Archive for the ‘Søren Kierkegaard’ Category

h1

Second Thoughts on Kierkegaard by W.H. Auden

March 22, 2012

Perhaps more than any other philosopher, Kierkegaard reflected on the question of how to communicate the truths that we live by -- that is the truths about ethics and religion. In the process, he devised a method of indirect communication, which involved the use of pseudonyms. Writing in “The Concept of Anxiety” under the guise of Vigilius Haufniensis (watchman of the harbor), Kierkegaard observes that anxiety “is altogether different from fear and similar concepts that refer to something definite.” He continues, “Anxiety is a sympathetic antipathy and an antipathetic sympathy,” a simultaneous feeling of attraction and repulsion. Kierkegaard explains: “In observing children, one will discover this anxiety intimated more particularly as a seeking for the adventurous, the monstrous, and the enigmatic.”
Deeper into this text, it becomes plain that the ledge that we both want and do not want to look over runs along the abyss of our own possibilities. In some of his most immortal lines, the watchman of the inner world notes: “Anxiety may be compared with dizziness. He whose eye happens to look down into the yawning abyss becomes dizzy. But what is the reason for this? It is just as much in his own eyes as in the abyss . . . Hence, anxiety is the dizziness of freedom.”
Gordon Marino, The Danish Doctor of Dread, NY Times article March 17, 2012

A Knight Of Doleful Countenance
Sooner or later it was bound to happen, though for an “Existentialist” writer it is a slightly comic fate: Kierkegaard has become a Classic, to be published in a definitive edition with full scholarly apparatus.
The English translation of his Papirer (Journals and Papers) is to be issued in five volumes, of which the first has now been published by the Indiana University Press [From the New Yorker in 1968]. The translators and editors, Howard and Edna Hong — their translation, by the way, reads very well indeed — have decided to group the entries by subject matter instead of printing them in their chronological order.

This decision seems to me wise for two reasons. In the first place, the journal is a chronicle of ideas, not of events; in the second, it is of enormous length and frequently repetitive. For this we have no right to blame Kierkegaard, since he did not write it for publication, but I cannot imagine any human being reading straight through it without skipping. Classification by subject matter is a question of editorial judgment, which must to some extent be arbitrary. For example, this volume begins with “Abstract” and ends with “The Exception.” Under the “C” entries expected to find some devoted to what Kierkegaard himself always calls “Catholicism,” but found none; I presume they will appear in a later volume, under “R.”

Like Pascal, Nietzsche, and Simone Weil, Kierkegaard is one of those writers whom it is very difficult to estimate justly. When one reads them for the first time, one is bowled over by their originality (they speak in a voice one has never heard before) and by the sharpness of their insights (they say things which no one before them has said, and which, henceforward, no reader will ever forget). But with successive readings one’s doubts grow, one begins to react against their overemphasis on one aspect of the truth at the expense of all the others, and one’s first enthusiasm may all too easily turn into an equally exaggerated aversion.

Of all such writers, one might say that one cannot imagine them as children. The more we read them, the more we become aware that something has gone badly wrong with their affective life — a derangement which, though it may, and probably does, include some kind of sexual neurosis, extends far beyond the bounds of the sexual; it is not only impossible to imagine one of them as a happy husband or wife, it is impossible to imagine their having a single intimate friend to whom they could open their hearts.

It is significant, surely, and sad, that though Kierkegaard was the most brilliant Dane of his time and a famous, even notorious, figure, there are, to the best of my knowledge, no references to him in the memoirs of his contemporaries, no descriptions, friendly or hostile, of what he seemed like to others. All we know about Kierkegaard is what he tells us himself.

I hope that someone will soon write a fully documented history of the Corsair affair. All I know about it is that Kierkegaard challenged its proprietor, Meyer Goldschmidt, who had hitherto praised his writings, to attack him, which Goldschmidt thereupon proceeded to do, and my only information about the nature of the attack comes from the account given by David Swenson in his Something About Kierkegaard:

For several months thereafter, there appeared little articles in the Corsair satirizing one or another feature of the pseudonymous writings. The articles were illustrated with pictures of Kierkegaard walking through the streets, his umbrella under his arm, and one trouser leg depicted as considerably longer than the other. The result of this campaign was that Kierkegaard could not show himself on the streets without being followed by a gaping and howling mob of boys and young men. So deeply did the attack sink into the popular consciousness of Copenhagen that we have from Brandes a narrative of how his nurse used to bring him back from the error of his ways, whenever his clothes were not properly put on, by pointing at him a warning finger and saying reprovingly, “Soren, Soren!”

This must have been very disagreeable, but can it really be considered, as Kierkegaard himself considered it, an example of a righteous man’s being martyred for the sake of the truth? As a scandal sheet, the Corsair was clearly a social evil, and Kierkegaard was not alone in thinking so. For a writer, the normal way of trying to abolish a social evil is to write attacks on it, demonstrating by quotations and facts the kind of evil it represents and does. Such attacks are likely to be the more effective the less the writer draws attention to himself and the more he seems to speak as the voice of public conscience.

But instead of attacking, Kierkegaard demanded to be attacked, and this. I must confess, I find distastefully egotistic. Goldschmidt, incidentally, must have been a stupid man: a moment’s thought should have told him that if he really wished to torment Kierkegaard he should ignore the challenge and go on praising his work to the skies.

If I, suffering, were to have become an object of attack by mob-vulgarity, admiration for me would have increased. But the fact that I myself demanded it shocked men. They felt alienated by anything that went over their heads.

Thus Kierkegaard in his Journals. But was it so unnatural that they should be shocked? Further, is there any evidence, outside his own testimony, that nobody sympathized with him in the persecution to which he was subjected?

Then there is the question of the persecution itself. When a newspaper proprietor has it in for somebody, his usual procedure is to publish innuendos (or facts, if he can get them) about the private or public morality of his victim: it is suggested that he has a taste for young girls or has been involved in some shady financial or political deal. All that Goldschmidt was able to do was to make fun of Kierkegaard’s writings — one would be curious to know if these criticisms were at all funny — and to make fun of his physical appearance.

Caricature exaggerates, but it is only possible if there is some peculiarity to exaggerate. If the Corsair caricatures showed one of Kierkegaard’s trouser legs considerably longer than the other, then it seems certain to me that he must have been somebody, like myself, who was careless about the way he dressed. One would have expected him to laugh and say, “Yes, I am a careless dresser, but I don’t care.” On the other hand, if his feelings were seriously hurt, as it seems they were, he had only to dress more carefully in the future for the caricatures to lose their sting. If the vulgar laughed at him on the streets, it was because they could recognize him as the original of the caricatures. His second attempt to get himself persecuted for the Truth’s sake — his polemic against Bishops Mynster and Martensen–was even less successful.

The public may have been shocked and thought his articles in bad taste, but they read them. Nobody tried to silence him. For all his contempt for the press, he made use of it, and the editors of Fædrelandet were perfectly willing to publish what he wrote. Far from getting stoned or imprisoned, he made the headlines. One has to draw attention to this failure to get martyred not as a personal reproach, which would be cheap and unjust, but because Kierkegaard was continually attacking the Danish clergy of his time for failing to achieve something which, under the circumstances of his time, he was unable to achieve himself.

Of what he calls the “wilting” of Christianity, Kierkegaard says:

It will appear most easily in a Protestant country that does not have the counterweight of Catholicism in the same country. Furthermore, it will appear most readily in a small country, which by being small is only too close to pettiness, mediocrity, spiritlessness; and, again, it will appear most readily in this little land if it has its own language entirely by itself and does not even through its language participate in possible movements elsewhere. It will most readily appear in such a small country if the people are prosperous, have no great differences in life, and have a common and regularized abundance, which is related all too easily to secular security. It will most readily appear in or show itself as the fruits of good days of peace.

Leaving aside the first sentence for later consideration, let us examine the rest of this passage. To condemn a society for being small and provincial is to condemn it not for being worldly, but for not being worldly enough: a provincial society lacks the worldly virtues of broad-mindedness and cynical tolerance exhibited by more cosmopolitan societies. As someone who had to write in Danish, Kierkegaard could reasonably complain that this severely limited the size of his potential audience, but this is a worldly objection.

Further, I cannot believe that the cultural situation in Denmark in Kierkegaard’s day was radically different from what it today there or in any other country, like Holland or Sweden or Hungary, where few strangers can be expected to understand its mother tongue: in such countries both intellectuals and businessmen are obliged, like Kierkegaard himself, to learn the more cosmopolitan languages. I should be extremely surprised, for example, to hear that Bishop Martensen or any other members of the Danish Ecclesiastical Establishment could only read and speak Danish.

Kierkegaard then goes on to reproach Denmark for qualities which common sense surely would regard as blessings — the absence of serious poverty, the freedom from sharp class distinctions, the lack of involvement in war; for being, in other words, a society without gross and obvious social evils. Whether this was really the case I do not know, but it must certainly have been Kierkegaard’s opinion, for never, when he is attacking the Danish clergy for worldly prudence and cowardice, does he specify a concrete issue about which he thinks it their Christian duty to protest.

In England during the first half of the nineteenth century, there were a number of issues one can think of — the slave trade, the treatment of the industrial poor in mines and cotton mills, the criminal law, the unjust treatment of Catholics — about which, to their shame, most of the Anglican clergy remained silent, though a few did have the courage to protest, at the cost of losing preferment. Were there really no comparable issues in Denmark? I have the uneasy feeling that if there were, Kierkegaard would have considered them unimportant.

About Roman Catholicism as a “counterweight” Kierkegaard was acute. In Catholic countries one may find, as in all countries, worldly, even immoral, prelates, but one also finds monastic orders of men and women vowed to chastity, poverty, and obedience: a parish priest may be more stupid and tiresome than many of his congregation, but he is a celibate, who has made a sacrifice which they know they would not or could not make themselves. By doing away with the monasteries and fasting, by not only permitting but encouraging the clergy to marry, by abolishing all visible “works” of self-sacrifice, Luther and Calvin made piety a matter of internal conscience. As C. S. Lewis has said of Calvin:

The moral severity of his rule … did not mean that his theology was, in the last resort, more ascetic than that of Rome. It sprang from his refusal to allow the Roman distinction between the life of “religion” and the life of the world, between the Counsels and the Commandments. Calvin’s picture of the fully Christian life was less hostile to pleasure and to the body than Fisher’s, but then Calvin demanded that every man should be made to live the fully Christian life. In academic jargon, he lowered the honours standard and abolished the pass degree.

Similarly, Kierkegaard says of Luther:

Luther set up the highest spiritual principle: pure inwardness. . . . And so in Protestantism a point may be reached at which worldliness is honored and highly valued as — piety. And this — as I maintain — cannot happen in Catholicism. . . . Because Catholicism has the universal premise that we men are pretty well rascals. And why can it happen in Protestantism? Because the Protestant principle is related to a particular premise: a man who sits in the anguish of death, in fear and trembling and much tribulation — and of those there are not many in any one generation.

There is another aspect of Protestantism which Kierkegaard seems to have overlooked — one which makes the position of a Protestant minister more ambiguous and vulnerable than that of a Catholic priest; namely, that in the Lutheran and Calvinist churches, and increasingly so as time went on, the sermon, the ministry of the Word, took precedence over the Sacraments, the ritual acts of worship. The Catholic priest, of course, also preaches, but his primary function is to celebrate Mass, hear confessions, and give absolution. His right to perform such actions depends not on his moral character or even his faith but on the fact that he has been ordained by a bishop.

But when a man preaches, all kinds of questions begin to arise. While it is meaningless to ask of a priest “Does he celebrate Mass well or badly?” the question “Does he preach well or badly?” is a real one, with a real answer. Preaching, like lecturing, demands an aesthetic gift: a preacher may himself be a hypocrite but still have the power to stir the hearts of his congregation; conversely, he may be personally a holy man but because he lacks a gift for verbal expression he leaves them cold.

Also, the preacher must necessarily address his congregation not as individuals but as a group. As long as his sermon is confined to doctrinal instruction, to telling them what the Church believes and what her creedal formulas mean, this presents no problem, but the moment he turns to moral exhortation, to telling them what they should or should not do here and now, he is in difficulties, for each member of his congregation has his or her unique spiritual problems.

At confession, a priest may give a confessant stupid, even harmful, advice, but at least this is given to a particular sinner, not to sinners in general. But the preacher in the pulpit is confronted by sinners in general. If he is to avoid generalities which will leave most of them exactly as they were before, he must speak of some concrete situation in which he knows they are all equally guilty, and this, in practice, usually means one about which they not only feel no guilt but are convinced that they are righteous. As Bonhoeffer said:

The preacher must be concerned so to incorporate the contemporary situation in his shaping of the commandment itself relevant to the real situation. It cannot be “War is evil” but, rather, “Fight this war,” or “Don’t fight this war.”

He will have small occasion to say either, unless he knows his congregation are going to be shocked; that, in the first case, they are willing, out of cowardice, to appease a tyrant, or, in the second, that they are jingoist patriots who say, “My country, right or wrong.” In doing so, he risks martyrdom. Attacking sinfulness in general is always perfectly safe, for each listener will assume that it is not he personally but people in general who are being attacked. It is only when a preacher attacks a concrete case of worldliness that he is likely to get into trouble. A clergyman in Mississippi can scold his congregation for not loving God and their neighbor, and they will sit there in smiling agreement, but if he tells them that God demands that they love Negroes as themselves the atmosphere will soon change.

Of the Danish clergy in his day, Kierkegaard complains:

Like children playing war games (in the security of the living room), so all of Christendom (or the preachers insofar as they are the actors) plays at Christianity; in the security of worldliness they play the game that the Christian is persecuted (but no one persecutes him, the speaker), that the truth is crucified (but the speaker himself already ranks with the court justices).

This complaint seems to suggest either that they only preached on such texts as “Sell all thou hast and give to the poor” and “Marvel not if the world hate you,” which cannot have been the case, or that such texts are the only ones on which a true Christian may preach, which is heretical. Secondly, it lacks effectiveness, because Kierkegaard does not or cannot specify any concrete issue for which it was their duty to invite persecution and crucifixion.

It is curious that the author of “Repetition,” who could analyze so subtly the difficulty for human beings in their daily life of having to live in and with time, should have failed to see that any church, as a visible organization on earth, has the same problem. Ideally, of course, everyone who calls himself a Christian, whether a clergyman or a layman, should be an apostle, but to imagine that at any time in history this has been, or could be, the case is a sheer Donatist fantasy. It is true, as Kierkegaard says, that “Christianity cannot be `introduced’ into a country as one introduces improved sheep breeding,” but if an individual is ever to become a Christian he must be introduced to the Christian faith, and this is one of the church’s functions.

h1

W.H. Auden on Søren Kierkegaard II

March 21, 2012

"The way we negotiate anxiety plays no small part in shaping our lives and character. And yet, historically speaking, the lovers of wisdom, the philosophers, have all but repressed thinking about that amorphous feeling that haunts many of us hour by hour, and day by day. The 19th-century philosopher-theologian Soren Kierkegaard stands as a striking exception to this rule. It was because of this virtuoso of the inner life that other members of the Socrates guild, such as Heidegger and Sartre, could begin to philosophize about angst. It is in our anxiety that we come to understand feelingly that we are free, that the possibilities are endless.
Though he was a genius of the intellectual high wire, Kierkegaard was a philosopher who wrote from experience. And that experience included considerable acquaintance with the chronic, disquieting feeling that something not so good was about to happen. In one journal entry, he wrote, “All existence makes me anxious, from the smallest fly to the mysteries of the Incarnation; the whole thing is inexplicable; to me all existence is infected, I most of all. My distress is enormous, boundless; no one knows it except God in heaven, and he will not console me….”
Gordon Marino, The Danish Doctor of Dread, NY Times article March 17, 2012

Revealed Religion (Judaism and Christianity)
A revealed religion is one in which God is not present as an object of consciousness, either as a feeling or a proposition. He is not begotten by the world, nor does he impose order on its coeternal flux but creates it out of nothing, so that while God and the world are at every moment related, God is not knowable as an object.

While in the aesthetic religion the feelings, and in the ethical religion, the ideas were the presence of God, they are now only my feelings, my ideas and if I believe that what I feel (e.g., God is present) or think (e.g., God is righteous) is caused by my relation to God, this belief is a revelation, for the cause is outside my consciousness.

As one term of a relation, the other term of which is God, I cannot overlook the whole relation objectively and can only describe it analogically in terms of the human relation most like it, e.g., if the feeling of which I have immediate certainty is one which I would approximately describe as sonship, I may speak of God as Father.

There is no longer a question of establishing a relation between God and myself for as my creator he is necessarily related to his creature and the relation is presupposed by my existence; there is only a question of the right relation. The uniqueness of the relation is that it is a relation to an Other yet at the same time as continuous and inescapable as my relation to myself. The relation of the aesthetic worshipper to his gods is intermittent and depends on their pleasure — they do not have to get in touch with him at all. The relation of the ethical worshipper to the Ideas is intermittent or not depending on his pleasure. They are always there to be contemplated if he choose, as a river is always there to be drunk from if one is thirsty, but if he doesn’t choose to contemplate them, there is no relation.

But the relation to the creator God of revealed religion is unbreakable: I. his creature, can forget it as I can forget my relation to myself when I am thinking of other things, but it is permanently there, and, if I try to banish it permanently from consciousness, I shall not get rid of it, but experience it negatively as guilt and despair. The wrath of God is not a description of God in a certain state of feeling, but of the way in which I experience God if I distort or deny my relation to him.

So Dante inscribed on the portals of Hell: “Divine Power made me, Wisdom supreme and Primal Love” — and Landor justly remarked about the Inferno that its inhabitants do not want to get out. To both the aesthetic and the ethical religion, evil was a lack of relation to God, due in the one case to God’s will, in the other to man’s ignorance; to the revealed religion, evil is sin, that is to say, the rebellion of man’s will against the relation.

The aesthetic commands cannot be codified because they are arbitrary commands of the gods and always novel. The ethical commands ought to be able to be completely codified as a set of universal moral laws. Revealed religion shows why this is impossible. A law is either a law of or a law for. Laws of, like the laws of science, are patterns of regular behavior as observed by a disinterested observer. Conformity is necessary for the law to exist, for if an exception is found, the law has to be rewritten in such a way that the exception becomes part of the pattern, for it is a presupposition of science that events in nature conform to law, i.e., a physical event is always related to some law, even if it be one of which scientists are at present ignorant.

Laws for, like human legislation, are patterns of behavior imposed on behavior which was previously lacking in pattern. In order for the laws to come into existence, there must be at least some people who do not conform to them. Unlike laws of which must completely explain how events occur, laws for are only concerned with commanding or prohibiting the class of actions to which they refer, and a man is only related to the law when it is a question of doing or not doing one act of such a class; when his actions are covered by no law, e.g., when he is sitting alone in his room, he is related to no law at all.

If the commands of God were laws of man, then disobedience would be impossible; if they were laws for man, then his relation to God would not be permanent but intermittent. The commands of God are neither the aesthetic fiat, “Do what you must” nor the ethical instruction, “These are the things which you may or must not do,” but the call of duty, “Choose to do what at this moment in this context I am telling you to do.”

Christ the Offense
To one who believes that Jesus was what he claimed to be, the incarnation as an existing individual of the Son of God begotten of his Father before all worlds, by whom all things were made, his birth, life and death are, first, a simultaneous revelation of the infinite love of God — to be righteous means to love — and of the almost infinite sinfulness of man — without the gift of the Holy Spirit it is impossible for him to accept the truth; secondly, a revelation that God is related to all men, but to each of them uniquely as an existing individual, i.e., God is the father of all men, not of a chosen people alone, and all men are exceptions, not aesthetically, but as existing individuals — it is their existence not their natures which makes each of them unique; thirdly, a revelation that the Life is not an object for aesthetic admiration nor the Truth an object for ethical appropriation, but a Way to be followed, an inclination of the heart, a spirit in which all actions are done. Insofar as collectively they considered their relation to God to be aesthetically unique, and individually an ethical relation to his Law, this revelation is an offense to the Jews; insofar as it proclaims that God the Father is not a God but the God, that Christ is not a teacher of truths but the Truth, it is an offense to the Gentiles.

The Jews would have welcomed a Messiah for them alone, but not one who demanded that they give up their claim to be the unique people of God or their belief that the Law covers the whole duty of the individual; the Gentile imagination could have accepted another culture-hero to add to its old ones, the Gentile reason, another teacher to add new stores to its knowledge, but could not accept one who was a passive sufferer, put faith before reason, and claimed exclusive attention. The Jews crucified Jesus on the serious charge that he was a blasphemer, the Gentiles, on the frivolous charge that he was a public nuisance.

Preaching to the Non-Believer
“It is,” Newman observed, “as absurd to argue men, as to torture them, into believing.”
However convincing the argument, however holy the arguer, the act of faith remains an act of choice which no one can do for another. Pascal’s “wager” and Kierkegaard’s “leap” are neither of them quite adequate descriptions, for the one suggests prudent calculation and the other perverse arbitrariness.

Both, however, have some value: the first calls men’s attention to the fact that in all other spheres of life they are constantly acting on faith and quite willingly, so that they have no right to expect religion to be an exception; the second reminds them that they cannot live without faith in something, and that when the faith which they have breaks down, when the ground crumbles under their feet, they have to leap even into uncertainty if they are to avoid certain destruction.

There are only two Christian propositions about which it is therefore possible to argue with a non-believer:

(1) That Jesus existed;
(2) That a man who does not believe that Jesus is the Christ is in despair.

It is probably true that nobody was ever genuinely converted to Christianity who had not lost his “nerve,” either because he was aesthetically unfortunate or because he was ethically powerless, i.e., unable to do what he knew to be his duty. A great deal of Kierkegaard’s work is addressed to the man who has already become uneasy about himself, and by encouraging him to look more closely at himself, shows him that his condition is more serious than he thought.

The points that Kierkegaard stresses most are, firstly, that no one, believer or not, who has once been exposed to Christianity can return to either the aesthetic or the ethical religion as if nothing had happened. Return he will, if he lose his Christian faith, for he cannot exist without some faith, but he will no longer be a naive believer, but a ruse one compelled to excess by the need to hide from himself the fact that he does not really believe in the idols he sets up.

Thus the aesthetic individual is no longer content with the passive moderation of paganism; he will no longer simply obey the passions of his nature, but will have by will power to arouse his passions constantly in order to have something to obey. The fickle lover of paganism who fell in and out of love turns into Don Giovanni, the seducer who keeps a list so as not to forget.

Similarly, the ethical philosopher will no longer be content to remain a simple scientist content to understand as much and no more than he can discover; he must turn into the systematic philosopher who has an explanation for everything in existence except, of course, his own existence which defeats him. Nothing must occur except what he can explain. The multitude of ordinary men and women cannot return to the contented community of the Greek chorus for they cannot lose the sense that they are individuals; they can only try to drown that sense by merging themselves into an abstraction, the crowd, the public ruled by fashion. As Rudolf Kassner says in his fascinating book, Zahi and Gesicht:

“The pre-Christian man with his Mean (Mitte) bore a charmed life against mediocrity. The Christian stands in greater danger of becoming mediocre. If we bear in mind the idea, the absolute to which the Christian claims to be related, a mediocre Christian becomes comic. The pre-Christian man could still be mediocre without becoming comic because for him his mediocrity was the Mean. The Christian cannot.”

To show the non-believer that he is in despair because he cannot believe in his gods and then show him that Christ cannot be a man-made God because in every respect he is offensive to the natural man is for Kierkegaard the only true kind of Christian apologetics. The false kind of apologetics of which he accuses his contemporary Christians is the attempt to soft-pedal the distinction between Christianity and the Natural Religions, either by trying to show that what Christians believe is really just what everybody believes, or by suggesting that Christianity pays in a worldly sense, that it makes men healthy, wealthy, and wise, keeps society stable, and the young in order, etc. Apart from its falsehood, Kierkegaard says, this method will not work because those who are satisfied with this world will not be interested and those who are not satisfied are looking for a faith whose values are not those of this world.

Preaching to Believers
The danger for the Christian in an officially Christian society is that he may think he is a Christian. But nobody except Christ and, at the end of their lives perhaps, the saints are Christian. To say “I am a Christian” really means “I who am a sinner am required to become like Christ.” He may think he believes as an individual when all he is doing is believing what his parents said, so that he would be a Mohammedan if they had been. The task of the Christian preacher is therefore first to affirm the Christian commands and arouse the consciousness of sin, and secondly to make the individual’s relationship with Christ real, that is, contemporary.

The world has changed greatly since Kierkegaard’s time and all too many of his prophetic insights have come to pass. The smug bourgeois Christendom he denounced has crumbled and what is left is an amorphous, despairing mass of displaced persons and paralyzed Hamlets. The ubiquitous violence of the present age is not truly passionate, but a desperate attempt to regress from reflection into passion instead of leaping forward into faith. The worst feature, for example, of the massacre of the Jews by the Nazis is not its cruelty but its frivolity; they did not seriously believe that the Jews were a menace as the Inquisition believed about heretics; no, it was rather a matter of “We must do something. Why not kill all the Jews?”

It is almost bound to be the fate of Kierkegaard, as of so many polemical writers, to be read in the wrong way or by the wrong people. The contented will not read him or read him only scientifically as an interesting case history. The unhappy and, for the most part, agnostic intellectuals who will read him, will confine themselves to his psychological analyses like The Sickness unto Death or his philosophical polemics like Concluding Unscientific Postscript, which they will read poetically as sympathetic and stimulating reflections of their feelings and thoughts, but they will fight shy of books like Training in Christianity or The Works of Love, either because they are not as unhappy as they pretend or because they really despair of comfort and cling in defiance to their suffering.

Kierkegaard is particularly vulnerable to such misunderstanding because the only force which can compel us to read an author as he intends is some action of his which becomes inexplicable if we read him any other way, e.g., Newman’s conversion to Roman Catholicism. In Kierkegaard’s case there is indeed such an action, but the action is another book, The Attack upon “Christendom.” The whole of his writings up to this one, written in the last year of his life, even the sermons, are really “poetical,” i.e., Kierkegaard speaks in them as a genius not as an apostle, so that they all might have been published, as many of them were, anonymously.

The Attack upon “Christendom,” on the other hand, is that contradiction in terms, an “existential” book. What for the author was the most important book of his life is for us, as readers, the least, for to us the important point is not what it contains, but the fact that Kierkegaard wrote it. For this reason, no selection from it appears here.

h1

W.H. Auden on Søren Kierkegaard I

March 20, 2012

Søren Aabye Kierkegaard (b. 1813, d. 1855) was a profound and prolific writer in the Danish “golden age” of intellectual and artistic activity. His work crosses the boundaries of philosophy, theology, psychology, literary criticism, devotional literature and fiction. Kierkegaard brought this potent mixture of discourses to bear as social critique and for the purpose of renewing Christian faith within Christendom. At the same time he made many original conceptual contributions to each of the disciplines he employed. He is known as the “father of existentialism”, but at least as important are his critiques of Hegel and of the German romantics, his contributions to the development of modernism, his literary experimentation, his vivid re-presentation of biblical figures to bring out their modern relevance, his invention of key concepts which have been explored and redeployed by thinkers ever since, his interventions in contemporary Danish church politics, and his fervent attempts to analyze and revitalize Christian faith. Statue in Copenhagen.
Stanford Encyclopedia of Philosophy

I am not Christian severity contrasted with Christian leniency. I am … mere human honesty.
Søren Kierkegaard

***************************************************

Though his writings are often brilliantly poetic and often deeply philosophic, Kierkegaard was neither a poet nor a philosopher, but a preacher, an expounder and defender of Christian doctrine and Christian conduct. The near contemporary with whom he may properly be compared is not someone like Dostoevsky or Hegel, but that other great preacher of the nineteenth century, John Henry, later Cardinal, Newman: both men were faced with the problem of preaching to a secularized society which was still officially Christian, and neither was a naive believer, so that in each case one is conscious when reading their work that they are preaching to two congregations, one outside and one inside the pulpit.

Both were tempted by intellectual ambition. Perhaps Newman resisted the temptation more successfully (occasionally, it must be confessed, Kierkegaard carried on like a spiritual prima donna), but then Newman was spared the exceptional situation in which Kierkegaard found himself, the situation of unique tribulation.

Every circumstance combined to make Kierkegaard suffer. His father was obsessed by guilt at the memory of having as a young boy cursed God; his mother was a servant girl whom his father had seduced before marriage; the frail and nervously labile constitution he inherited was further damaged by a fall from a tree. His intellectual precociousness combined with his father’s intense religious instruction gave him in childhood the consciousness of an adult.

Finally he was fated to live, not in the stimulating surroundings of Oxford or Paris, but in the intellectual province of Copenhagen, without competition or understanding. Like Pascal, whom in more ways than one he resembles, or like Richard III, whom he frequently thought of, he was fated to be an exception and a sufferer, whatever he did. An easygoing or prudent bourgeois he could never become, any more than Pascal could have become Montaigne.

The sufferer by fate is tempted in peculiar ways; if he concentrates on himself, he is tempted to believe that God is not good but malignantly enjoys making the innocent suffer, i.e., he is tempted into demonic defiance; if he starts from the premise that God is good, then he is tempted to believe that he is guilty without knowing what he is guilty of, i.e., he is tempted into demonic despair; if he be a Christian, he can be tempted in yet a third way, because of the paradoxical position of suffering in the Christian faith. This paradox.is well expressed by the penitent shade of Forese when he says to Dante:

“And not once only, while circling this road, is our pain renewed:
I say pain and ought to say solace.”

For, while ultimately the Christian message is the good news: “Glory to God in the highest and on earth peace, good-will towards men — “Come unto me all that travail and are heavy laden and I will refresh you”; it is proximately to man’s self-love the worst possible news — “Take up thy cross and follow me.”

Thus to be relieved of suffering in one sense is voluntarily to accept suffering in another. As Kafka says: “The joys of this life are not its own but our dread of ascending to a higher life: the torments of this life are not its own but our self-torment because of that dread.”

If the two senses of suffering are confused, then the Christian who suffers is tempted to think this a proof that he is nearer to God than those who suffer less.

Kierkegaard’s polemic, and all his writings are polemical, moves simultaneously in two directions: outwardly against the bourgeois Protestantism of the Denmark of his time, and inwardly against his suffering. To the former he says, “You imagine that you are all Christians and contented because you have forgotten that each of you is an existing individual. When you remember that, you will be forced to realize that you are pagans and in despair.” To himself he says, “As long as your suffering makes you defiant or despairing, as long as you identify your suffering with yourself as an existing individual, and are defiantly or despairingly the exception, you are not a Christian.”

Kierkegaard and the Existential
However complicated and obscure in its developments it has become, Existentialism starts out from some quite simple observations.

  1. All propositions presuppose the existence of their terms a ground, i.e., one cannot ask, “Does X exist?” but only, “I this existing X the character A or the character B?”
  2. The subjective presupposition “I exist” is unique. It is certainly not a proposition to be proven true or false by experiment, yet unlike all other presuppositions it is indubitable and no rival belief is possible. It also appears compulsive to believe that other selves like mine exist: at least the contrary presupposition has never been historically made. To believe that a world of nature exists, i.e., of things which happen of themselves, is not however invariably made. Magicians do not make it. (The Christian expression for this presupposition is the dogma, the beginning God created the Heaven and the Earth.”)
  3. The absolute certainty with which I hold the belief that I exist is not its only unique characteristic. The awareness of existing is also absolutely private and incommunicable. My feelings, desires, etc., can be objects of my knowledge and hence I can imagine what other people feel. My existence cannot become an object of knowledge; hence while, if I have the necessary histrionic imagination and talent I can act the part of another in such a way that I deceive his best friends, I can never imagine what it would be like to be that other person but must always remain myself pretending to be him.
  4. If I take away from my sense of existence all that can become an object of my consciousness, what is left?

    a.   An awareness that my existence is not self-derived. I can legitimately speak of my feelings. I cannot properly speak of any existence.

    b.   An awareness that I am free to make choices. I cannot observe the act of choice objectively. If I try, I shall not choose. Doctor Johnson’s refutation of determinism, to kick the stone and say, “We know we are free and there’s an end of it” is correct, because the awareness of freedom is subjective, i.e., objectively undemonstrable.

    c.   An awareness of being with time, i.e., experiencing time as an eternal present to which past and future refer, instead of my knowledge of my feelings and of the outer world as moving or changing in time.

    d.   A state of anxiety (or dread), pride (in the theological sense), despair or faith. These are not emotions in the way that fear or lust or anger are, for I cannot know them objectively; I can only know them when they have aroused such feelings as the above which are observable. For these states of anxiety or pride, etc., are anxiety about existing, pride in existing, etc., and I cannot stand outside them to observe them. Nor can I observe them in others. A gluttonous man may succeed when he is in my presence in concealing his gluttony, but if I could watch him all the time, I should catch him out. But I could watch a man all his life, and I should never know for certain whether or not he was proud, for the actions which we call proud or humble may have quite other causes. Pride is rightly called the root of all sin, because it is invisible to the one who is guilty of it and he can only infer it from results

    These facts of existence are expressed in the Christian doctrines of Man’s creation and his fall. Man is created in the image of God; an image because his existence is not self-derived, and a divine image because like God each man is aware of his existence as unique. Man fell through pride, a wish to become God, to derive his existence from himself, and not through sensuality or any of the desires of his “nature.”

Kierkegaard’s Three Categories
Every man, says Kierkegaard, lives either aesthetically, ethically, or religiously
. As he is concerned, for the most part, with describing the way in which these categories apply in Christian or post Christian society, one can perhaps make his meaning clearer by approaching these categories historically, i.e., by considering the Aesthetic and the Ethical at stages when each was a religion, and then comparing them with the Christian faith in order to see the difference, first, between two rival and incompatible Natural Religions and, secondly, between them and a Revealed Religion which neither is destroyed or ignored, but the Aesthetic is dethroned and the Ethical fulfilled.

The Aesthetic Religion (e.g., The Greek Gods)
The experience from which the aesthetic religion starts, the facts which it sets out to overcome, is the experience of the physical weakness of the self in the face of an overwhelmingly powerful not-self.
To survive I must act strongly and decisively. What gives me the power to do so? Passion. The aesthetic religion regards the passions not as belonging to the self, but as divine visitations, powers which it must find the means to attract or repel if the self is to survive.

So, in the aesthetic cosmology, the gods are created by nature, ascend to heaven, are human in form, finite in number (like the passions) and interrelated by blood. Being images of passions, they themselves are not in their passion — Aphrodite is not in love; Mars is not angry — or, if they do make an appearance of passionate behavior, it is frivolous; like actors, they do not suffer or change. They bestow, withhold or withdraw power from men as and when they choose. They are not interested in the majority of men, but only in a few exceptional individuals whom they specially favor and sometimes even beget on mortal mothers. These exceptional individuals with whom the gods enter into relation are heroes.

How does one know that a man is a hero? By his acts of power, by his good fortune. The hero is glorious but not responsible for his successes or his failures. When Odysseus, for instance, succeeds, he has his friend Pallas Athene to thank; when he fails, he has his enemy Poseidon to blame. The aesthetic either/or is not good or bad but strong or weak, fortunate or unfortunate. The temporal succession of events has no meaning, for what happens is simply what the gods choose arbitrarily to will. The Greeks and the Trojans must fight because “hateful Ares bids.” To the aesthetic religion all art is ritual, acts designed to attract the divine favors which will make the self strong, and ritual is the only form of activity in which man has the freedom to act or refrain from acting and for which, therefore, he is responsible.

The facts on which the aesthetic religion is shattered and despairs, producing in its death agony Tragic Drama, are two: man’s knowledge of good and evil, and his certainty that death comes to all men, i.e., that ultimately there is no either/or of strength or weakness, but even for the exceptional individual the doom of absolute weakness. Both facts it tries to explain in its own terms and fails. It tries to relate good and evil to fortune and misfortune, strength and weakness, and concludes that if a man is unfortunate, he must be guilty.

Oedipus’ parricide and incest are not really his sins but his punishment for his sin of hubris. The Homeric hero cannot sin, the tragic hero must sin, but neither is tempted. Presently the observation that some evil men are fortunate and some good men unfortunate brings forth a doubt as to whether the gods are really good, till in the Prometheus of Aeschylus it is openly stated that power and goodness are not identical. Again, the aesthetic religion tries to express the consciousness of universal death aesthetically, that is, individually, as the Fates to which even the gods must bow, and betrays its failure to imagine the universal by having to have three of them.

The Ethical Religion (The God of Greek Philosophy)
To solve the problem of human death and weakness, the ethical religion begins by asking, “Is there anything man knows which does not come and go like his passions?” Yes, the concepts of his reason which are both certain and independent of time or space or individual, for the certainty is the same whether a man be sick or well, a king or a slave.

In place of the magnified passions of the aesthetic religion, the ethical sets up as God, the Ideas, the First Cause, the Universal. While to the former, the world begot the gods who then ruled over it because they were stronger than any other creature, in the latter God and the world are coeternal. God did not create the world of matter; he is only the cause of the order in it, and this not by any act of his — the neuter gender would be more fitting to him — for to be divine means to be self-sufficient, “to have no need of friends.”

Rather it is matter which, wishing to escape from the innate disorder of its temporal flux, “falls in love” with God and imitates his unchangeableness in such ways as it can, namely by adopting regular movements. (Plato’s introduction of a mysterious third party, the Demiurge who loves the Ideas and then imposes them on matter, complicates but does not essentially alter the cosmology.) Man, however, being endowed with reason, can apprehend God directly as Idea and Law, transcend his finite bodily passions, and become like God.

For the aesthetic either/or of strength or weakness, fortune or misfortune, the ethical religion substitutes the either/or of Knowledge of the Good or Ignorance of the Good. To the aesthetic, evil was lack of power over the finite world, for all finiteness, all passion is weakness, as goodness is gained by transcending the finite world, by a knowledge of the eternal and universal truths of reason which cannot be known without being obeyed. To the aesthetic, time was unmeaning and overwhelming; to the ethical, it is an appearance which can be seen through. The aesthetic worshipper was dependent on his gods who entered into relationship with him if and when he chose; the ethical worshipper enters into relationship with his god through his own efforts and, once he has done so, the relationship is eternal, neither can break it. The ethical hero is not the man of power, the man who does, but the philosopher, the man who knows.

Like his predecessor, however, he is not tempted and does not choose, for so long as he is ignorant he is at the mercy of his passions, i.e., he must yield to the passion of the moment, but so soon as he knows the good, he must will it; he can no more refuse assent to the good than he can to the truths of geometry.

As in the case of the aesthetic religion, there are facts with which the ethical religion cannot deal and on which it founders.

  1. Its premise “Sin is ignorance; to know the good is to will it” is faced with the fact that all men are born ignorant and hence each individual requires a will to know the universal good in order to will it. This will cannot be explained ethically, first because it is not a rational idea so that the ethical has to fall back on the aesthetic idea of a heavenly Eros to account for it.
  2. Secondly, it is not a universal; it is present or appeals to some individuals and not to others, so that the ethical has to call in the aesthetic hero whom it instructs in the good, and who then imposes justice by force. Art to the elect is no longer a religious ritual, but an immoral sham, useful only as a fraudulent but pragmatically effective method of making the ignorant masses conform to the law of virtue which they do not understand.
  3. Lastly, there comes the discovery that knowledge of the good does not automatically cause the knower to will it. He may know the law and yet not only be tempted to disobey but yield to the temptation. He may even disobey deliberately out of spite, just to show that he is free.
Follow

Get every new post delivered to your Inbox.

Join 161 other followers