
Hagia Sophia had been built during the reign of the Emperor Justinian between the years 532-537 AD and was the largest church in the world.
The first concept to be rendered questionable by both this definition [To repeat from the previous post: Liturgy [wrote I. H. Dalmais in Principles of the Liturgy] belongs in the order of doing (ergon) not of knowing (logos). Logical thought cannot get far with it; liturgical actions yield their intelligibility in their performance, and this performance takes place at the level of sensible realities, not as exclusively material, but as vehicles of overtones capable of awakening the mind and heart to acceptance of realities belonging to a different order.] and the sea change in sociological thinking charted by Flanagan is the notion of simplicity as a criterion for sound liturgical practice. To the sociologist, it is by no means self-evident that brief, clear rites have greater transformative potential than complex, abundant, lavish, rich, long rites, furnished with elaborate ceremonial. Noble simplicity of rite has been a theme of liturgical reforms since the Enlightenment, as the previous chapter noted. It had not commended itself, however, purely as an anthropological desideratum. It was also regarded as a hallmark of the primitive Church. Though falling outside the sociologist’s provenance, this too is now a matter of question.
The decision of the post-conciliar reformers to return to a pre-Carolingian Roman tradition as earlier and therefore simpler and so better was predictable given the influence on the tradition of liturgical scholarship of the “comparative liturgy” approach pioneered by the South German historian of liturgy Anton Baumstark. Baumstark’s book with that title was both liturgiologically pioneering and enormously successful; it was translated into various languages and enjoyed numerous reprintings. However, the work of F. S. West on Baumstark’s Comparative Liturgy [A. Baumstark, Liturgie comparee, 3d ed. (Chevetogne, 1953); the work's original is French, since it began life as lectures to Bauduin's monks at Amay.] in its intellectual setting has shown that his comparative method was itself drawn, somewhat strangely, from the biology of the German Naturphi!osophen (like Goethe) as well as from the comparative anatomy of such nineteenth-century natural scientists as Georges Cuvier and Charles Darwin. [F. S. West, Anton Baumstark's Comparative Liturgy in Its Intellectual Contex", doctoral thesis (Notre Dame, Ind. 1988), described in P. Bradshaw, The Search for the Origins of Christian Worship: Sources and Methods for the Origins of Early Liturgy (London, 1992)]
It assumed as a law, consequently, that liturgical evolution moved from simplicity and brevity to richness and prolixity, even though Baumstark had to admit that one could also see evidence of a contrary movement, a tendency later to abbreviate what earlier had been fuller. As the Anglican liturgiologist Paul Bradshaw, now professor of Liturgy at Notre Dame, Indiana, has pointed out:
This admission that liturgical development might in fact proceed in either direction robs [Baumstark's] classification of any predictive power. We cannot judge a liturgical phenomenon …..’late’ simply because it exhibits prolixity.
[Bradshaw, Search for the Origins]
Nor, a fortiori, can we make an adverse value judgment on some liturgical rite, text, or practice because it lacks that dubiously reliable hallmark of primitive authenticity. One member of the post-conciliar Consilium who found the eagerness to apply the criterion of simplicity quite excessive, the Premonstratensian liturgist and author of a standard study of the sources of the Roman Liturgy Dom Boniface Luykx, signified his displeasure rather strongly by transferring to the Byzantine ritual church where he is now abbot of the Byzantine-Ukrainian monastery of the Transfiguration in northern California. [18R Galadza, "Abbot Boniface Luykx as Liturgist and liturgisatel", in Following the Star from the East: Essays in Honor of Archimandrite Boniface Luykx, ed. A. Chirovsky (Ottawa, Chicago, Lviv, 1992)].
A second concept that Flanagan would see as treated by Churchmen with a marked degree of sociological naivete is that of intelligibility in rite. The notion that the more intelligible the sign, the more effectively it will enter the lives of the faithful is implausible to the sociological imagination. It cannot simply be assumed that people will naturally assent more deeply once they have comprehended.
As Flanagan explains, a certain opacity is essential to symbolic action in the sociologists’ account, so that to attempt to render symbols wholly transparent is, to their mind, a thoroughly misguided proceeding. “[Symbols] proclaim that which transcends the conditions under which clarity through intervention is possible. They embody that which is unavailable to rational manipulation. [Flanagan, Sociology and Liturgy] And if total vernacularization of liturgical language and the insistence on translation styles that win comprehension at the cost of banality were too frequently the result of the principle of immediate comprehensibility in the realm of the spoken word, an insistence on the complete visibility of every detail of what was happening at the altar (and hence not only the removal of rood screens but also the eventual victory of versus populum celebration) was its counterpart in the visual realm.
Here, as Flanagan remarks, it was not realized that, sociologically, “veiling”, “marking a distance”, and “tactful reticence” are necessary to reverence. But such terms as reverence, with its connotations of restraint, deference, and awe, soon became prominent by their absence in liturgical discussion.
A third key concept, community, has already been touched on apropos of Gueranger. To Flanagan, the concept of community as such — just like that, without any further qualification — is too vague to bear a specifically Christian meaning. Moreover, it can easily degenerate into the creation of a transiently benevolent atmosphere through (literal or metaphorical “glad-handing” (an eloquent Americanism). What liturgists needed but failed to find was a concept of community defined distinctively as the product of a ritual assembly itself keyed into a mystery exceeding that assembly’s limits.
As the English priest-sociologist Anthony Archer had pointed out in his study The Two Catholic Churches, the preconciliar Liturgy at least imposed a ritual authority on all classes and individuals, [A. Archer, The Two Catholic Churches: A Study in Oppression (London, 1986)] thus preventing the emergence of groups who would seize the Liturgy for their own purposes or of figures who would treat it as an opportunity for the display of their communications skills. It is not really clear whether clericalism, defined as the undue prominence, within an ecclesial community, of the sacramentally ordained, is less apparent or more apparent in a liturgical rite where the priest is constantly face to face with the congregation and encouraged to introduce some at least of the Liturgy’s salient parts, rather than being absorbed impersonally into a ritual role.
A fourth crucial idea, after simplicity, intelligibility, and community, an idea not so much this tune in the Council’s Liturgy Constitution or any official text as in the commentators who took it upon themselves to interpret the reformed rite to the clergy and others, was that of liturgical agency, in other words, the role, increasingly personalized and sometimes in a pejorative sense theatrical, to be played by the celebrant of the Liturgy and other liturgical ministers. Here Flanagan notes that, sociologically, a priest cannot as celebrant present himself at Mass in the same fashion as that in which he greets his parishioners afterward. The liturgical role must conceal or at least detract attention from the person, so as to focus it the more strongly elsewhere.
The liturgical actor wishes to cast glory onto God in acts of worship that somehow minimize or preclude these elements of worth falling onto himself. Like the self, the social has to be present to enable the act to appear, but it has to disappear if the end of reverence is to be realized.
[Flanagan. Sociology and Liturgy]
To the sociological eye, rites work best when they are repetitive and formalized, so that the liturgical actor can practice a certain forgetfulness of self, “playing into his role, as Flanagan puts it, “embodying the possibility of its existence”. In this he may need a certain distance, at least at points, from other worshippers. As Flanagan explains, too unilateral an emphasis on proximity is sociologically misplaced. Rites that do not allow a sense of distance deny to the people, paradoxically, a means of appropriating the act of worship, crippling them just at the point where they could be taking off Godward by a leap of religious imagination. For liturgical actors, though presented within a social frame, have to convey properties of what lies beyond that frame, a rumor of angels.
But where does this leave the notion of participation, which is so key not only to the Enlightenment and Catholic Revival discussions in their different ways but also to that modern movement begun in the years before the Great War as well as, and not least, in the papacy’s gradual acceptance of its proposals in the pontificates of the last three “Pian” popes, Pius X, Pius XI, and Pius XII? For Flanagan, active, outward participation is to be evaluated according to “the degree to which it generates inner appropriation, interior assent”. An English Benedictine liturgist, Dom Bernard McElligott of Ampleforth, founder of the Society of Saint Gregory, had commented on the philology as early as the year of the introduction of the Novus Ordo, 1970.
By using the word “active” for actuosa the Church’s intention has been misunderstood, and generally, if perhaps unconsciously, taken to mean bodily activity; whereas what the Church really asks for is full, sincere, mental activity, expressed externally by the body.
[B. McElligott, "Active Participation", in A Voice for All Time: Essays on the Liturgy of the Catholic Church since the Second Vatican Council, ed. C. Francis and M. Lynch (Bristol, 1994)]
As Cardinal Joseph Ratzinger has emphasized, the term actuosa participatio at the Council included silence as well as speaking and singing and hence disqualifies any activist misconstrual of “living participation” (as Trapp had called it — See his liturgical essays in The Feast of Faith (San Francisco, 1986). Flanagan’s interpretation is, evidently, not unwarranted.
The absence in the postconciliar Liturgy of the atmosphere of intense silence and devotion once so striking to observers raises the question as to whether actuosa participatio, assessed in terms of Flanagan’s criterion, is more advanced or less advanced than it was before the Council opened. Here of course tricks of memory and nostalgia, as well as wishful thinking based on ecclesiastical partisanship, may deceive us. Not every eucharistic worshipper at a celebration according to the Missale Pianum before 1962 was burning with fervor, just as not everyone at a celebration according to the Missale Paulinum after 1970 is manifestly bored. But a German sociologist’s investigation of a large suburban parish in 1960 provides an example of the relatively objective testing possible. As Flanagan comments,
Many of his subjects reported that they came to Mass to find a space in which to reestablish their spiritual equilibrium, the calmness of the rite — a re-iterated notion — giving a context in which they could adjust the proportions of an often confused existence.
[Flanagan, Sociology and Liturgy]
Nor could one accuse Msgr. J. D. Crichton, the doyen of living liturgists in England, of insouciance toward the new rites, yet he has spoken recently of a loss of reverence which ultimately leads to a loss of the sense of the transcendent God who is the supreme Object of all worship. In a way we are in danger of forgetting what worship is about. It is not just a heartwarming experience for those who like that sort of thing. [J. D. Crichton, Worshipping with Awe and Reverence, Priests and People]
Or, as Father Anthony Conlon, a London parish priest, has put it in a paper read to the International Eucharistic Congress at Seville in 1994:
The overemphasis on active participation, which only conceives of worship in terms of the community realizing its group dynamic through a bias in favor of “doing things”, is a serious hindrance to any understanding of the Mass as essentially a liturgical setting of an historic action of divine mercy and sacrifice.
[A. Conlon, The Participation of the Faithful in the Post-Conciliar Liturgy: A Critical Perspective on Contemporary Practice in XLV Convenlus Eucharisticus Internationalis, Sevilla 1-13. Vi .1993, Christus Lumen Gentiuci, Euchanstia el Evangelizatio (Vatican City, 1993)]‘
Here then it is not simply a question of failing to advert properly to the divine transcendence in general. More devastatingly, when the Mass is at issue, there is inadequate advertence to that supreme act whereby the divine transcendence engaged itself in Trinitarian fashion for our definitive salvation on Calvary, when the Son offered himself to the Father in the Spirit so that his Sacrifice could be fruitful in the renewed pouring out of himself in the propitiatory intercession of the Eucharist and its foundation in his High Priestly prayer in the heavens.
Too much can be centered on the contribution made by the participants as though that alone made for the efficacy of the Eucharist and less attention — if any — may be paid to the sacramental offering of the great High Priest.
[A. Conlon, The Participation of the Faithful in the Post-Conciliar Liturgy: A Critical Perspective on Contemporary Practice]
The fact that in many parish celebrations the church building is evidently regarded as simply an assembly point before Mass starts and a place of concourse when Mass ends, in sharp contrast to the former practice when many people made prayers of preparation before Mass and prayers of thanksgiving after it and certainly were not disabled in so doing by other worshippers, points toward the same conclusion. If active participation is rightly evaluated by the quality of inner participation it arouses, then, it would seem, it has not yet succeeded in its task.
What from the sociologist’s standpoint has been overlooked is that, as Flanagan remarks, liturgical forms operate in the manner of icons — opening up a sense of the presence of the divine, not of course by the painterly means of color and line, but through social actions believed to be endowed and intended to be endowed with “holy purpose”.
Flanagan’s overall conclusion is that the Roman Liturgy has fallen into the hands of “convivial Puritans”. For these, procedures for worship are to be kept as simple as possible so as to maximize social relationships in the production of the rite. A ritual minimalism serves to sustain a relaxed atmosphere where all may contribute informally. “Bind us together” is the theme song of a liturgical life where hierarchy and ceremony are treated as deleterious to happy togetherness.
To Flanagan, as to Martin, this is simply wrongheaded.
Informal or endlessly adaptable Liturgy may be beau mais ce nest pas la guerre. The shape of the rite takes on “unfruitful unpredictability”, impairing its claim to constitute, indeed, a public order of worship. As the phenomenologist of religion Rudolf Otto saw at the beginning of this century, an undisciplined rite clamantly [vocab: loudly]asserting direct links with the production of the numinous has little chance of representing the latter successfully when compared with one that humbly petitions the holy in solemn mode.
Such tacit, mysterious qualities of rite, Flanagan continues, are, moreover, what permit its endless replaying. He likens to this the way a literary classic (The Brothers Karamazov, Moby Dick) can be endlessly reread if it be in a positive sense “ambiguous”, namely, not increasing the reader’s uncertainty about meaning but rather maintaining openness to ultimate meaning (the sacred).
Repeated use, so Flanagan concludes: “generates a passage of growth into understanding the implications of what cannot be grasped, and at the same time fuels a wish to have more revealed from what is concealed.” [Flanagan, Sociology and Liturgy] The message is that the adhesive that holds rites together has become too diluted to stick, and Flanagan looks to older forms of the Latin Liturgy for assistance when he writes: “Formal traditional forms of rite cannot be dismissed as being inherently culturally incredible. These rites only become incredible when they are deemed to be so .” [Flanagan, Sociology and Liturgy]









