold hair turn black,
And sets the tongue, might lie so long at rest,
Trying to talk? Let us leave God alone!
Why should I doubt tie will explain in time
What I feel non’, but fail to find the words? (7.1756—61)

Her words profess incapacity — and speak to the heart. God, who unties the tongue of the infant, will reveal to Gaetano the truth. An innocent child will hear when all the world is deaf.

The pope hears and understands. We meet him in his chambers, pondering the mystery of evil, knowing he is not long for this world, and wondering what fruit of all his shepherding he will have to show in the end. The world regards him as powerful, but the world is wrong. Consider with what humility and love he regards Pompilia:

Everywhere
I see in the world the intellect of man,
That sword, the energy his subtle spear,
The knowledge which defends him like a shield— Everywhere; hut they make not up, I think,
‘the marvel of a soul like thine, earth’s flower
She holds up to the softened gaze of God!
It was not given Pompilia to know much,
Speak much, to write a book, to move mankind,
Be memorized by who records my time.
Yet if in purity and patience, if
In faith held fast despite the plucking fiend,
Safe like the signet-stone with the new name
‘That saints are known by, — if in right returned
For wrong, most pardon for worst injury,
If there be any virtue, any praise,–
Then will this woman—child have proved — who knows? –
Just the one prize vouchsafed unworthy me. (10.1019-29)

No one sees what is really going on, says the pope; no one can read the narrative of the world from God’s point of view. Yet he sees, humbly enough, that the finest harvest from his priesthood may be just this one poor soul, the illiterate Pompilia, a “woman-child,” of whose virtue and sanctity Innocent considers himself unworthy. She never wrote a book, or even her own name. The papal historian will not remember her. But the Recording Angel will. Does that assertion strike the reader as credulous sentiment? Beware. The problem with skeptics and cynics is not only the faith they lose, but the faith they gain. It is what the pope identifies as Guido’s telltale mark, “That he believes in just the vile of life” (10511). On the night before his execution Guido can “see through,” with what he thinks is ironical acuity, the façade of the pope’s goodness:

The Pope moreover, this old Innocent,
Being so meek and mild and merciful,
So fond o’ the poor and so fatigued of earth,
So . . . fifty thousand plagues in deepest hell (11.55-58)

So the spokesman for “Half-Rome” can also “know” what a curly-haired young priest is all about, “Apollos turned Apollo” (2.794)1 He’ll not “prejudge the case” (68o), he insists, yet so far does prejudge it that he pieces events out with his own sly imagination, picturing the contretemps between Pompilia and Caponsacchi, things that never happened at all: “Now he pressed close till his foot touched her gown; / His hand touched hers” (803-4).

If we must he blind, would it not he better to be dazzled by a piercing light? In this way Pompilia is blind, and therefore she sees — and it is actually there — the virtue of a man, Caponsacchi, who is yet to become the man she imagines. If she is blind to the faults of a less-than-chastely spent youth, it is because she is dazzled by the greater light. These are her dying words, spoken as if even now Caponsacchi were her saving knight, and not she his saving damsel.:

So, let him wait Gods instant men call years
Meantime hold hard by truth and his great soul,
Do out the duty! Through such souls alone
God stooping shows sufficient of His light
For us i’ the dark to rise by. And I rise (7.1841-45)

Criticism and Gossip
THE RING AND THE BOOK is a storm of irony, currents and crosscurrents of knowledge and ignorance surefire plans foiled, certitudes that wither awry, and un-possibilities come to pass. To understand the irony we must adopt the stance of Socrates, who in humility, perhaps in mock humility, insisted that he was the only man in Athens who did not know anything. For irony, as we shall see, has to do with what people think they know, or what they think they can expect. All criticism that does not begin in the humility of wonder must end up as the one or the other half of Rome: when correct, correct by happenstance; pretending to analyze, yet studying nothing with that patience that invites us to learn from what is beyond us; mired in gossip, and often gossip with a clear incentive in money or prestige.

From gossip we learn nothing new. If Mrs. Jones flirts with the delivery man, we may find it shameless; but we know nothing more from our self-pleasing gossip than that she has done what we would not (usually, let it be noted, because we happen not to be tempted that way). But of what it might he like to be Mrs. Jones, or the poor workman, nothing. Gossip preempts, then deadens, our half-hearted attempts to enter imaginatively into the life of another. If we could glimpse the world for a moment through something distantly like Mrs. Jones’s eyes, our understanding of her action might be very different. We might then be ready to invite her to tea, or to lock her up. There is no logical reason to suppose that our imaginative entry into her world must make us think the better of her; the pope saw into Guido, and found the lizards of our lower nature. Consider how uncomfortable you would feel if your admirers could enter your thoughts for the twinkling of an eye.

But perhaps I have miscast the action. Most of us are not endowed with what Keats called “negative capability,” the imaginative power whereby we empty ourselves and assume the minds and souls of others. If we are to work our imaginations, we must love or hate. If we hate, we will, from our position of moral superiority, see our own vices smiling back at us, as Browning’s Romans do, the vices we would possess if we were like the people we judge; but, thanks he to almighty God or to a sound education, we are not like them. He whom I imagine is no better than I am. So the Fisc, to win his case for Pompilia, will not concede that she had any love affair with the priest, nor that she committed adultery (unless the priest took his importunate way with her while she slept). Fine; but see how his “defense” patronizes her supposed weakness of character and turns her into a common flirt:

And what is beauty’s sore concomitant,
Nay intimate essential character,
But melting wiles, deliciousest deceits,
The whole redoubted armoury of love? (9.229-32)

No beauty that reflects the grandeur of God, this. The Fisc’s vision is imaginative indeed, drearily so, and many “truths” of the petty and misleading variety can be derived from such a thing. We can happily note the small wickedness of others, and miss the darkness that is our own.

The truly educative act of imagination is spurred by love: that turn of the mind towards the fellow sufferer on his way to the grave. It may he tinged with pity; it need not be, and may be better if not. I turn towards him because he means something to me — he is as I am. Such an act of imagination begins in humility. I am no better than is he whom I imagine. I may be worse. In any case, I will be more apt to aspire to assume his virtues than to assign to him my vices. My understanding of him will thus be far subtler and far richer, far more fulfilling than if were moved by hate. For virtue is to vice as manliness is to machismo, as womanliness is to effeminacy, as any full-blooded reality is to its caricature. In this vision, by an act of humble imagination, I recast my inner world in the image of someone else.

Unfortunately, much of what passes for criticism is little better than idle gossip. Its initial spur is often not honor for the work of genius at hand, but the desire to say something clever. That is not fertile ground for love; thus, neither for the imagination. Yet the result can be impressive in a perverse way. Milton’s Satan, hating Eve, saw his own vices potentially in her, and thus could squat like a toad at her ear, imaginatively entering her and attempting to pollute her. Nor could Nietzsche have misunderstood the Bible so well had he not hated it so thoroughly.

With far less of fallen glory the same can be said of many a critic of Shakespeare, Chaucer, or Milton. Their words all but confess that they dislike the deepest beliefs these men either possessed or struggled vainly not to possess. Having delivered beauty, sex, love, sport, religion, education, youth, age family life, and even the care of newborns to an obsession with politics, the modem critic sees his own political face everywhere. Lorenzo and Jessica in the Merchant of Venice sing their rallying love-hymn to the night; the critic sees tiresome struggle for power. The traitor Macbeth is beheaded; the critic snickers and says that Malcolm will probably prove worse.

Emptying Ourselves of What We Think We Know
Is it possible to come to wrong conclusions on every important point? If our criticism were subject to random chance, we would be bound to get many things right. But the more intelligent we are, the more consistent our conclusions will be, and if we start from false principles, the more consistently wrong they will be. Take for example a young critic of medieval and Renaissance English poetry. Suppose that he is thoroughly conversant with the language of those old texts. Suppose also that he knows the history of England — and not just the wool trade or the tin mines or other now fashionable niches of economic history. Grant that he knows it well enough to place the poetry in its historic context, the better to understand what the words on the page mean. Grant him the rare knack for catching the well-turned phrase or the well-hewn line. Such a critic must still fail if he does not also understand what it might he like to believe in the Christianity which was the shared faith of Chaucer, Spenser. Donne, Shakespeare, Jonson, Herrick, Herbert, and Milton.

Can such an understanding he attained? If not, why read books? I am a great lover of the poet Lucretius, though he is a materialist and, for all practical purposes, an atheist, while I am not. When I read Lucretius, the skeptic, the satirist, and the scientist in me can relish his attack upon superstition. So could the ancient Christian polemicist Lactantius, who enjoyed the poetry and then used it as a sabre against paganism. But Lactantius could hardly have done so had he not entered into the spirit of Lucretius.

For the sake of understanding materialist poetry, then, I become provisionally and temporarily a materialist. As C. S. Lewis says, what the critic requires is not so often a suspension of disbelief as a suspension of belief. It is too easy to respond that such self-transformation is an illusion. Of course we cannot leave our minds behind. The point is that our minds possess myriads of possibilities, usually dormant, inactive, unrealized. Good reading sets them in motion. For the sake of Lucretius’ great poetry I allow the materialist in me to take the stage and declaim. That Lucretius’ voice is still bound up with my own does not matter. It could not he otherwise; nor do I require it. All I require is that humbling release of what I am and what I believe now, surrendering to what I might have been or to what I might have believed had I been more like Lucretius. I say with Alyosha Karamazov, who tries to understand his brother Ivan, “I want to suffer too” (The Brothers Karamazov, 287). I surrender in imaginative love.

Now there is a catch to this surrender. The farther you are from the faith of the author you are reading, the more readily you will acknowledge the need to surrender yourself, but the more difficult it will be. The closer you are to the author’s faith, the easier the surrender would be, could you ever he prevailed upon to see the need. In the case of Christianity, it is as Chestcrton puts it. You had better be in the faith completely or out of it completely. The worst position, if you want to understand it, is to be partly in and partly out, or to have a passing, culturally based familiarity with its surface. You are neither so familiar with it as to probe its depths, nor is it so strange that you are moved to approach it with care. You take the attitude of Petronius, or of “Tertium Quid,” You’ve seen it all before.

Apply a two-dimensional Christianity to the mature allegories of Spenser and Milton, and at once you will discover discrepancies and incoherence. Why don’t Spenser’s Guyon and the Palmer kill the witch Acrasia? Are they still tempted by her Bower of Bliss? Why do the devils in hell discourse on philosophy? Has Milton rejected his classical education? Are faith and reason to part forever? Many such false dilemmas arise because the critic has failed to understand the subtleties of the Christian faith.

And Christianity is the subtlest of faiths, yet of a wondrous simplicity “I thank thee,” Jesus observes with biting irony, “O Father, Lord of heaven and earth, because thou hast hid these things from the wise and prudent and hast revealed them unto babes” (Matthew 1:25) The kernel of the faith can he grasped by a child. We are sinners. The Lord who created us not to sin sent his obedient Son to die for us. That Son rose from the dead to sit at the right hand of the Father. We may join him in heaven if we have faith.

Christianity is the opposite of a mystery religion: the creed is short and openly professed. Yet its simple tenets belie unfathomable depth. “Matter is a form of energy.” We all know this Einsteinian truth — a child could be taught it, and, to the limits of his capacity, really believe it. But what does it imply? What does it mean? “There are three persons in one God. Father, Son and Holy Spirit. Again, a child could learn the formula, but what does the Trinity imply? The wise and prudent are struck dumb. A religious anthropologist may chatter about the symbolism of three, and how all cultures attach a mystical importance to it, and on and learnedly on. But to the clean of heart it may reveal the mystery of existence itself. So Dante implies in his invocation to God:

O Light that dwell within thyself alone,
who alone know thyself, are known, and smile
with Love upon the Knowing and the Known.
(Paradise, 33.124-26)

Merely to exist, to be a knowable object, is to have been made by the God of knowledge who knows and is known, whose being is love, and who has loved into being all things that have been, are, and are to come.

Pride is blinding; the moral problem becomes epistemological.  Suppose we assume that the lanky fellow across the table is a dullard. When he remarks of someone else’s immorality, “For them as likes that sort of thing, that is the sort of thing they likes,” we will find our prejudice confirmed. The statement is tautological arid evasive. But if we knew that the man was Lincoln, we might see the wry condemnation hiding beneath the hayseed humor. We will know, when he assumes the self-deprecatory air, not to take him at his word. When we later discover the same man condemning that behavior, we will know that it is not he who is inconsistent, but we who underestimated him.

Irony and Knowledge
WHAT DOES THIS HAVE to do with irony and faith? Much, if we consider what irony is. Until fairly recently, most writers on irony have defined it as speech that means something other than (or opposite to) what is literally said. The problem with this definition is that it is at once too narrow, too broad, and beside the point. Liars mean other than what they say, but the lie is not in itself ironic; and you may, with irony, mean exactly what you say, but in a way that your audience (or perhaps a putative audience, more foolish than those who are actually listening to you) will not understand. The definition is beside the point, since moments of dramatic irony, or what some have called “irony of event,” may not involve speech at all, but only strange turns of fate.

Contemporary literary theorists have attempted to distill the essence of irony, that which underlies both the winking assertions of ignorance made by Socrates, and concatenations of events that seem (but only seem) to suggest design, or that demolish any sense of design. Irony, they assert, is a universal solvent: no theology or epistemology can contain it. It dissolves— — “deconstructs” every assertion of absolute truth

The trouble with this view of irony now prevalent in the academy is that it enshrines one sort of ironic statement or event and ignores the rest. Worse, the kind of irony it enshrines is destructive, and the first thing it destroys is irony. If there is no objective truth — if irony must undermine and destabilize — then, once we have noticed the fact, there is no more point for irony, just as it makes no sense for the skeptic to embark on a quest for knowledge, when there is no knowledge to be had. How, after all, does one then proceed. by irony, to undermine the “truth” that every truth can be undermined? If all speech is inherently slippery, why trouble oneself with the subtleties of irony? Why pour oil on a sheet of ice?

But in fact, irony commonly is used to exalt rather than undermine. It can stun us with wonder and raise our eyes to behold a truth we had missed. All kinds of unsuspected truths, particularly those combined in paradoxes await our attention, but we are too dulled by habit to notice. Then irony — verbal or dramatic — awakes us. Consider:

1. A bystander watches as a professor, holding forth to his suffering companion on the epistemological subtleties of irony, steps dangerously near a banana peel.

2. In King Lear, Gloucester tries to refuse the help of his son Edgar, whom he cannot see and does not know: “I have no way and therefore want no eyes; / I stumbled When I saw,” (4.1. 18-19)

3. In II Henry IV (and apparently in real life, too) the usurper King Henry, who had wanted to atone for his sin by fighting in the Crusades, removes to die in a room called “Jerusalem,” noting that it had been foretold to him that he would die in Jerusalem. (4.5 236-40)

4. St. Paul sings a hymn of Christ’s Atonement:

Let this mind be in you, which Was also in Christ Jesus: Who, being in the form of God, thought it not robbery to equal with God: But made himself of no reputation, and took upon him the form of a servant, and was made in the likeness of men: And being found in fashion as a man, he humbled himself, and became obedient unto death, even the death of the cross. Wherefore God also hath highly exalted him, and given him a name which is above every name: That at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth; And that even tongue should confess that Jesus Christ is Lord, to the glory of God the Father
(Philemon 2:5-11)

5. In Moliere’s comedy Tartuffe, the jealous husband Orgon squirms under the table where his wife Elmire has put him, listening as his protégé Tartuffe, the one man he is amazingly not suspicious of attempts to seduce her. (4.5)

What do the cases have in common? The first verges upon slapstick; the second involves a lesson learned in an unusual way; the third hinges upon a play on words; the fourth is a theological reversal of expectations; the fifth is a piece of staged ignorance. Each involves a problem of knowing. The irony lies in a stark clash between what a character thinks he knows and what he really knows. This clash is staged to let the reader or the audience in on the secret. We are, then, not merely watching ignorance, but ignorance unaware of itself and about to learn better, or at least about to teach by way of its own incorrigibility. The irony reveals, with a kind of electric shock, order where randomness was expected, or complexity and subtlety where simplicity was expected.

Each case involves a staged clash of incompatible levels of knowledge:

1.  The professor thinks he knows a lot about the subtlest things, but misses the humble and material banana at his feet. The bystander probably knows a great deal less about irony, but he does see the hazard and, if he possesses either a profound moral sensibility or none at all, will stand back to enjoy the tumble. The apparent intellectual hierarchy belies a richer order: the great intellect is not so wise. He “deserves” to slip, falling victim to the very thing, irony, about which he declaims so proudly. Had he known less about it, he might have looked to the sidewalk in time.

2.  Only after Gloucester loses his eyes does he ‘see” how rashly and unjustly lie has treated his son Edgar. The irony, a reversal of expectations accompanied by a deepening knowledge, is richly theological as well. For there is an order at work, bringing about Gloucester’s sight through blindness, and his reconciliation with his son through suffering. The man before him is that wronged son, whom he has seen in disguise and taken for one Tom-a-Bedlam, the “poor, bare, forked animal” that “un-accommodated man” is (King Lear, 3.4. 105-106). Now it is the wronged Gloucester reduced to misery who requires assistance from Mad Tom. Gloucester does not yet understand what his “way” is, why he has been blinded and what he must suffer still. He says he has no way, yet his meeting with Edgar shows that a way has been designed for him nonetheless. He will walk towards a final, terrible resignation to his punishment and reconciliation with his son. And Edgar wii1 he his eyes — his spiritual guide — along this way.

3.  We “know” that Henry might have died in any room or might have died falling from a horse on a holiday hunt. He had hoped to die in the Holy Land, and when he learns the name of the room, he finally sees the design and resigns himself to its justice. For us, that death feels right–better than if he had died a-crusading, better than if he had been hanged at the Tower of London. The usurper should not be granted a matyr’s death; better that he should he disappointed by his hope to expiate the crime. The place of his death reveals a more subtle order than either he or we had expected.

4.  The chasm between human expectations and divine will has never been sung more powerfully. The prophet cries, “For my thoughts are not your thoughts, neither are your ways my ways, saith the Lord” (Isaiah: 55:8), but here Saint Paul fleshes out that cry with specifics that seem impossible to hold simultaneously. If Christ is equal with God, why should He, or how can He, empty himself, making himself of no reputation?  How can God become obedient to God, obedient unto the shameful death on a cross? How can submission exalt? For Christ is not exalted despite his humility but in it and through it. For the believer, then, Paul’s hymn reveals complexities in the notions of equality and hierarchy: because Christ was the Son of God, He set aside that equality, and in his obedience He is set above all things in heaven, on earth, and under the earth. He is equal to the Father because he obeys.

5. This brilliant stage business shows dramatic irony at its purest. Of this double-plot no one, not even the audience, can see everything. Elmire knows she is chaste, but as she leads ‘Tartuffe on, to prove to her husband under the table what a fool he has been to trust the charlatan, she must worry lest her trick backfire and Tartuffe ravish her before Orgon manages to get out from under there. For she cannot see him, and cannot be sure that he will come to his senses even when he hears Tartuffe making love to her. Meanwhile Organ can only fry in imagination: he hears but cannot see the couple, and must restrain his wrath and jealousy long enough to let Tartuffe hang himself for certain. The audience, too, can see Tartuffe and Elmire, and so they know’ what Orgon must learn; but they cannot see Orgon, and must guess, from his awkward and frantic movements under the table, what must be going through his mind. Finally, there is Tartuffe, master trickster, steeped in ignorance, believing himself so clever yet missing so obvious a trick — for I do not think Orgon can remain as still as a chuchmouse!

It is, then, not the unexpectedness of a thing that produces irony—a violin flung at a man’s head is unexpected, but not ironic — nor is it ignorance that produces irony — after all, if he saw the violin he would duck. Irony arises, rather, from the ignorance of unseen or unexpected order (or, as it may happen, disorder), from the failure to note subtleties, or from seeing subtleties that are not there, especially when the ignorance and the failure are highlighted before observers are in a better position to see the truth. That is the sort of thing we feel as ironic. A violin flung at a man’s head is not ironic. A man missing a sharp as he tries to hum the Kreutzer sonata is not ironic. The same man botching Beethoven as the violin sails his way — now that is ironic.

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The Struggle Against Sin – Ralph Martin

June 22, 2010

St. Francis de Sales

I’ve been deliberately very slow about reading this book, waiting it seems for it to call me back and to savor more of it. Two chapters, this one on sin and another on prayer have offered up some great reading selections. If this book (The Fulfillment of All Desire) is not in your library, get it (simple as that).

What I love about it is that it draws you into other writers and books. This chapter introduces the wisdom of Saint Francis de Sales, Bernard of Clairvaux, and Thérèse of Lisieux.

AS WE BEGIN THE SPIRITUAL JOURNEY, the struggle against sin may be particularly intense. Ignorance about what’s right and wrong needs to give way to true understanding. Conversion has to deepen. Deeply ingrained habits have to be exposed to the light and the power of grace.

Bernard gives a striking summary:

We have seen how every soul — even if burdened with sin (2 Timothy 3:6), enmeshed in vice, ensnared by the allurements of pleasure, a captive in exile, imprisoned in the body caught in mud (Psalms 68:3), fixed in mire, bound to its members, a slave to care, distracted by business, afflicted with sorrow, wandering and straying, filled with anxious forebodings and uneasy suspicions, a stranger in a hostile land (Exodus 2:22), and, according to the Prophet, sharing the defilement of the dead and counted with those who go down into hell (Baruch 3:11) — every soul, I say, standing thus under condemnation and without hope, has the power to turn and find it can not only breathe the fresh air of the hope of pardon and mercy, but also dare to aspire to the nuptials of the Word, not fearing to enter into alliance with God or to bear the sweet yoke of love (Matthew 11:30) with the King of angels.”
Bernard of Clairvaux, On the Song of Songs, Vol. IV Sermon 83

Bernard, excruciatingly aware of the condition of the soul apart from God, nevertheless knows that every soul, without exception, however deeply mired in the mud of sin and disordered lives, is called not only to begin the journey to union with God, but to complete it successfully by attaining spiritual marriage.

It’s time now for us to meet another teacher who can help us a great deal in making progress on this noble journey, Saint Francis de Sales.

Everyday Holiness: The Wisdom of Francis de Sales
Francis was born on August 21, 1567, in France, near the present-day Swiss border. He was the firstborn of thirteen children, five of whom died in infancy, and was named after Francis of Assisi. His father, also named Francis, at the age of forty-three married a young girl named Frances, who was fourteen years old at the time. Unlike Augustine, Francis grew up in the faith, and when he was twelve years old he felt strongly called to serve the Lord as a priest. He was well educated and studied at the Jesuit College in Paris, and was fluent in both Latin and French. He was accomplished in the “arts of the nobility” (horsemanship, fencing, dancing). He pursued higher studies in law and theology at the University of Padua and received a doctorate at the age of twenty-four.

The University of Padua was a large, cosmopolitan university with over twenty thousand students. It was there that Francis learned the wisdom that enabled him to live a life of holiness in the midst of the world, wisdom which he later developed in detail in his famous work, Introduction to the Devout Life. His other major work is the Treatise on the Love of God which presents a detailed account of the more advanced stages of the spiritual journey.

After completing his studies he was given a title of nobility and offered a senatorship in the senate of Chamberey. Francis’s father, now seventy years old, had picked out a fourteen-year-old girl for him to marry, an offer that he declined. He finally told his father of his vocation to the priesthood. After ordination, he was assigned to try to re-establish the Catholic Church in a region near Geneva, which had come under Calvinist domination. Geneva was the diocese in which Francis was born and in which he served as a priest, but during his lifetime it remained firmly in the hands of the Calvinists and the Catholic bishop resided in exile in Annecy, France, not a great distance to the south.

During this time, when passions were running strong between Catholics and Protestant reformers, Francis carried out his mission in a way that showed considerable respect for the Protestants while firmly holding to Catholic truth. In this regard, as in so many others, he anticipated the ecumenical spirit and policy of the Second Vatican Council. He declared that prayer, alms, and fasting would be the spiritual means used in re-establishing the Church in the region.

While firmly resolved to win back Geneva to the Catholic Church, Francis declared that it must be done with charity, and that he and his collaborators should suffer deprivation rather than their adversaries. He received special permission to read Calvin’s major works so he could have a firsthand acquaintance with their thought. He also made private visits to the successor of Calvin in Geneva in an attempt to win him over; efforts that appeared to be unsuccessful but were cordial and established mutual respect.

The years spent in this early mission were difficult. Because of the great hostility to his work, Francis often had to flee in order to avoid being beaten, or worse. He did convince some of the Calvinist pastors to engage him in public debate, however, and also posted hand-copied pamphlets in public places or slipped them under the doors of homes as a way of sharing the Catholic truth. Eventually, he did achieve considerable success. Many Catholic parishes were re-established, and much of. the population reconciled with the Church.

At a certain point Pope Clement VIII invited Francis to Rome to engage in theological debate with the theologians of Rome. He did so well that he was named the coadjutor bishop of Geneva and eventually succeeded to the See of Geneva when the former bishop died. Still unable to reside in Geneva itself, he continued the Catholic exile in Annecy.

On a mission to Paris he came in contact with the writings of Teresa of Avila, who had died only twenty years before and whose reformed Carmelites were establishing a convent in France. He also had occasion to make the Spiritual Exercises of Saint Ignatius several times, which confirmed his belief that all Catholics are called to holiness. As a bishop he placed great emphasis on the recruitment and formation of priests, ordaining nine hundred priests in his twenty-two years as bishop. He always encouraged his priests to look for lay people called to “devotion” and work with them, giving them formation.

In 1604 he met a married woman with children, Jeanne Francoise de Chantal, who upon the death of her husband worked with Francis in establishing a new religious order called the Visitation. Francis and Jeanne wanted the nuns to be able to visit people in their homes, but the rules for religious life at the time required that they be cloistered.

In 1609 he published Introduction to a Devout Life, which has been in print ever since.

Experiencing a variety of health problems, Francis died of a stroke on December 28, 1622, at the age of fifty-five. He was canonized a saint in 1665, and declared a Doctor of the Universal Church in 1877.

Up until the time of Francis, priests, nuns, or monks wrote almost all of the books on the spiritual life. Although these works contained much that was useful for lay people, and oftentimes their writers did attempt to relate what they were writing to lay life, they were nonetheless particular to religious life. Francis set out to write a book specifically for people living in the “world.”

Spirituality for Lay people: The “Devout Life”
Francis states his purpose very clearly:

Almost all those who have hitherto written about devotion have been concerned with instructing persons wholly withdrawn from the world or have at least taught a kind of devotion that leads to such complete retirement. My purpose is to instruct those who live in town, within families, or at court, and by their state of life are obliged to live an ordinary life as to outward appearances!

What does Francis mean by devotion? In effect, when he speaks about the “devout” life he is speaking about the fervent, committed life, a life ordered towards growing in holiness. Let’s consider his definitions.

First, he takes pains to show what true devotion is not. He is concerned that popular understandings of the devout life contain many distortions, and even promote false spirituality.

Everyone paints devotion according to his own passions and fancies. A man given to fasting thinks himself very devout if he fasts, although his heart may be filled with hatred. Much concerned with sobriety; he doesn’t dare to wet his tongue with wine or even water but won’t hesitate to drink deep of his neighbor’s blood by detraction and calumny. Another man thinks himself devout because he daily recites a vast number of prayers, but after saying them he utters the most disagreeable, arrogant and harmful words at home and among the neighbors.
Francis de Sales, Introduction to the Devout Life

Francis goes on to describe how someone else may give money to the poor but not forgive his enemies. Or another may forgive his enemies but not pay his bills unless compelled to do so by law. The point he’s making is that “devotion” or holiness doesn’t consist primarily in external practices of piety but in a heart transformed in love and justice.

Bernard was similarly aware that the outward appearances of devotion can hide inward disorder, even in the life of religious orders.

We do sometimes hear men who have committed themselves to religious life and wear the religious habit, shamelessly boasting as they recall their past misdeeds:

the duels they fought, their cunning in literary debate or other kinds of vain display. . Some recount past vices as though to express sorrow and repentance for them, but their minds thrill with a secret pleasure about how, even after receiving the holy habit, they craftily outwitted their neighbor, how they cheated a brother in a business deal (1 Thessalonians 4:6), how they recklessly retaliated on those who insulted or reproached them, returning evil for evil, a curse for a curse (1 Peter 3: 9)
Francis de Sales, Introduction to the Devout Life

Francis insists that true devotion must touch every area of our life. True devotion is not just a matter of spiritual practices but of bringing all our life under the lordship of Christ. Francis is known for his slogan: “Live, Jesus! Live, Jesus!” What he means by this is an invitation to Jesus to “live and reign in our hearts forever and ever.”

As we will see later on, the Scripture, and all our writers, make clear that true spirituality or devotion is characterized by both love of God and love of neighbor. The two cannot be separated without serious distortion.

One of the greatest challenges facing the Church today, as Vatican Council II pointed out, is the split between faith and daily life, or, as Pope Paul VI put it, the split between faith and culture.

After establishing what true devotion is not, Francis gives his own unique definition.

When it [divine love] has reached a degree of perfection at which it not only makes us do good but also do this carefully, frequently, and promptly, it is called devotion.. . . In short, devotion is simply that spiritual agility and vivacity by which charity works in us or by aid of which we work quickly and lovingly. . He must have great ardor and readiness in performing charitable actions.

It arouses us to do quickly and lovingly as many good works as possible, both those commanded and those merely counseled or inspired. Like a man in sound health he not only walks but runs and leaps forward “on the way of God’s commandments” (Psalm 119:32). Furthermore, he moves and runs in the paths of his heavenly counsels and inspirations.
Francis de Sales, Introduction to the Devout Life

In other words, for Francis, to live the devout life is to reach the point in our love for God and neighbor that we eagerly (“carefully, frequently, and promptly”) desire to do His will in all the various ways in which it is communicated to us: in the duties of our state in life, in the objective teaching of God’s Word, in opportunities and occasions presented to us, in response to interior inspirations.

Francis is well aware that reaching this level of devotion is no small thing, and so proceeds to give instruction about how to make progress on the spiritual journey in order to reach this point. As we have already seen in considering the testimonies of Teresa and Augustine, turning from sin is a very important part of the process.

As the psalm puts it:

Who shall ascend the hill of the Lord?
And who shall stand in his holy place?
He who has clean hands and a pure heart,
Who does not lift up his soul to what is false,
And does not swear deceitfully.
(Psalms 24:3-4)

The First Purgation: Mortal Sin
Obviously, turning away from serious sin is one of the first things that needs to happen in true conversion. As Francis writes:

What is your state of soul with respect to mortal sin? Are you firmly resolved never to commit it for any reason whatsoever? In this resolution consists the foundation of the spiritual life.
Francis de Sales, Introduction to the Devout Life

Francis recommends that a person in such a situation — coming back to the Lord from a life that included serious sin — consider the possibility of making a “general confession.” This entails making an appointment with a trusted confessor and going over one’s whole life as a way of making a fresh start. Francis acknowledges that this is not absolutely necessary, but he strongly advises it.

He also points out how important the regular practice of the sacrament of Reconciliation can be in making a real change in our lives. He points out, though, that for the sacrament to be really efficacious it is important that we prepare for going to confession and be sincere and serious about wanting to turn away from sin.

Often they make little or even no preparation and do not have sufficient contrition. Too often it happens that they go to confession with a tacit intention of returning to sin, since they are unwilling to avoid its occasions or use the means necessary for amendment of life.
Francis de Sales, Introduction to the Devout Life

Francis recommends weekly confession, although other spiritual writers recommend other frequencies, such as monthly. Even when we don’t have mortal sins to confess, Francis points out the advantage of confessing venial sins, even though we don’t have an obligation to do so, as it brings them into focus so we can work on them more intently, as well as benefiting from the grace given in the sacrament. Francis emphasizes that we really need to be sorry for our sins in order to make their reappearance less likely.

Many who confess their venial sins out of custom and concern for order but without thought of amendment remain burdened with them for their whole life and thus lose many spiritual benefits and advantages… It is an abuse to confess any kind of sin, whether mortal or venial, without a will to be rid of it since confession was instituted for no other purpose.
Francis de Sales, Introduction to the Devout Life

He also recommends that we be as specific as possible in our confession and not just confess generalities. For example, he encourages us not to confess in such general terms such as we didn’t love God or our neighbor enough, or pray devoutly enough, since “Every saint in heaven and every man on earth might say the same thing if they went to confession.”

The Second Purgation: The Affection for Sin
One of Francis’s most helpful insights is his teaching on the affection for sin. He points out that oftentimes we might turn away from serious sins in our life and try hard not to commit them, but still nurture affection for such sin, which greatly slows down our spiritual progress and disposes us to future falls.

He points out that although the Israelites left Egypt in effect, many did not leave it in affection; and the same is true for many of us. We leave sin in effect, but reluctantly, and look back at it fondly, as did Lot’s wife when she looked back on the doomed city of Sodom.

Francis gives an amusing but telling example of how a doctor, for the purpose of health, might forbid a patient to eat melons lest he die. The patient therefore abstains from eating them, but “they begrudge giving them up, talk about them, would eat them if they could, want to smell them at least, and envy those who can eat them. In such a way weak, lazy penitents abstain regretfully for a while from sin. They would like very much to commit sins if they could do so without being damned. They speak about sin with a certain petulance and with liking for it and think those who commit sins are at peace with themselves.”

Francis says this is like the person who would like to take revenge on someone “if only he could” or a woman who doesn’t intend to commit adultery but still wishes to flirt. Such souls are in danger. Besides the real danger of falling into serious sin again, having such a “divided heart” makes the spiritual life wearisome and the “devout” life of prompt, diligent, and frequent response to God’s will and inspirations virtually impossible.

Bernard similarly reminds us that feeling such affection for sin is not necessarily a sin in itself. To feel jealousy without yielding to it is no sin, but “a passion that time will heal.” He warns us though that if we “nurture” such affections or disordered passions we are heading in the wrong direction. He also tells us we should strive to eliminate or reduce such affection for sin by confession, tears, and prayer. Even if we should not prove successful, at least we can grow in gentleness and humility as we bear the burden of such a continuing struggle.12

What does Francis propose as the remedy for such remaining attachment to the affection for sin? A recovery of the biblical worldview.

Francis himself leads the reader of the Introduction to the Devout Life through ten such meditations on these basic truths, focusing on all we have been given by God and the debt of gratitude we owe Him, the ugliness and horror of sin, the reality of judgment and hell, the great mercy and goodness of Jesus’ work of redemption, the shortness of life, and the great beauty and glory of heaven. Francis and all the saints we are considering believe that there truly is power in the Word of God, and that meditating on the truth can progressively free us from remaining affection for sin.

The Scripture is clear:

How can young people keep their way pure?
By guarding it according to your word.
With my whole heart I seek you;
do not let me stray from your commandments.
I treasure your word in my heart,
so that I might not sin against you.
I will meditate on your precepts, and fix my eyes on your ways.
I will delight in your statutes;
I will not forget your word.
(Psalm 119:9-16, NRSV)

The saints have a wonderful way of bringing the insight of Scripture into contact with the circumstances of our lives. Teresa of Avila puts it this way:

A great aid to going against your will is to bear in mind continually how all is vanity and how quickly everything comes to an end. This helps to remove our attachment to trivia and center it on what will never end. Even though this practice seems to be a weak means, it will strengthen the soul greatly and the soul will be most careful in very little things. When we begin to become attached to something, we should strive to turn our thoughts from it and bring them back to God — and His majesty helps.
Teresa of Avila, The Way of Perfection

We need to make the prayer of Scripture our own:

So teach us to number our days
that we may gain wisdom of heart.
(Psalm 90:12)

Meditating on the passion of Christ is often recommended as being of special value. Bernard puts it like this:

What greater cure for the wounds of conscience and for purifying the mind’s acuity than to persevere in meditation on the wounds of Christ?
Bernard of Clairvaux, On the Song of Songs, Vol. III, Sermon 49

Francis knows that as long as we’re alive in this body the wounds of original sin and our past actual sins will cause affection for sin to spring up again and again. But it’s our response to this bent of our nature towards sin that is determinative of the progress we make on the spiritual journey. We need to grow in our hatred for sin so we can resist it when it makes its appeals. Catherine of Siena talks of the two-edged sword with which we fight the spiritual battle: one side is hatred for sin, the other is love for virtue.

Bernard speaks of how miserable it is to turn back to the slavery of our disordered passions once having tasted the grace of God, Such a person is doomed to continual frustration, as the things of the world simply can’t satisfy our hunger and “ravenous curiosity” since the forms of this world are passing away. He bemoans the fate of the soul “who once fed so delicately now lies groveling on the dunghill (Lamentations 4:5).”

The vigorous effort that the saints urge us to make in the struggle against sin is firmly grounded in the Scriptures.

Submit yourselves therefore to God. Resist the devil and he will flee from you. Draw near to God and he will draw near to you. Cleanse your hands, you sinners, and purify your hearts, you men of double mind… Humble yourselves before the Lord and he will exalt you.
(James 4:7-10)

We need to determine, with the help of God’s grace, never to freely choose to offend Him. Francis makes clear that such purification of the affection for sin must extend to venial sins also.

Venial Sin
Teresa, Bernard, and Francis all acknowledge that there will probably always be some inadvertent venial sins that we commit, without full reflection or choice. As Bernard puts it:

Which of us can live uprightly and perfectly even for one hour, an hour free from fruitless talk and careless work?

They all also teach, though, very clearly and strongly, that in so far as it lies in our power, we need to resolve never to freely choose to offend God, even in a small matter, if we are to make progress in the spiritual life.

Both Francis and Teresa point out that to fall into same involuntary lie, out of embarrassment, for example, is one thing; but to maintain an affection for telling little lies, or to freely choose to do so, is a significant obstacle to making progress, and truly offensive to the Lord.

Affection for venial sin, just as affection for mortal sin, needs to progressively disappear from our lives as we make progress on the spiritual journey.

We can never be completely free of venial sins, at least so as to continue for long in such purity, yet we can avoid all affection for venial sins. . . . We must not voluntarily nourish, a desire to continue and persevere in venial sin of any kind. It would be an extremely base thing to wish deliberately to retain in our heart anything so displeasing to God as a will to offend him. No matter how small it is, a venial sin offends God.
Francis de Sales, Introduction to the Devout Life

Living in the close quarters of a community of monks, Bernard is particularly sensitive to how unkindness in speech and attitude can damage relationships and wound souls.

It is not enough, I say, to guard one’s tongue from these and similar kinds of nastiness [public insult and abuse, venomous slander in secret]; even slight offences must be avoided, if anything may be termed slight that is directed against a brother for the purpose of hurting him, since merely to be angry with one’s brother makes one liable to the judgment of God.
Bernard of Clairvaux, On the Song of Songs, Vol. III, Sermon 29

Bernard also counsels us to be careful how we respond when a wrong has been done to us.

So when an offence is committed against you, a thing hard to avoid at times in communities like ours, do not immediately rush, as a worldly person may do, to retaliate dishonorably against your brother; nor, under the guise of administering correction, should you dare to pierce with sharp and seating words one for whom Christ was pleased to be crucified; nor make grunting, resentful noises at him, nor mutter and murmur complaints, nor adopt a sneering air, nor indulge the loud laugh of contempt, nor knit the brow in menacing anger. Let your passion die within, where it was born; a carrier of death, it must be allowed no exit or it will cause destruction, and then you can say with the Prophet: “I was troubled and I spoke not.
Bernard of Clairvaux, On the Song of Songs, Vol. III, Sermon 29

To nourish affection for venial sin, Francis points out, weakens the powers of our spirit, stands in the way of God’s consolations, and opens the door to temptations. At the same time Francis doesn’t want to engender a morbid scrupulosity about the myriad temptations and sometimes inadvertent venial sins that are part of life in this world. He assures us that inadvertent venial sins and faults are “not a matter of any great moment” if as soon as they occur we reject them, and refuse to entertain any affection for them.

Francis makes clear that the process of purification will continue throughout our life, and so “we must not be disturbed at our imperfections, since for us perfection consists in fighting against them.”

Hatred for sin is important. Confidence in the mercy of God is even more important.

May the LORD, who is good, grant pardon to everyone who has resolved to seek God, the LORD, the God of his fathers, though he be not clean as holiness requires.
(2 Chronicles 30:l8b-19)

Thérèse makes clear that growth in the spiritual life is usually a gradual process; Jesus is patient with us, for He doesnt like pointing everything out at once to souls. He generally gives His light little by little.”

Thérèse also speaks of a “joyful resignation” to the lifetime struggle with faults.

At the beginning of my spiritual life when I was thirteen or fourteen, I used to ask myself what I would have to strive for later on because I believed it was quite impossible for me to understand perfection better. I learned very quickly since then that the more one advances, the more one sees the goal is still far off. And now I am simply resigned to see myself always imperfect and in this I find my joy.
Thérèse of Lisieux, Story of a Soul, Chapter VII

Thérèse’ resignation was not one of despair, discouragement, passivity, or lack of effort, but a humble acceptance of her creaturely imperfection despite her efforts, infused with joy by her hope in God’s transforming love eventually bringing her to perfection.

In the last days of her life, when she was virtually suffocating from the tuberculosis, Thérèse was corrected for an impatient remark to a sister whom she found “tiresome.” Her response?

Oh! how happy I am to see myself imperfect and to be in need of God’s mercy so much even at the moment of my death.
Thérèse of Lisieux, Story of a Soul, Chapter VII

Realistically, Francis says, there will probably be falls along the way, but God can use even these to deepen our humility.

Imperfections and venial sins cannot deprive us of spiritual life; it is lost only by mortal sin. Fortunately for us, in this war we are always victorious provided that we are willing to fight.
Francis de Sales, Introduction to the Devout Life

Francis, like many of the saints, wants to encourage us on the spiritual journey. This is a journey on which we are all called to embark; and God will give us the grace to make progress on this journey, if only we are willing to persevere, to fight the good fight.

As for the seed that fell on rich soil, they are the ones who, when they have heard the word, embrace it with a generous and good heart, and bear fruit through perseverance.
(Luke 8:15, NAB)

Bernard wants us to know that even in the midst of the struggle — whether it be with mortal sin or venial sin, worldliness or temptation, perseverance in prayer or growth in virtue, loving or forgiving — we profoundly need to “lean on the Beloved.”

Bernard knows that to “fight against yourself without respite in a continual and hard struggle, and renounce your inveterate habits and inborn inclinations” is very hard, impossible really, without the help of the Lord.

But this is a hard thing. If you attempt it in your own strength, it will be as though you were trying to stop the raging of a torrent, or to make the Jordan run backwards
(Psalms 113:3).

What can you do then? You must seek the Word… You have need of strength, and not simply strength, but strength drawn from above
(Luke 24:49).

The words from Hebrews come to mind:

Therefore, since we are surrounded by so great a cloud of witnesses, let us also lay aside every weight, and sin which clings so closely, and let us run with perseverance the race that is set before us, looking to Jesus the pioneer and perfecter of our faith, who for the joy that was set before him endured the cross, despising the shame, and is seated at the right hand of the throne of God. (12:1-2)

The journey up to the summit of the mountain of God (or Mount Carmel, as John of the Cross calls it) is difficult. And John, Bernard, Catherine, Thérèse, Teresa, Augustine, and Francis know that it’s impossible to attain the summit — spiritual marriage in this life, beatific vision in the next, without leaning heavily on the Beloved.

As Bernard, in accord with his fellow Doctors, explains:

“Who shall ascend the mountain of the Lord?” (Psalms 23:3) If anyone aspires to climb to the summit of that mountain (Exodus 24:17), that is to the perfection of virtue, he will know how hard the climb is, and how the attempt is doomed to failure without the help of the Word. Happy the soul which causes the angels to look at her with joy and wonder and hears them saying, “Who is this coming up from the wilderness, rich in grace and beauty, leaning upon her beloved?” (Song 8:5). Otherwise, unless it leans on him, its struggle is in vain. But it will gain force by struggling with itself and, becoming stronger, will impel all things towards reason… bringing every carnal affect into captivity (2 Corinthians 10:5), and every sense under the control of reason in accordance with virtue. Surely all things are possible to someone who leans upon him who can do all things? ‘What confidence there is in the cry, “I can do all things in him who strengthens me!” (Philemon 4:13)… Thus if the mind does not rely upon itself, but is strengthened by the Word, it can gain such command over itself that no unrighteousness will have power over it” (Psalms 118:133).
Bernard of Clairvaux, On the Song of Songs, Vol. III, Sermon 85

The Good News is that the Beloved loves to be leaned on.

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Book Recommendation: Participatory Biblical Exegesis by Matthew Levering

June 4, 2010

Peter Leithart is professor of theology and literature at New Saint Andrews College and pastor of Trinity Reformed Church in Moscow, Idaho. He is also the author of many books, including Deep Comedy: Trinity, Tragedy, and Hope in Western Literature and 1 & 2 Kings: Brazos Theological Commentary on the Bible . He reviews here a book I’m currently enjoying and will be featuring in some future posts. He makes many excellent points but I remain an unabashed fanboy of Levering’s work.

“Participatory” does a lot of work in Matthew Levering’s latest book, Participatory Biblical Exegesis, a contribution to the burgeoning contemporary interest in theological interpretation of Scripture. It refers, above all, to a conception of history that, Levering argues, should serve as foundation for biblical exegesis. In proposing a participatory vision of history, Levering, who teaches at Ave Maria University, challenges ideas that shaped the development of historical-critical biblical scholarship.

From the rise of nominalism in the Late Middle Ages through the modern period, history has been conceived in an atomistic and “linear” fashion. History consists of discrete events, and the forces of historical causation are all immanent within history. It’s not surprising that secularists would gravitate to a linear notion of history, but theologians and biblical scholars have eagerly accepted the same theory. The result for biblical studies, Levering shows, is a gradual but unmistakable drift from theological interpretation of Scripture toward a purely immanent understanding of the history recorded in the Bible and of the goals of exegesis.

He traces this drift by examining selected interpreters of John 3 from Aquinas, whom he arrestingly describes as the last great patristic-medieval biblical commentator, through Nicholas of Lyra and Erasmus, to Raymond Brown. By the twentieth century, historical interpretation of the text has been severed from theological consideration. Brown is an advocate of sensus plenior, but he doesn’t see it as part of exegesis strictly speaking, and in his later work he hands it over to the theologian rather than to the exegete. Levering neatly summarizes the rift between theology and exegesis by noting that neither Scotus nor Ockham wrote commentaries, leaving the task to mystics.

A “participatory” understanding of history, by contrast, recognizes that history is an “ongoing participation in God’s active providence.” To understand history, it’s necessary to consider its “vertical” as well as its “horizontal” dimensions. The implications for exegesis are obvious. If history is purely human, then a non-theological interpretation of the historical record suffices. If, however, “history” is humanity’s participation in God’s providence, then “history” includes robustly theological/metaphysical events and realities, such as creation, the call of Abraham, exodus, exile, return, incarnation, Pentecost, and the ongoing participation in Christ that is the Church. History writing is a record of divine interventions, and if this is history, then a “historical” interpretation of Scripture has to reckon with theological and metaphysical realities.

Levering’s decision to focus attention on history is a brilliant theological and rhetorical move. Theologically, Levering recognizes that exegesis always assumes some conception of history. Typology, as de Lubac recognized, was not so much a way of reading texts as a way of reading history. Rhetorically, by focusing on history, Levering upends historical-critical exegesis in its own living room. Historical-critical scholarship has boasted of its historical achievements, often with considerable justification. Yet it has also used historical scholarship as a solvent of theological interpretation. Levering could have taken the easy, polite route of saying that historical critics only need to add a theological layer to their historical interpretation. Instead, he mounts a direct assault: “Historical exegesis can’t even get history right.”

But Levering is ambiguous about the implications of this argument, largely because Participatory Biblical Exegesis contains too much meta-exegesis and too little actual exegesis. Levering summarizes others’ interpretations, but his most illuminating examples are from Aquinas, who, for all his attention to the literal sense, read the Bible without the aids of modern historical scholarship. Levering’s examples often focus on comparatively easy texts from the Gospel of John. As a result, it’s not clear what contemporary participatory exegesis should look like, and it’s not clear how radical Levering intends his proposal to be.

At times it appears that theological exegesis should be “added” to historical-critical endeavors, leaving the latter modes of exegesis more or less in place. Yet that is at odds with much of what Levering writes. Taken in a stronger sense, Levering is arguing that historical-critical exegesis is simply illegitimate, since the object of its study — immanent history — doesn’t exist. Historical-critical tools, forged precisely to exclude participatory history, need to be retooled in fundamental ways, and all the energy and resources devoted to that centuries-long project should be redirected toward faith-driven theological exegesis. This is what Levering seems to intend, but if so, his proposal is broader than he indicates, because history didn’t stop being “participatory” after the canon of Scripture closed. Should modern historical scholarship as such be abandoned in favor of “theological history”? And what about the other social sciences: If history is participatory, can sociology be anything but “theological sociology”? Aren’t there “vertical” as well as “horizontal” dimensions to economies and polities? A strong Levering thesis sounds quite radically orthodox.

Though centrally concerned with history, Levering also uses “participation” to describe various facets of the practice of biblical interpretation. The goal of studying Scripture is sapiential rather than strictly scientific. Theological interpretation seeks transforming communion with God the Teacher. Biblical exegesis is not interpretation of a dead “text” but a living communion in which the words of Scripture mediate God’s transforming, saving presence. Interpreters should engage in specific “participatory” practices, by which they participate in the Christological and pneumatological realities they study in Scripture. The object of investigation — God’s providential history — is not “out there”; interpreters participate in the reality they study.

A focus on communion with God as Teacher does not, however, eliminate human authors or teachers, a point that Levering intriguingly develops by focusing on the Bible in Jewish-Christian dialogue. Historical-critical exegesis has been defended on ecumenical and interreligious grounds. It claims to be a neutral method that allows scholars of different faiths to find common ground in the historical meaning of the text. Levering argues that historical-critical interpretation, in fact, ignores what is most important to Jewish and Christian readers. What unites Jews and Christians is their commitment to a “participatory understanding of historical reality.”

In a final chapter, Levering addresses the Enlightenment charge, lodged especially by Hobbes and Spinoza, that exegesis by committed believers is inherently violent because inherently sectarian. If exegesis is to be peaceable, Hobbes argued, it must be wrested from cynical priests who complicate the simple message of the gospel to maintain their mystical control of the masses, and handed over to kings. Levering responds by arguing, in dialogue with Stephen Fowl and appeal to Aquinas, that peaceable interpretation is found only in the Church, where interpreters exercise a freedom to be bound to Christ.

Levering is a connoisseur of unfashionable things: providence, metaphysics, God as Teacher, Thomas Aquinas. His judgments are almost invariably sound. He criticizes the Pontifical Biblical Commission’s document “The Jewish People and Their Sacred Scriptures in the Christian Bible” for excluding “sapiential practices” that provide the matrix of biblical study, for treating the Old Testament as if it were equivalent to the Jewish Bible, and for ignoring the participatory dimensions of history. Following Stephen Fowl, Levering argues that Yale’s Brevard Childs, for all his contributions to the revival of theological interpretation, leaves historical-critical norms in control of interpretation. Levering asks whether Fowl’s valuable work is disturbed by an individualistic account of freedom and authority. Fowl rejects a “consumerist” model of church authority, yet also worries that the Church might become “authoritarian.” Levering wisely points out that a nonconsumerist church authority necessarily challenges believers and thus always runs the risk of being dubbed “authoritarian.” “Cruciform” church authority, he notes, doesn’t have to be soft authority. It might well be authority despised and rejected of men.

The book is overstuffed with notes and bibliography (the text ends on page 148, but the endnotes and bibliography carry on to page 302). This gives the book an encyclopedic quality and the reader plenty of direction for further reading, but ultimately the surfeit of citations distracts more than it enhances. Given the ecumenical breadth of contemporary theological interpretation, Levering’s discussion of church authority needs to be augmented with a fuller and more direct treatment of the role of the magisterium.

Participatory Biblical Exegesis leaves as many questions as it answers, but the questions it raises are the most important ones for the future of theological interpretation of Scripture, one of the most promising developments in recent theology.

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Reading The Theology Of The Body Into Wendell Berry’s Remembering

May 26, 2010

NATHAN SCHLUETER is an assistant professor of political science at Hillsdale College. In this essay he reads Wendell Berry’s novel Remembering in terms of John Paul II’s Theology of the Body. I think taking a philosophical work and being able to link its concepts to a literary piece is a wonderful gift and Dr. Schlueter’s accomplishment here is no mean feat: “By making detailed what is spare in the myth of the fall, and making concrete what is abstract in the Theology of the Body, Remembering by Wendell Berry brings us tangibly in touch with the primordial memory of wholeness that slumbers in every human heart.” A lengthy read but well worth the time.

Introduction
Wendell Berry’s short novel Remembering is about a man who has lost his right hand to a machine in a farming accident. But the “hidden wound” of my title also refers to Wendell Berry’s collection of essays, The Hidden Wound. The subject of this book, its “hidden wound, is presumably racism, but Berry writes in the Afterword to the 1989 edition that “the root of our racial problem in America is not racism. The root is our inordinate desire to be superior to our condition.” This inordinate desire, Berry suggests, is the real hidden wound, lurking beneath the surface not only of racism but of every form of injustice.

Berry’s description of the hidden wound subtly but ineluctably calls to mind The Hidden Wound, Original Sin, which was caused by Adam and Eve’s refusal to accept their condition and by their inordinate desire to “be like God, knowing good and evil.” The Christian account of original sin not only provides a “first cause” explanation of human perversity, it also identifies through a rich narrative the archetypal pattern for every sin. When this narrative is reduced to a formula there is a risk that original sin will become merely a fact to be accepted or rejected, rather than a fecund source of self-understanding that provides better motives for belief

How stories can convey truth in ways that elude ordinary rational thought is a question worthy of great wonder and meditation. But if stories in general have this power, myth is characterized by stories that deliver truth in the most refined and compact narrative form. There is therefore no tension between myth and truth. As John Paul II writes, “the term ‘myth’ does not designate a fabulous content, but merely an archaic way of expressing a deeper content.” The myth of the fall has this quality. Much great imaginative literature is merely an articulation and ramification of this myth, deepening our understanding of its meaning and of ourselves as well.

Remembering provides a marvelous illustration of this point. Moving in its own right, when the story is read in light of the myth of the fall it takes on a singular power to bring before us in our ordinary lives the ever — present pattern expressed in the myth of the fall. That power is even greater when we bring to it insights from what is arguably the greatest commentary on the myth of the fall in the last five centuries, John Paul II’s Wednesday lectures, now collected under the title The Theology of the Body, as well as elaborations on that teaching found in the Apostolic Letter Mulieris dignitatem (“On the Dignity of Women”), the Encyclical Letter Evangelium vitae (“The Gospel of Life”), and the Apostolic Exhortation Familiaris consortio (“On the Christian Family in the Modern World”).

I should make clear that in the argument that follows I am not making a claim of influence. Wendell Berry can be described as an ambivalent Protestant Christian of Baptist upbringing, and to my knowledge he has never read John Paul II’s Wednesday lectures. Nevertheless the parallels between the Theology of the Body and Berry’s fiction should not be surprising, indeed would not be surprising to that sometime thespian and playwright John Paul II. He was convinced of the singular power of artists to perceive and to reveal the depths of the created order, a point he makes in the opening sentence to his Letter to Artists: “None can sense more deeply than you artists…something of the pathos with which God at the dawn of creation looked upon the work of his hands.”

The Theology of the Body
The governing principle of the Theology of the Body is what John Paul TT has called the “hermeneutics of the gift” (Theology, 2 January 1980, 58): self-gift is God’s very identity as a communion of persons, a fact manifested in the gift of creation and expressed most profoundly in God’s gift of himself on the cross in the person of Christ. It is “through a sincere gift of himself” therefore, that man not only “finds himself” but also most completely becomes “the image and likeness of God.” Man’s vocation to self-gift, according to John Paul II, is inscribed into the very language of the human body, especially in the sexual differentiation of man and woman, and so conjugal love, the two-in-one flesh communion of persons, is an icon of the Trinity, the very archetype of the communion of persons rooted in self-gift. (Theology, 22 Apr11 1981, 221)

It is important to understand that the Theology of the Body is not exclusively a teaching about sex, or even about human sexuality, though it has much to say about these things. Because it holds that God as Gift is written into the very fabric of his creation, there is nothing it does not touch: politics, work, technology, economics, culture, education — all are subject to illumination by the “hermeneutics of gift.” It is with good reason, therefore, that George Weigel, Pope John Paul II’s official biographer, has described the Theology of the Body as a “kind of theological time bomb set to go off with dramatic consequences, sometime in the third millennium of the Church.”

While the Theology of the Body feeds on a structure of theological analogies, it is derived from a rich and penetrating exegesis of biblical passages involving the body. That exegesis in turn draws deeply from three sources: (1) metaphysics and metaphysical anthropology; (2) phenomenology and human experience; and (3) the larger theological tradition of the Church. (See for example Theology, 13 February 1986), 72-73)

Phenomenology, a philosophical method dedicated to the exploration and articulation of the objective structure of human consciousness, was the subject of John Paul II’s second doctoral dissertation and deserves special attention here. At every step of his biblical exegesis John Paul II takes special care to show how the story of the fall expresses and clarifies basic human experience. For him, the “basic significance” of the story is not its “distance in time,” or the fact that it belongs to man’s “prehistory,” but rather that the “experiences” expressed there “are always at the root of every human experience,” even if they “are so intermingled with the ordinary things of life that we do not generally notice their extraordinary character.” (Theology, 12 December 1979, 51) This means that even in their condition after the fall human beings are still in some sense linked to that original condition by nature, experience, and memory, and that the original condition still provides a normative guide for human self-understanding and behavior. It “is indispensable in order to know who man is and who he should be, and therefore how he should mold his own activity. It is an essential and important thing for the future of human ethos.(Theology, 13 February 1980, 74. See also January 1980, 66 and 2 April 1980, 88)

There is no space here to explicate the full meaning of John Paul Il’s exegesis, or to review the ever growing edifice of commentaries upon it, but in this paper I would like to identify and discuss three of its core aspects that appear in the commentary on the creation accounts of Genesis: original solitude, original unity, and original nakedness. (These three basic elements are emphasized by John Crabowski in his introduction at 17, and by John Paul II on 12 December 1979, 52) Along the way, however, the reader should never forget that for John Paul II the mystery of Creation is never far from the mystery of Redemption.

The Meaning Of Original Solitude
John Paul II discovers in the creation accounts of Genesis a divine pedagogy, a process in which God reveals himself to man, and man to himself. The instruction begins with man’s original solitude. God creates Adam first, and brings before him the animals to see what lie will name them. Through observing and naming the visible, corporeal world Adam comes to the awareness that he is dissimilar from the rest of creation and therefore that he is in some sense alone. This solitude of Adam has a twofold and somewhat paradoxical significance. On the one hand it reveals man’s dignity as a person, his “subjectivity, which is constituted through self-knowledge.”(Theology, 10 October 1979, 37) It is also the ground of his superiority over the rest of the natural world:

“Man can dominate the earth because he alone — and no other of the living beings — is capable of ‘tilling it’ and transforming it according to his own needs,” John Paul II writes. (Theology, 24 October 1979, 39) It thus confirms, in part, the biblical declaration that man is made “in the image and likeness of God.”

On the other hand, man’s Original solitude, and his awareness of it, reveals to him his lack of self-sufficiency, his ultimate incompleteness. “But for the man there was not found a helper fit for him” (Genesis 2:20). This experience is reinforced by God’s warning to Adam against eating the forbidden fruit: “You shall die.” According to John Paul II, “The words of God-Yahweh addressed to man confirmed a dependence, in existing, such as to make man a limited being and, by his very nature, liable to nonexistence.” (Theology, 31 October 1979, 41)

The Meaning Of Origina1 Unity
By itself this second dimension of original solitude might result in an angst-ridden existentialism, but for John Paul II the experience of “double solitude” has a positive end: it points to man’s fundamental vocation to and identity in a communion of persons. Theology, 14 November 1979, 46) After bringing Adam to an awareness of his difference from the rest of creation, and thus to the awareness of both his dignity and his neediness, God puts Adam into a deep sleep and forms Eve from one of his ribs. Upon seeing Eve for the first time, Adam ecstatically declares in what is both the first human voice and the first poetic utterance in Sacred Scripture, “This is at last bone of my bones and flesh of my flesh; she shall be called Woman, because she was taken out of Man” (Genesis 3:23). Immediately after which the Bible says, “Therefore a man leaves his father and his mother, clings to his wife, and they become one flesh” (Genesis 2:24).

This two-in-one-flesh communion of persons illuminates the meaning of Genesis 1:27: “So God created man in his own image, in the image of God he created him; male and female he created them.” In other words, man images God not only in the individuality of his original solitude, but also and perhaps especially as a community of persons: for John Paul II these two features, solitude and communion, are intimately connected, but solitude is ordered to communion: “Man becomes the image of God not so much in the moment of solitude as in the moment of communion. Right ‘from the beginning,’ he is not only an image in which the solitude of a person who rules the world is reflected, but also, and essentially, an image of an inscrutable divine communion of persons.”(Theology, 14 November 1979, 46)

The integral relation of solitude and communion in Genesis provides the ground for one of John Paul II’s favorite and most frequently quoted phrases from Section 24 of Gaudium et Spes: “Man, who is the only creature on earth which God willed for itself, cannot fully find himself except through a sincere gift of himself.” Further, in revealing man as a communion of persons, Genesis “could also be a preparation for understanding the Trinitarian concept of the ‘image of God.” (Theology, 14 November 1979, 46) This, he suggests, “perhaps even constitutes the deepest theological aspect of all that can be said about man”( Theology, 14 November 1979, 47)

It would be easy to conclude from the second creation account that human persons are principally ordered to one another, but a careful reading of the text points to the more fundamental communion of persons between human beings and God. Even in his original solitude man is in relationship with his Creator: “Man is ‘alone.’ That means that he, through his own humanity, through what he is, is constituted at the same time in a unique, exclusive, and unrepeatable relationship with God himself.” (Theology, 24 October 1979, 38) Moreover, this relationship includes both male and female. As John Paul II points out, the Hebrew word for Adam (‘adam) generically includes all of mankind; the differentiation of man into male (‘is) and female (‘issah) does not occur until after the creation of Eve. Thus, “Man is ‘male and female’ right from the beginning.”(Theology 7 November 1979, 43) From this he concludes that “the meaning of ‘original solitude,’ which can be referred simply to man, is substantially prior to the meaning of original unity. (Theology, 7 November 1979, 43)

The Meaning Of Original Nakedness
The Genesis treatment of original nakedness deepens our perspective on original solitude and original unity. Nakedness figures largely in this story. Before the fall Adam and Eve “were both naked, and were not ashamed” (Genesis 2:25), and shame at their nakedness is the very first result of their disobedience (Genesis 3:7). Thus a “radical change of the meaning of the original nakedness” occurs between Genesis 2:25 and Genesis 3. (Theology, 12 December 1979, 53)

According to John Paul II the absence of shame in original nakedness does not represent a privation or lack of self-awareness, but a fullness of vision: “Nakedness signifies the original good of God’s vision. It signifies all the simplicity and fullness of the vision through which the ‘pure’ value of humanity as male and female, the ‘pure’ value of the body and of sex, is manifested,” (Theology, 2 January 1980, 57) Alternatively, “shame brings with it a specific limitation in seeing with the eyes of the body. This takes place above all because personal intimacy is disturbed and almost threatened by this sight.”(Theology, 2 January 1980, 58) 

In describing man’s original condition in this way John Paul II rejects an essentially deontological (Deontological ethics or deontology (from Greek δέον, deon, “obligation, duty”; and -λογία, -logia) is an approach to ethics that judges the morality of an action based on the action’s adherence to a rule or rules. Deontologists look at rules and duties.) and legalistic reading of man’s original condition and the fall. Creation is ordered by love, and the “beautifying awareness” of this love calls forth a response of love from man. (Theology 9 January 1980, 61 and 20 January 1980, 69) For this reason, John Paul IT writes that “Man should have understood, that the tree of knowledge had roots not only in the garden of Eden, but also in his humanity.” (Theology, 31 October 1979, 41) 

Original disobedience, and indeed every sin, is therefore best understood as the refusal to recognize and accept with gratitude the fundamental “giftedness” of creation on its own terms. Every sin involves an “objectification” of the good, a reduction and wrenching of it from the context of its ground in gift. On the plane of human relations, this manifests itself as “a reduction of the other to an ‘object for myself (an object of lust, of misappropriation, etc.).” (Theology, 6 February 1980, 70)

Nowhere is this pattern more evident than in the story of the fall itself: Eve abstracts the sensitive and spiritual goods of the apple from their larger moral context within the created order (“the woman saw that the tree was good for food, and that it was a delight to the eyes,” etc.), and as a consequence both Eve and Adam abstract the sensitive goods of one another from their larger moral context within the good of the person (“and they knew that they were naked”). This reduction by abstraction is the specific quality of pornography, and of obscenity more generally. The problem with pornography, John Paul II suggests, is not that it shows too much, but that it shows too little of the full truth about man. (See discussion in Theology, 218-29 (15, 22, and 29 April and 6 May 1981) Indeed, such a reduction may be the very form of every sin.

Creation In John Paul II And Wendell Berry
The Theology of the Body therefore is rooted in a notion of “Creation as a Fundamental and Original Gift.” (This is the title of the remarks given 19 December 1979) This fact has an important bearing on artists, who are in some sense co-creators with God. John Paul II brings out this point in his “Letter to Artists,” which has for its epigraph a verse from Genesis 1:31 (“God saw all that he had made, and it was very good”). In Section 15 he writes the following:

The Spirit is the mysterious Artist of the universe …Every genuine inspiration, however, contains some tremor of that “breath” with which the Creator Spirit suffused the work of creation from the very beginning. Overseeing the mysterious laws governing the universe, the divine breath of the Creator Spirit reaches out to human genius and stirs its creative power. He touches it with a kind of inner illumination which brings together the sense of the good and the beautiful, and he awakens energies of mind and heart which enable it to conceive an idea and give it form in a work of art. It is right then to speak, even if only analogically, of “moments of grace,” because the human being is able to experience in some way the Absolute who is utterly beyond.

Wendell Berry seems to share John Paul II’s understanding of creation and the role of the artist. He begins Remembering with the following invocation/prayer, written in blank verse:

Heavenly Muse, Spirit who brooded on
the world and raised it shapely out of nothing,
Touch my lips with fire and burn away
All dross of speech, so that I keep in mind
The truth and end to which my words now move
In hope. Keep my mind within that Mind
Of which it is a part, whose wholeness is
The hope of sense in what I tell. And though
I go among the scatterings of that sense,
The members of its worldly body broken,
Rule my sight by vision of the parts
Rejoined. And in my exile’s journey far
From home, be with me, so I may return.

 

By this stirring invocation Berry signals to his readers the epic theme of his narrative. Like John Milton and Dante Alighieri, two poets who figure largely in the story, he chooses a classical idiom in which to associate his narrative with the Christian account of Creation, Fall, and Redemption. From the outset, therefore, readers are invited to consider the events of Remembering on a much larger scale than they might otherwise do. That scale involves nothing less than a right attitude toward Creation. Indeed, no word appears more often in Berry’s corpus than “creation” and its cognates.

The Meanings Of The Wound In Remembering
The centrality of the body to the action of Remembering is reflected in its title. Remembering plays on several inter-related meanings. The most obvious meaning is the faculty of memory itself. But this meaning should not be taken lightly, for it conjures up the entire mythical, epistemological, and theological edifices of the Muses, daughters of Memory, Plato’s anamnesis, and perhaps most importantly the memoria of Book X of Augustine’s Confessions, also a meditation on creation. More subtly, “Re-Membering” also draws upon the archaic but theologically rich biblical analogy of the parts of the body to the communion of persons in Christ. “For as in one body we have many members, and all the members do not have the same function, so we, though many, are one body in Christ, and individually members of one another” (Romans 12:4-5 and 1 Corinthians 12:12). It thus captures another notion that pervades Berry’s moral imagination, membership. The title of Remembering expresses the central action of the novel: the epic journey from brokenness and despair through memory into wholeness.

“It is dark.” This lapidary sentence begins Remembering. At the beginning of the story the protagonist, a despairing Andy Catlett, finds himself lying alone, far from his home in Kentucky, in the mid-morning darkness of a hotel room in San Francisco. A journalist turned farmer, Andy has recently lost his right hand in a farming accident involving a corn picker. Andy’s wounded body is both the cause and visible sign of a much deeper interior wound. Frustrated, resentful, and angry, he has struck out at and wounded the community that sustains him, his friends, his family, and most significantly, his wife Flora.

The wound in Andy’s body reverberates into his interior life and through his relationships, especially his marriage. The intimate relationship between Andy’s wounded body and his spiritual response to that wound is central to the story, arid encourages reflection upon what it means to be a person in a body.

The complex of meanings in Andy’s wounded body is suggested in the following passage:

He remembered with longing the events of his body’s wholeness, grieving over them, as Adam remembered Paradise. He remembered how his own body had dressed itself while his mind thought of something else; how he had shifted burdens from hand to hand; how his right hand had danced with its awkward partner and made it graceful; how his right hand had been as deft and nervous as a bird. He remembered his poise as a two-handed lover, when he reached out to Flora and held and touched her, until the smooths and swells of her ached in his palm and fingers, and his hand knew her as a man knows his homeland. Now that hand that joined him to her had been cast away, and he mourned over it as over a priceless map or manual lost forever.

Most concretely, the loss of Andy’s hand means limits. From the most mundane activity like buttoning a shirt to the intimate caresses of his wife’s body, Andy is now hampered. He can no longer care for himself, Flora, or his children as he once could, and he is painfully aware that the favors he receives from others cannot be repaid in kind. In Andy’s bodily wound Berry figures the essential condition of all human beings. We are by nature incomplete and dependent beings, a fact most evident in our mortality, our liability “to nonexistence.”

In his frustration at this new dependency, however, Andy fails to recognize that his limits are only a vivid extension of the limits that all human beings must face, whether crippled or not. “I feel like I’m no account to anybody,” he tells flora. To which she responds, “Well, unfortunately that’s not for you to decide.” Andy’s wife Flora sees the point, though Andy does not. She tells him, “You must accept this as given to you to learn from, or it will hurt you worse than it already has.” But Andy refuses to accept this. instead “he raged, and he raged at his rage, and nothing that he had was what he wanted.”

Andy’s wound also represents the punishment, if not the actual choice, of original sin. Andy significantly compares his loss to Adam’s loss of Paradise by the fall. The figure is strengthened by the comparison of his hand to a “priceless map or manual lost forever,” a fitting image for the wound of original integrity, which harms mankind’s ability to know and follow the good. That Andy loses his hand in a machine compounds this agony, for technology represents the meager human effort to remedy the effects of the fall. The clothing of our first parents (“they sewed fig leaves together”) is a remarkable reminder of this fact, and also a warning, for Adam and Eve’s first use of technology is motivated by a desire to conceal their fault, to remedy its consequences rather than correct its cause.

The fact that God later provides better clothing to Adam and Eve is evidence that technology is good when it is informed by a proper understanding of the created order as a prior and original gift. However, technology can also be rooted in an attempt to escape from this order, or to dominate it tyrannically. Motivated by this understanding of creation, technology becomes infernal. (Immanuel Kant’s interpretation of the myth of the fall in Conjectures on the Beginning of Human History provides a perfect illustration of the infernal justification for unlimited technology.) John Paul II warns against this false attitude towards technology in Centesimus annus: “Man thinks that he can make arbitrary use of the earth, subjecting it without restraint to his will, as though it did not have its own requisites and a prior God-given purpose, which man can indeed develop but must not betray.” Well before his accident Andy had gained a reputation for opposing the industrialization of farming, and he dreams with terror of bulldozers leveling all he has known and loved: “Bulldozers pushed and tramped the loosened, disformed, denuded earth, working it like dough toward some new shape entirely human conceived. The fields and their names, the farmsteads and the neighbors were gone; the graveyards and the names of the dead, all gone.” Andy is therefore particularly humiliated by the “hook” that has become his right hand, and in his frustration and anger he throws it into the wastebasket, saying “Lie there where you belong, you rattledy bastard!”

Hidden at the deepest level, however, Andy’s wound is a figure for human sexuality. At first glance this may seem like a surprising claim, but upon closer examination it bears rich fruit. Recall that in order to create Eve, God draws a rib from Adam’s side and then closes it up with flesh. It is important to see that this act constitutes a wound, and although it causes no real injury to Adam it does involve a real loss to his bodily integrity and independence. This hidden wound is also the origin of the sexual differentiation of man into male and female, and therefore is mysteriously linked to human sexuality. Human sexuality involves a mark upon the human body which forever testifies to the futility of the human quest for autonomy. As John Paul II points out, human sexuality, expressed in the somatic division between masculinity and femininity, reveals and expresses our intrinsic ordering to an “other.” Human beings cannot “have sex” alone any more than they can reproduce alone, and both sex and reproduction are ordered to the two-in-one-flesh communion of persons.

It is notable that classical mythology also figures Love as a wound, and that the word “Sex” is derived from the Latin secare which means both “to cut,” and “to cut off’ or “amputate.” (In classical mythology Eros/Cupid is the mischievous son of Venus who shoots his arrows of love into unwitting victims. The action of Eros is nowhere more powerfully represented than in the story of Dido and Aeneas in book four of the Aeneid. Benedict XVI picks up on this theme in the second chapter of his book On the Way to Jesus Christ, which is entitled “Wounded by the Arrow of Beauty.” See also the remarkable passage on love as a healing wound by St. Columban in Reading 9 of the Office of Readings for Ordinary Time.) It is with good reason therefore that the poet Aristophanes in Plato’s Symposium describes the sexual division at the root of Eros as a wound inflicted on the bodies of originally unified human beings by the Olympian gods as punishment for their pride (189e-194e). This myth captures well the experiences of suffering, limit, loss, and dependency that are central to Eros, but it also circumscribes the scope of Eros to the horizontal plane, to the sphere of human relationships. In reply Socrates argues that Eros is an arrow of love pointing to Transcendence. Though set in motion by the beauty of concrete, sensible objects, Eros leads the soul up the ladder of love to the universal and immaterial Beauty Itself: “This is what it is to go aright, or to be led by another, into the mystery of love: one goes always upwards for the sake of this Beauty, starting out from beautiful things and using them like rising stairs.”

Whereas Aristophanes and Socrates provide contrasting accounts of Eros in The Symposium, John Paul II’s interpretation of the “double solitude” in the myth of the fall preserves, unifies, and deepens both of them together. The unity of male and female in ‘adam captures that primordial unity of human beings in Aristophanes’ account, but rather than a punishment, this division and separation of ‘adam into ‘is-’issah, male and female, is a gift that reveals to man his deepest identity and vocation to self-gift in a communion of persons. On the other hand, ‘adam’s original unity and solitude in relationship to God points to the transcendent ordering of Eros that we find in Socrates’ account.

Human sexuality is so basic to human experience that its deepest meaning is easy to overlook. As John Paul II remarks, sexuality is one of those things that is “so intermingled with the ordinary things of life that we do not generally notice [its] extraordinary character.” (Theology, 12 December 1979, 51) Like the myth of the fall and Plato’s Symposium, Berry’s Remembering seeks to draw out the deeper meaning hidden in the mysteries of human solitude and sexuality. By figuring human sexuality in the loss of a hand, Berry reveals the extraordinary meaning hidden in this ordinary reality.

The Human Response To The Wound
At some level all human beings experience the hidden wound of solitude and dependency. What is their response? Andy’s first response to his wound is rebellion. Berry alludes to this fact in the title of the first chapter, “Darkness Visible.” The phrase is from Milton’s graphic description of Satan’s first view of hell in the early lines of Paradise Lost:

At once as far as angel’s ken he views
The dismal situation waste and wild,
A dungeon horrible, on all sides round
As one great furnace flam’d, yet from those flames
No light, but rather darkness visible
Served only to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That conies to all; but torture without end
Still urges, and a fiery deluge, fed
With ever-burning sulfur unconsumed. (I.59-69)

Milton’s Satan perfectly expresses the root principle behind the modern quest for autonomy:

The mind is its own place, and in it self
Can make a Heav’n of Hell, a Hell of Heav’n. (I.255)

In his representation of Satan Milton also shows that this quest is rooted not in a heroic defense of truth, but rather in resentment against and a rejection of the created order, and by extension the body, which is part of that order. Satan’s principle relies on the claim that the “mind” is all, despite the obvious and ever-present reminder of his own tortured body.

In the first part of Remembering Berry translates Satan’s principle into a contemporary American idiom. He thereby reveals the root cause that lurks behind the “boomer” impulse in the American historical experience, as opposed to the competing “sticker” tradition of building and homemaking. (Berry borrows these terms from the novelist Wallace Stegner.) Andy Catlett experiences the two dominant temptations associated with boomers: the impulse to recreate one’s identity from scratch, and the impulse always to be on the move. These impulses, like the infernal technological impulse noted above, underlie the quest for autonomy, and ultimately reflect a desire to escape the body and its limits. Each of them involves a kind of dualism that results in a dismembering. Berry also shows through Andy a way out of the predicament.

Andy’s temptation to recreate himself begins with a decisive rejection of his identity. His formal reason for traveling to San Francisco was to deliver a talk at a local college. But when the greeter from the college approaches him at the airport, Andy unaccountably denies he is himself and walks away. Berry describes the experience in striking terms reminiscent of Satan’s rejection of the body:

When he’d answered, “No maam,” to the young woman waiting to meet him at the airport gate, he had felt the sudden swing and stagger of disembodiment, as though a profound divorce had occurred, casting his body off to do what it would on its own, to be watched as from a distance, without premonition of what it might do.

Andy’s rejection of his identity is reinforced in the cold anonymity of his hotel room, that icon of American displacement:

The feel of the bed, the smell of the room seem compounded of the strangeness of all the strangers who have slept there: salesmen, company officers, solitary travelers, who have entered, shut the door, set down their bags, and stood, weary and silent, afraid to speak, even to themselves, their own names. A man could go so far from home, he thinks, that his own name would become unspeakable to him, unanswerable by anyone, so that if he dared speak it, it would escape him utterly, a bird out an open window, leaving him untongued in some boundless amplitude of mere absence.

But Andy cannot abide the agony of this solitude. In his pain and need he leaves the hotel for a walk through the early-morning streets of San Francisco. This turns out to be an epic journey, the significance of which is suggested by the inscription from Dante’s Commedia that Andy finds on a Catholic church as he passes. The inscription reads: “LA GLORIA DI COLUI CHE TUTTO MUOVE PER L’UNIVERSO PENETRA E RESPLENDE.”

These are the first lines of Paradiso, translated “The Glory of the one who moves all things / penetrates the universe with light” Andy is a latter—day Dante, but before he reaches his Paradise he must complete his travel through the lower regions which are as distinctly American as Dante’s were Florentine.

There is a reason Berry sets Remembering in the westernmost part of the continental United States, and in a city historically associated with the most intentional attempts at self-invention. “He wants to reach the city’s edge,” Ben-y writes. “He longs for the verge and immensity of the continent’s meeting with the sea.” Andy’s pilgrimage takes him through the footsteps of American history. In Berry’s telling, the persistent, pervasive, and restless American desire to “move west” is best understood, at root, as the attempt to escape from the body and its limits. The final frontier of this impulse is biotechnology, whose governing principle is the ultimate victory over suffering and death.

Here at the edge of the world Andy has left the encumbrances of family, history, indeed his very identity, in the search for something better. Here he experiences the final temptation:

Where might he not go? Who knows where he is? He feels the simplicity and lightness of his solitude…Other lives, other possible lives swarm around him…All distance is around him and he wants nothing that he has. All choice is around him, and he knows nothing that he wants.

Just as he is fantasizing about the possibilities of his new self, Andy is called back to himself in memory by the voice of his grandmother, Done Wheeler. This memory takes him back to a time even before his childhood, when first “the shuttle flung …though the web of his making.” There he sees distant relatives reenacting the rites that made him, until he arrives at the home of his grandmother Dorie Wheeler, where, gathering eggs together in the evening, she looks down at him smilingly and says, “Oh, my boy, how far away will you be sometime, remembering this?” The memory brings Andy to tears. The lines are worth quoting at length, both for their pathos and their beauty:

He is held, though he does not hold. He is caught up in the old pattern of entrances: of minds into minds, minds into place, places into minds. The pattern Innits and complicates him, singling him out in his own flesh. Out of the multitude of possible lives that have surrounded and beckoned to him like a crowd around a star, he returns now to himself a mere meteorite, scorched, small, and fallen. He has met again his one life and one death, and he takes them back. It is as though, leaving, he has met himself already returning, pushing in front of him a barn seventy-five feet by forty, and a hundred acres of land, and six generations of his own history, partly failed, and a few dead and living whose love has claimed him forever. He will be partial, and he will die; he will live out the truth of that. Though he does not hold, he is held. He is grieving, and he is full of joy. What is that Egypt but his Promised Land?

Andy’s decision to return home is a decision to accept the goodness of the created order and the goodness of his body, including the limits, partiality, suffering, and death they bring with them. In his powerful dramatization of this decision, Berry challenges and reverses the poisonous Romanticism that is almost coterminous with novelistic form, and that drips into the heart of contemporary American culture. Notably, now reconciled to his condition, Andy recovers the “hook” of his right hand from the waste-basket. “It is not a hand. It is not a substitute for a hand. It is only a tool, only a tool. His hand is gone. Sometime, somewhere behind him, his hand has left him. It has died, and is at peace.”

Berry adds something to his account that is only implicit, and never fully developed in John Paul II’s Theology of the Body. According to John Paul II, “Sex decides not only the somatic individuality of man, but defines at the same time his personal identity and concreteness…This concreteness means both the uniqueness and unrepeatability of the person.” (Theology, 5 March 1980, 79)  Man’s somatic “concreteness” means that he is necessarily implicated in a “partial” history, tradition, and memory that are not of his own making.

These partialities provide the context within which human beings must live and choose, and therefore they have ethical implications as well. For Andy this means the return to “a barn seventy-five feet by forty, arid a hundred acres of land, and six generations of his own history, partly failed, a few dead and living whose love has claimed him forever.” His decision to remain in his body, to return home, is also a choice for Place, a choice of being responsible to the narrative he has been given with all of its work, suffering, and joy. “What is that Egypt but his Promised Land?” The next two chapters of Remembering, “A Long Choosing” and “A Place Known and Dreamed,” are an elaboration of this observation.

So powerful is this climax of Remembering that one almost forgets that it occurs less than halfway through the story. Andy’s journey home, which is described in the latter half of the novel, is equally powerful. Like St. Augustine of the Confessions or Dante the Pilgrim, Andy now begins to pray along his way, recalling his own history and offering meditations born of his new-found wisdom. The principal subject of his meditations is wonder at the mystery, beauty, and meaning of being in a body, with its own partial history, memory, tradition, and community. He also laments the costs of repudiating these things. For example, as he passes through the “Gate of Universal Suspicion” (a prescient pre-9/11 coinage) at the airport he observes the crowd of individuals hurrying about:

He has heard the tread of his own people dancing in a ring, the fiddle measuring time to them, a voice calling them, through the steps of change and absence, home again, the dancers unaware of their steps, which only the music, older than memory, remembered. Now that dance is broken, dismembered in the Land of Universal Suspicion, where no face is open to another. Where any may be dangerous and none may be trusted, all must live in conflict, the fire of the world’s death prefigured in every heart.

Shall we disappear with our longing, dismembered, in the annihilating flame?

Spare us, O Lord, the logical consequences of our folly.

Healing The Hidden Wound
The final two chapters of Remembering, “Bridal” and “The Hilltop,” reinforce the parallels to John Paul II’s Theology of the Body that I have been suggesting above. In “Bridal” Berry returns the reader to the theme that has been implicit throughout the novel: the intimate relationship between Andy’s wound and his marriage. He thus suggests once again that Andy’s wound in some sense figures human sexuality and the community of persons to which it is ordered. Earlier in the story Andy remembers the wholeness he once had in his marriage to Flora:

They were two longing to be one, or one dividing relentlessly into two…It was as though grace and peace were bestowed on them out of the sanctity of marriage itself which simply furnished them to one another, free and sufficient as rain to leaf. It was as if they were not making marriage, but being made by it, and, while it held them, time and their lives flowed over them, like swift water over stones, rubbing then) together, grinding off their edges, making them fit together, fit to be together, in the only way that fragments can be rejoined.

In revolting against his wound, however, Andy also strikes against the very same things that once brought wholeness to his marriage. His reaction to his wound also wounds the unity of his marriage, dividing and separating him from Flora: “[His marriage] was no longer about duality, but about division, an infinite cold space that opened between them.”

In “Bridal” Berry describes with great accuracy the ever-present tension in the human soul between the meanings of “nakedness” before and after the fall. Even after his decision to return home Andy remains vulnerable to the objectifying glance of human beings after the fall. He notices “beautiful women” everywhere, “in summer dresses beautifully worn, flesh suggesting itself, as they move, in sweet pressures against the cloth.” Berry emphasizes the role of the body in Andy’s experience: “He lets them disembody him, his mind on the loose and rambling, envisioning unexpectable results, impossible conclusions.” And again, “Loving them apart from anything he knows, or might know, he is disembodied by them: no man going nowhere, or anywhere, his mind as perfectly departed from his life as a lost ghost, dreaming of meetings of eyes, touches, claspings, words.”

In making this connection between fantasy/lust and the body, Berry brings out the close connection that always exists between lust and abstraction. Lust is not only a reduction of the other, it is also a reduction of the self and thus., despite appearances, always involves an escape from what it means to be a person in a body. It is fitting, therefore, that Berry juxtaposes Andy’s out-of-body fantasizing with his flight on the airplane, for flight is a powerful representation of the human effort to transcend the limits of tile body. “To Andy, the air is an element as dangerous to mind as to body. For wingless creatures, it is the element of abstraction: abstract distance and speed, abstract desire.”

Berry also makes clear that Andy’s fantasizing is a result of his profound loneliness. At the deepest level he longs to make contact with concrete human persons, to meet their eyes and notice their faces. He wonders, “if they were going down, would the woman sitting beside him be willing to hold his hand?” In this loneliness, he meditates upon his marriage to Flora and on the trust it requires:

In twelve years they have given it a use and a life; a beauty has conic to it that is its answer to their love for it and their work; and it has given them a life that belonged to them even before they knew they wanted it. And all has depended on trust. How could he have forgotten? How could he have failed to understand?

Marriage is not a rational contract between two individuals for their private ends, but a community of persons based upon a self-gift which in turn recreates those persons. This self-gift requires trust, for there can never be enough knowledge of the other person and of the future to provide a certain ground for the decision. “How could he have imagined that it would be different? How could he have imagined that he might ever know enough to choose?” And then in language reminiscent of John Paul II, Andy observes that “To trust is simply to give oneself; the giving is for the future, for which there is no evidence. And once given, the self cannot be taken back, whatever the evidence.”

Such trust between two imperfect persons inevitably requires much forgiveness. “He knows the duality in those years, the imperfection in them both, and the grief and longing of their imperfection…He must have his own forgiveness and hers and the children’s, and the forgiveness of everyone and everything from which he has withheld himself.” In this realization, Andy imagines Flora coming to him again,

a bride, dressed all in white, as innocent as himself of the great power they were putting on, frightened and smiling — a gift to him such as he did not know, such as would not be known until the death that they would promise to meet together had been met, and so perhaps never to be known in this world.

He is awakened from this vision by the woman next to him, “who to his astonishment is patting his arm.” “Are you alright?” she asks. “Yes, I’ve been all right before, and I’m alright now.” This is the fitting conclusion of “Bridal.”

The ordinary Romance novel, if it ever got this far, would conclude somewhere around this point. For what can be more important or more beautiful than love between two human beings? But Berry’s imaginative vision reaches much fbrther than this, directing our attention to the higher eschatological meaning of marriage that is implied in the double solitude of man before the fall.

In the final chapter, “The Hilltop,” Andy has returned home. Flora is not home, and so he leaves her a note, “Can you forgive me? I pray that you will forgive me,” before going out for a walk on his land. This is in fact the third journey related in the novel, the first being his walk in San Francisco and the second being his flight home. If we follow the allusions to Dante, the first two journeys correspond to the Inferno and Purgatorio respectively. The themes of transgression and repentance in these two journeys seem to bear the interpretation. This final journey would then correspond to Dante’s Paradiso. Here again the parallel fits, for Andy is granted here a mystical vision of something like heaven.

Andy walks through the woods on his property, which lead to a high place overlooking Port William. While in the woods, he stops to rest and falls into a sleep reminiscent of the “deep sleep” of Adam, for it is like death: “He has entered the dark, and it is such darkness as he has never known. All that is around him and all that lie is has disappeared into it. He sees nothing, remembers nothing, knows nothing except a hopeless longing for something he does not know, for which he does not know a name.” He is awakened by a man, “dark as shadow,” touching his shoulder, and arises to find himself in the same place, which, “though it is familiar to him, is changed.” Somehow he recognizes the man as his guide, and he begins to follow this dark Virgil through the woods, which are now filled with a mysterious, singing light. Andy recognizes that “he has entered the eternal place in which we live in time” and would like to stay, but the man leads him on to the top of the hill overlooking Port William.

Andy looks and sees the town and the fields around it, Port William and its countryside as he never saw or dreamed them, the signs everywhere upon them of the care of a longer love than any who have lived there ever imagined. . And in the fields and the town, walking, standing, or sitting under trees, resting and talking together in the peace of a sabbath profound and bright, are people of such beauty that he weeps to see them. He sees that these are the membership of one another and of the place and of the song or light in which they live and move.

He sees that they are dead, and they are alive. He sees that he lives in eternity as he lives in time, and nothing is lost.

In Andy’s vision of a redeemed Port William, one cannot help recalling the verse of Revelation 21:2: “And I saw the holy city, New Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband.” The communion of persons in marriage is not man’s highest end. It is only a sacrament, a visible and efficacious sign, of the higher, more lasting, and more real communion of persons in Christ. It is our participation in this final “membership” that ultimately makes us whole, a fact beautifully expressed in the final lines of the novel, in terms softly evocative of Psalm 137:

He has come into the presence of these living by a change of sight, by which he has parted from them as they were and from himself as he was and is.
Now he prepares to leave them. Their names singing in his mind, he lifts toward them the restored right hand of his joy.

In Remembering Wendell Berry helps to heal the hidden wound of our fallen nature. He reveals in a powerful way the latent tendencies in our fallen nature and in our culture more generally toward Romanticism, Gnosticism, Manichaeism, and every other form of dualism that rejects the gift of Creation and the body. He also shows the terrifying costs of this great rejection. Moreover, by making detailed what is spare in the myth of the fall, and making concrete what is abstract in the Theology of the Body, Remembering brings us tangibly in touch with the primordial memory of wholeness that slumbers in every human heart. Above all, Remembering imprints a “beautifying awareness of the meaning of the body” (Theology, 30 January 1980, 69) into our own memory, giving us hope as we groan with all of creation for the redemption of our bodies.

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Book Recommendation: The Courage To Be Catholic by George Weigel

May 13, 2010

I have quoted from this book in numerous posts but never provided my reading selections. The book is an extended essay giving Weigel’s take on the sexual abuse crisis circa 2002. As one Amazon reader noted: “[George Weigel's] criticisms of past handling of sexual abuse are fearless but fair. Pope John Paul II’s own excellent teachings on the formation of priests were given good exposure. The link between good priestly formation and adherence to the general teaching on sexual ethics was beautifully drawn. Best of all was his passionate call to holiness through love of Christ and fidelity to His teaching- not just for the laity but priests and bishops alike. I finished the book with great hope and certainty that this crisis will eventually bring renewal.” As you sense from the latter comments, Weigel’s comments have a timeless nature to them, which makes the book a precious read.

Overwhelming Majority Of Abuse Cases Was Homosexual Molestation
According to press reports, confirmed by the studies of reputable scholars, the most prominent form of clergy sexual abuse in recent decades has involved homosexual priests abusing teenage boys and young men. It took editors, television personalities, and radio talk-show hosts approximately two and a half months to recognize what print reporters had, in fact, been uncovering for months: namely, that the overwhelming majority of cases of abuse did not involve prepubescent children, but rather teenage boys and young men, often in school or seminary settings. While clinical distinctions (“Fixated ephebophilia,” “regressed” or “stunted” homosexuality) may be helpful for purposes of professional study and therapy, normal English describes such abuse as homosexual molestation.

The Living Instruments Of Christ, The Eternal Priest
Vatican II taught … that ordained priests “are living instruments of Christ the eternal priest.” At his ordination, every priest “assumes the person of Christ.” The Catholic priest, in order words, is not simply a religious functionary, a man licensed to do certain kinds of ecclesiastical business. A Catholic priest is an icon, a living re-presentation, of the eternal priesthood of Jesus Christ. He makes Christ present in the Church in a singular way, by acting in persona Christi, “in the person of Christ,” at the altar and in administering the sacraments. 
The Catholic priesthood, in other words, is not just another form of “ministry.” Ordination to the priesthood in the Catholic church radically transforms who a man is, not just what he does.  In fact, in the classic Catholic view, the thins a priest does – the things lay Catholic cannot do, such as celebrate Mass or forgive sins sacramentally in confession as entirely dependent on who he is by the grace of his ordination. The old Baltimore Catechism tried to describe the difference ordination makes by saying that the sacrament of Holy Orders imprinted an “indelible mark” on a man’s soul: Once ordained, a man is a priest forever, because he has been configured to Christ the eternal priest in an irreversible way. A still older philosophy would say that a priest is “ontologically changed” – changed in his deepest personal identity – by his ordination.

Everything Is A Ministry: A Sociological View Of The Church
By the mid-1970’, virtually everything in the Catholic Church was being described as a form of “ministry,” to the point where ushers in churches were habitually described as “ministers of hospitality.” Ideas have consequences and so do words. If everything is a ministry and everyone in the Church is a minister of one sort or another, what if anything is distinctive about the ordained ministry of the priest? Doesn’t it demean the “ministry” of baptized lay Catholics if the Church continues to insist on the unique “ministry of the ordained priest?
These confusions had many ramifications. Not least among them was the claim…that if the Catholic Church insisted that it must be governed by a “hierarchy” composed of ordained bishops and priests (all of whom were men), it ws branding itself an authoritarian, misogynist hang over form the Middle Ages. Many Catholics in the United States wondered why, if the Church was what sociologists aptly described a s a “volunteer organization,” it shouldn’t govern itself like most other voluntary organizations – by majority rule, with “offices” open to all members?

Saints and Disciples
Every Christian is called to be a saint. Indeed “saints” are what every Christian must become if we are to enjoy eternal life with God. It takes a special kind of person to be able to live with God forever—it takes saints. When the Chruch recognizes someone publicly as a “saint”, the Church is bearing witness to the truth that, in this world, a man or woman was so completely configured to Christ that this life of “heroic virtue” is now continued in heaven, in joyful communion within the light and love of God.
Every Christian fails on the road to sanctity. Some of us fail often, and many of us fail grievously. In each case, the failure is one of discipleship. Men and women who have truly encountered the Risen Christ in the transforming experience of conversion – an experience that can take a lifetime – live different kinds of lives: They lead the life of a disciple (lives of deeper fidelity).

Blaming The Crisis Of Sexual Abuse On Celibacy
To blame the crisis of sexual abuse on celibacy is about as plausible as blaming adultery of the marriage vow, or blaming treason on the Pledge of Allegiance. It just doesn’t parse.

The Relationship Of A Spouse To A Beloved Bride: Chaste Celibate Love For The Church
In the Letter to the Ephesians, St. Paul describes the relationship of Christ, the eternal high priest, to his Church as the relationship of a spouse to a beloved bride: Christ the redeemer gives himself to his spouse freely, unreservedly, faithfully, and unto death. If a Catholic priest is not a religious bureaucrat who conducts certain kinds of Churchly business, but rather an icon – a living re-presentation—of the eternal priesthood of Jesus Christ, then the priest’s relationship to his bride, the Church, should be like Christ’s – the priest is to give himself to the Church freely, unreservedly, faithfully, and unto death. And he must be seen to be doing so. His commitment to his bride must be visible in his way of life, as well as in his heart and soul.
That is why the Catholic places such a high value on celibacy. Chaste celibate love for the church is another “icon” of Christ’s presence to his people. The Christ whom the priest makes present through his sacramental ministry at the altar and in the confessional is acting not simply in the name of Christ but in the person of Christ. According to ancient Catholic usage, he is another Christ, alter Christus, whose complete gift of self to the Church is an integral part of his priestly persona. Celibacy is thus not “extrinsic” to the Catholic priesthood, a mere matter of ecclesiastical discipline. There is an intimate, personal, iconic relationship between celibacy and priesthood.

The Form Of The Catholic Church
The Catholic Church believes that it has a “form” or structure given to it by Christ. The structure is composed in part of truths: truths about God, truths about human beings, truths about our relationship to God and God’s relationship to us…Doctrine is not a matter of papal or episcopal whim or willfulness. Popes and bishops are the servants, not the masters of the tradition – the truths – that make the church what it is today. … Moreover the Catholic Church believes that the truths it has been given by Christ free us as well as bind us. They are liberating truths. To accept the Church’s teaching as authoritative and binding is only a “restriction” on my freedom if I imagine freedom to be the unbridled exercise of my imagination and will.

The Shorthand Of “Pedophilia Crisis”
Pedophile priests – in the classic sense of men who habitually abuse prepubescent children – are not the majority of cleric sexual abusers; they are, in fact, a small minority of malfeasant clergy, although they are arguably the most loathsome form of the clerical sexual predator. That the shorthand of “pedophilia crisis” was being used …months after even gay activists were conceding that the overwhelming majority of the abuses reported involved homosexual men molesting teenage boys or young males suggested that the moniker “pedophilia crisis” served agendas other than factual accuracy. Were the crisis of clerical sexual abuse to be described accurately – as a crisis whose principle manifestation was homosexual molestation – other questions about gay culture might well be raised.

Betrayal
Betrayal has been part of the Church’s reality – and part of the reality of the priesthood and episcopate – from the beginning. Betrayal is not the last world in the Church’s story, however. The men who fled Gethsemane in a panic of fear were transformed by the Risen Christ and the Holy Spirit into men on fire, men who could not do anything else but witness to the truth of God’s salvation in Christ, even when it cost them their lives. God can, does, and always will always bring good out of evil, even an evil so great as the treacherous betrayal of God’s Son.

Vatican II: The Church “Opens Its Windows To The Modern World.”
One of the most important things that many U.S. Catholic priests, bishops, nuns, theologians and lay activists took away form Vatican II was that the Church had “opened its windows to the modern world.” What these Catholic leaders failed to notice at the time – and what some Catholic leaders refuse to acknowledge today — is that the Catholic church opened its windows just as the modern western world was barreling into a dark tunnel full of poisonous fumes…there were all sorts of toxins in the air. In high culture, and especially in intellectual life, the bright hopes of “modernity” were being dashed on the rocks of irrationality, self-indulgence, fashionable despair, and contempt for traditional authority. The mid century’s two premier philosophers – Martin Heidegger and Jean-Paul Sartre – had it turned out, been supporters of the two great butchers in a century of slaughter: Hitler for Heidegger and Stalin for Sartre….the late 1960’s were a very difficult time for a two-way conversation between an ancient religious tradition build on the foundation of what it understood to be truths –with consequences for all humanity, and an intellectual world deeply skeptical that there was, in fact, any such thing as “truth”

Encounter With Modernity
In the 1960’s the Church met an old enemy tarted up in modern guise: Gnosticism, the ancient heresy which denied that the material world really counts for anything. For almost two millennia, the Catholic Church has insisted that stuff counts – that bread and waster, oil and salt, and sexual love within the bond of marital fidelity could be transformed into sacramental encounters with God himself. Why? Because the ordinary stuff of this world is never as ordinary as it seems; it always points itself to the extraordinary love of God for his creation. How could this kind of Church teach its message in a world that, or all its luxuriant materiality, seemed not to take the material world seriously, treating material things (including the human body) as mere toys for manipulation in an endless quest for self-expression and pleasure. Then there was the modern quest for freedom. How could a Church committed to the idea that freedom has everything to do with truth and goodness make its case in a culture in which freedom was broadly understood as license – “I did it my way.”

A Subtle, Interior, Invisible Schism
There was no overt schism in the Catholic Church in the United States of the sort Pope Paul VI evidently feared. But there was a subtle, interior, invisible schism. It is one thing for a Catholic – layman or laywoman, seminarian, priest, nun or bishop – to say of authoritative teaching, “I don not understand. Perhaps the teaching authority can make the matter clearer; perhaps we need to think about this truth in a more refined way.” It is quite another thing for a Catholic—and especially a Catholic who teaches, administers the sacraments, and governs the Catholic people in the name of the Church – to say, “The highest teaching authority of the Catholic Church is teaching falsehoods and leading the Church into error.”
The Catholic who says “I do not understand,” concedes that, in the Catholic scheme of things, the Church’s’ teaching authority is just that, an instrument of authoritative teaching. The Catholic who says, “The teaching authority is leading the Church into error,” is declaring himself or herself out of full communion with the Church. …too many seminarians and priests…fell out of full communion with the Church, whether the issue at hand was contraception, abortion, homosexuality, or the possible ordination of women to the priesthood.
If a priest is sincerely convinced that the Church is teaching falsely on these or other matters, or if he is simply lazy and absorbs the culture of dissent by osmosis, his conscience is deadened. And having allowed his conscience to become moribund on these questions, he is more likely to quiet, and perhaps finally kill his conscience on matters relating to his own behavior, including his sexual behavior. When the incident of such deadened consciences reaches critical mass in a diocese, a seminary, or a religious order, corruption – intellectual, spiritual and administrative –sets in, as the culture of dissent seeks to bend that institution to its ends.

Pedophile John Geoghan
Perhaps the most mind boggling document to be released publicly…was the last clinical evaluation of pedophile John Geoghan from the St. Luke’s Institute, a prominent therapeutic center in Silver Spring, Maryland, founded to deal with troubled clergy …The conclusion of the evaluation’s “spiritual assessment” by a priest who once headed St. Luke’s, was at first dumbfounding, and then chilling: Father Canice Connors notes that “there are no particular recommendations concerning (Father Geoghan’s) spiritual life since he is involved in spiritual direction and seems to have a good prayer life. The critical question for Father Geoghan seems to be whether he has ever integrated his psychological experience with his spiritual values.”