Archive for the ‘Understanding Violence’ Category

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Is Christianity Indistinguishable From Other “Pagan Myths?”

February 5, 2010

Have you ever dealt with those atheists who claim Christianity is indistinguishable from other “pagan myths?” Chesterton wrote the following about Christianity’s complex relationship to the mythological:

The substance of all such paganism may be summarized thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all. It is vital to view of all history that reason is something separate from religion even in the most rational of these civilizations. It is only as an afterthought, when such cults are decadent or on the defensive, that a few Neo-Platonists or a few Brahmins are found trying to rationalize them, and even then only by trying to allegorize them. But in reality the rivers of mythology and philosophy run parallel and do not mingle till they meet in the sea of Christendom. Simple secularists still talk as if the Church had introduced a sort of schism between reason and religion.

The truth is that the Church was actually the first thing that ever tried to combine reason and religion. There had never before been any such union of the priests and the philosophers. Mythology, then, sought god through the imagination; or sought truth by means of beauty, in the sense in which beauty includes much of the most grotesque ugliness.

But the imagination has its own laws and therefore its own triumphs, which neither logicians nor men of science can understand. It remained true to that imaginative instinct through a thousand extravagances, through every crude cosmic pantomime of a pig eating the moon or the world being cut out of a cow, through all the dizzy convolutions and mystic malformations of Asiatic art, through all the stark and staring rigidity of Egyptian and Assyrian portraiture, through every kind of cracked mirror of mad art that seemed to deform the world and displace the sky, it remained true to something about which there can be no argument; something that makes it possible for some artist of some school to stand suddenly still before that particular deformity and say, ‘My dream has come true.’

Therefore do we all in fact feel that pagan or primitive myths are infinitely suggestive, so long as we are wise enough not to inquire what they suggest. Therefore we all feel what is meant by Prometheus stealing fire from heaven, until some prig of a pessimist or progressive person explains what it means. Therefore we all know the meaning of Jack and the Beanstalk, until we are told. In this sense it is true that it is the ignorant who accept myths, but only because it is the ignorant who appreciate poems. Imagination has its own laws and triumphs; and a tremendous power began to clothe its images, whether images in the mind or in the mud, whether in the bamboo of the South Sea Islands or the marble of the mountains of Hellas.

The following are reading selections from an article Rene Girard wrote called “Are the Gospels Mythical?” Professor Girard is the Andrew B. Hammond Professor Emeritus of French Language, Literature, and Civilization at Stanford University. His many books include Violence and the Sacred and Things Hidden Since the Foundation of the WorldAn introduction to Professor Girard and his work is featured in the previous post.  Many of the concepts introduced there are discussed  in the following.

The Notion Of Christianity As A Myth
From the earliest days of Christianity, the Gospels’ resemblance to certain myths has been used as an argument against Christian faith. When pagan apologists for the official pantheism of the Roman empire denied that the death-and-resurrection myth of Jesus differed in any significant way from the myths of Dionysus, Osiris, Adonis, Attis, etc., they failed to stem the rising Christian tide. In the last two hundred years, however, as anthropologists have discovered all over the world foundational myths that similarly resemble Jesus’ Passion and Resurrection, the notion of Christianity as a myth seems at last to have taken hold — even among Christian believers.

Beginning with some violent cosmic or social crisis, and culminating in the suffering of a mysterious victim (often at the hands of a furious mob), all these myths conclude with the triumphal return of the sufferer, thereby revealed as a divinity. The kind of anthropological research undertaken before World War II — in which theorists struggled to account for resemblances among myths — is regarded as a hopeless “metaphysical” failure by most anthropologists nowadays. Its failure seems, however, not to have weakened anthropology’s skeptical scientific spirit, but only to have weakened further, in some mysterious way, the plausibility of the dogmatic claims of religion that the earlier theorists had hoped to supersede: if science itself cannot formulate universal truths of human nature, then religion — as manifestly inferior to science — must be even more devalued than we had supposed.

This is the contemporary intellectual situation Christian thinkers face as they read the Scriptures. The Cross is incomparable insofar as its victim is the Son of God, but in every other respect it is a human event. An analysis of that event — exploring the anthropological aspects of the Passion that we cannot neglect if we take the dogma of the Incarnation seriously — not only reveals the falsity of contemporary anthropology’s skepticism about human nature. It also utterly discredits the notion that Christianity is in any sense mythological. The world’s myths do not reveal a way to interpret the Gospels, but exactly the reverse: the Gospels reveal to us the way to interpret myth.

What the Lord Said
Jesus does, of course, compare his own story to certain others when he says that his death will be like the death of the prophets: “The blood of all the prophets shed since the foundation of the world may be required of this generation, from the blood of Abel to the blood of Zechariah” (Luke 11:50-51). What, we must ask, does the word like really mean here? In the death most strikingly similar to the Passion — that of the Suffering Servant in Isaiah, chapters 52–53 — a crowd unites against a single victim, just as similar crowds unite against Jeremiah, Job, the narrators of the penitential psalms, etc. In Genesis, Joseph is cast out by the envious crowd of his brothers. All these episodes of violence have the same all-against-one structure.

Since John the Baptist is a prophet, we may expect his violent death in the New Testament to be similar, and indeed John dies because Herod’s guests turn into a murderous crowd. Herod himself is as inclined to spare John’s life as Pilate is to spare Jesus’ — but leaders who do not stand up to violent crowds are bound to join them, and join them both Herod and Pilate do. Ancient people typically regarded ritual dancing as the most mimetic of all arts, solidifying the participants of a sacrifice against the soon to be immolated victim. The hostile polarization against John results from Salome’s dancing — a result foreseen and cleverly engineered by Herodias for exactly that purpose.

There is no equivalent of Salome’s dancing in Jesus’ Passion, but a mimetic or imitative dimension is obviously present. The crowd that gathers against Jesus is the same that had enthusiastically welcomed him into Jerusalem a few days earlier. The sudden reversal is typical of unstable crowds everywhere: rather than a deep-seated hatred for the victim, it suggests a wave of contagious violence.

Skandalon And Satan
Peter spectacularly illustrates this mimetic contagion. When surrounded by people hostile to Jesus, he imitates their hostility. He obeys the same mimetic force, ultimately, as Pilate and Herod. Even the thieves crucified with Jesus obey that force and feel compelled to join the crowd. And yet, I think, the Gospels do not seek to stigmatize Peter, or the thieves, or the crowd as a whole, or the Jews as a people, but to reveal the enormous power of mimetic contagion — a revelation valid for the entire chain of murders stretching from the Passion back to “the foundation of the world.” The Gospels have an immensely powerful reason for their constant reference to these murders, and it concerns two essential and yet strangely neglected words, skandalon and Satan.

The traditional English translation of stumbling block is far superior to timid recent translations, for the Greek skandalon designates an unavoidable obstacle that somehow becomes more attractive (as well as repulsive) each time we stumble against it. The first time Jesus predicts his violent death (Matthew 16:21-23), his resignation appalls Peter, who tries to instill some worldly ambition in his master: Instead of imitating Jesus, Peter wants Jesus to imitate him. If two friends imitate each other’s desire, they both desire the same object. And if they cannot share this object, they will compete for it, each becoming simultaneously a model and an obstacle to the other. The competing desires intensify as model and obstacle reinforce each other, and an escalation of mimetic rivalry follows; admiration gives way to indignation, jealousy, envy, hatred, and, at last, violence and vengeance.  Had Jesus imitated Peter’s ambition, the two thereby would have begun competing for the leadership of some politicized “Jesus movement.” Sensing the danger, Jesus vehemently interrupts Peter: “Get behind me, Satan, you are a skandalon to me.”

The more our models impede our desires, the more fascinating they become as models. Scandals can be sexual, no doubt, but they are not primarily a matter of sex any more than of worldly ambition. They must be defined in terms not of their objects but of their obstacle/model escalation — their mimetic rivalry that is the sinful dynamics of human conflict and its psychic misery. If the problem of mimetic rivalry escapes us, we may mistake Jesus’ prescriptions for some social utopia. The truth is rather that scandals are such a threat that nothing should be spared to avoid them.  At the first hint, we should abandon the disputed object to our rivals and accede even to their most outrageous demands; we should “turn the other cheek.”

If we choose Jesus as our model, we simultaneously choose his own model, God the Father. Having no appropriative desire, Jesus proclaims the possibility of freedom from scandal. But if we choose possessive models we find ourselves in endless scandals, for our real model is Satan. A seductive tempter who suggests to us the desires most likely to generate rivalries, Satan prevents us from reaching whatever he simultaneously incites us to desire. He turns into a diabolos (another word that designates the obstacle/model of mimetic rivalry). Satan is skandalon personified, as Jesus makes explicit in his rebuke of Peter.

Since most human beings do not follow Jesus, scandals must happen (Matthew 18:7), proliferating in ways that ought to endanger the collective survival of the human race — for once we understand the terrifying power of escalating mimetic desire, no society seems capable of standing against it. And yet, though many societies perish, new societies manage to be born, and quite a few established societies manage to find ways to survive or regenerate. Some counterforce must be at work, not powerful enough to terminate scandals once and for all, and yet sufficient to moderate their impact and keep them under some control.

The Mythological Scapegoat
This counterforce is, I believe, the mythological scapegoat — the sacrificial victim of myth. When scandals proliferate, human beings become so obsessed with their rivals that they lose sight of the objects for which they compete and begin to focus angrily on one another. As the borrowing of the model’s object shifts to the borrowing of the rival’s hatred, acquisitive mimesis turns into a mimesis of antagonists. More and more individuals polarize against fewer and fewer enemies until, in the end, only one is left. Because everyone believes in the guilt of the last victim, they all turn against him — and since that victim is now isolated and helpless, they can do so with no danger of retaliation. As a result, no enemy remains for anybody in the community. Scandals evaporate and peace returns — for a while.

Society’s preservation against the unlimited violence of scandals lies in the mimetic coalition against the single victim and its ensuing limited violence. The violent death of Jesus is, humanly speaking, an example of this strange process. Before it begins, Jesus warns his disciples (and especially Peter) that they will be “scandalized” by him (Mark 14:27). This use of skandalizein suggests that the mimetic force at work in the all-against-one violence is the same violence at work in mimetic rivalries between individuals. In preventing a riot and dispersing a crowd, the Crucifixion is an example of cathartic victimization.  A fascinating detail in the gospel makes clear the cathartic effects of the mimetic murder — and allows us to distinguish them from the Crucifixion’s Christian effects.

At the end of his Passion account, Luke writes, “And Herod and Pilate became friends with each other that very day, for before this they had been at enmity with each other” (23:12). This reconciliation outwardly resembles Christian communion — since it originates in Jesus’ death — and yet it has nothing to do with it. It is a cathartic effect rooted in the mimetic contagion.

Jesus’ persecutors do not realize that they influence one another mimetically. Their ignorance does not cancel their responsibility, but it does lessen it: “Father, forgive them,” Jesus cries, “for they know not what they do” (Luke 23:34). A parallel statement in Acts 3:17 shows that this must be interpreted literally. Peter ascribes to ignorance the behavior of the crowd and its leaders. His personal experience of the mimetic compulsion that possesses crowds prevents him from regarding himself immune to the violent contagion of victimization.

The Mimetic Conception Of The Gospels
The role of Satan, the personification of scandals, helps us to understand the mimetic conception of the Gospels. To the question How can Satan cast out Satan? (Mark 3:23), the answer is unanimous victimization.

On the one hand, Satan is the instigator of scandal, the force that disintegrates communities; on the other hand, he is the resolution of scandal in unanimous victimization. This trick of last resort enables the prince of this world to rescue his possessions in extremis, when they are too badly threatened by his own disorder. Being both a principle of disorder and a principle of order, Satan is truly divided against himself.

The famous portrayal of the mimetic murder of John the Baptist occurs — in both Mark and Matthew — as a curious flashback. By beginning with an account of Herod’s eager seizing hold of the rumor of John’s resurrection, and only then going back in time to narrate John’s death, Mark and Matthew reveal the origin of Herod’s compulsive belief in his own decisive participation in the murder. The evangelists give a fleeting but precious example of mythic genesis — of the ordering power of violence, of its ability to found culture. Herod’s belief is vestigial, to be sure, but the fact that two Gospels mention it confirms, I think, the evangelical authenticity of the doctrine that grounds mythology in mimetic victimization.

Violence In The Bible And Myths
Modern Christians are often made uncomfortable by this false resurrection that seems to resemble the true one, but Mark and Matthew obviously do not share their embarrassment. Far from downplaying the similarities, they attract our attention to them, much as Luke attracts our attention to the resemblance between Christian communion and the unholy reconciliation of Herod and Pilate as a result of Jesus’ death. The evangelists see something very simple and fundamental that we ourselves should see.  As soon as we become reconciled to the similarities between violence in the Bible and myths, we can understand how the Bible is not mythical — how the reaction to violence recorded in the Bible radically differs from the reaction recorded in myth.

Beginning with the story of Cain and Abel, the Bible proclaims the innocence of mythical victims and the guilt of their victimizers. Living after the widespread promulgation of the gospel, we find this natural and never pause to think that in classical myths the opposite is true: the persecutors always seem to have a valid cause to persecute their victims. The Dionysiac myths regard even the most horrible lynchings as legitimate. Pentheus in the Bacchae is legitimately slain by his mother and sisters, for his contempt of the god Dionysus is a fault serious enough to warrant his death. Oedipus, too, deserves his fate. According to the myth, he has truly killed his father and married his mother, and is thus truly responsible for the plague that ravages Thebes. To cast him out is not merely a permissible action, but a religious duty.

Even if they are not accused of any crime, mythical victims are still supposed to die for a good cause, and their innocence makes their deaths no less legitimate. In the Vedic myth of Purusha, for instance, no wrongdoing is mentioned — but the tearing apart of the victim is nonetheless a holy deed. The pieces of Purusha’s body are needed to create the three great castes, the mainstay of Indian society. In myth, violent death is always justified.

If the violence of myths is purely mimetic — if it is like the Passion, as Jesus says — all these justifications are false. And yet, since they systematically reverse the true distribution of innocence and guilt, such myths cannot be purely fictional. They are lies, certainly, but the specific kind of lie called for by mimetic contagion — the false accusation that spreads mimetically throughout a disturbed human community at the climax when scandals polarize against the single scapegoat whose death reunites the community. The myth-making machine is the mimetic contagion that disappears behind the myth it generates.

There is nothing secret about the justifications espoused by myths; the stereotypical accusations of mob violence are always available when the search for scapegoats is on. In the Gospels, however, the scapegoating machinery is fully visible because it encounters opposition and no longer operates efficiently. The resistance to the mimetic contagion prevents the myth from taking shape. The conclusion in the light of the Gospels is inescapable: myths are the voice of communities that unanimously surrender to the mimetic contagion of victimization.

This interpretation is reinforced by the optimistic endings of myths. The conjunction of the guilty victim and the reconciled community is too frequent to be fortuitous. The only possible explanation is the distorted representation of unanimous victimization. The violent process is not effective unless it fools all witnesses, and the proof that it does, in the case of myths, is the harmonious and cathartic conclusion, rooted in a perfectly unanimous murder.

The Two Reactions To Mimetic Contagion
We hear nowadays that, behind every text and every event, there are an infinite number of interpretations, all more or less equivalent. Mimetic victimization makes the absurdity of this view manifest. Only two possible reactions to the mimetic contagion exist, and they make an enormous difference. Either we surrender and join the persecuting crowd, or we resist and stand alone. The first way is the unanimous self- deception we call mythology.

The second way is the road to the truth followed by the Bible.

Instead of blaming victimization on the victims, the Gospels blame it on the victimizers. What the myths systematically hide, the Bible reveals.

This difference is not merely “moralistic” (as Nietzsche believed) or a matter of subjective choice; it is a question of truth. When the Bible and the Gospels say that the victims should have been spared, they do not merely “take pity” on them. They puncture the illusion of the unanimous victimization that foundational myths use as a crisis-solving and reordering device of human communities.

When we examine myths in the light of the Gospels, even their most enigmatic features become intelligible. Consider, for example, the disabilities and abnormalities that seem always to plague mythical heroes. Oedipus limps, as do quite a few of his fellow heroes and divinities. Others have only one leg, or one arm, or one eye, or are blind, hunchbacked, etc. Others still are unusually tall or unusually short. Some have a disgusting skin disease, or a body odor so strong that it plagues their neighbors. In a crowd, even minor disabilities and singularities will arouse discomfort and, should trouble erupt, their possessors are likely to be selected as victims. The preponderance of cripples and freaks among mythical heroes must be a statistical consequence of the type of victimization that generates mythology. So too the preponderance of “strangers”: in all isolated groups, outsiders arouse a curiosity that may quickly turn to hostility during a panic. Mimetic violence is essentially disoriented; deprived of valid causes, it selects its victims according to minuscule signs and pseudo-causes that we may identify as preferential signs of victimization.

In the Bible, the false or insignificant causes of mythical violence are effectively dismissed in the simple and sweeping statement, They hated me without a cause (John 15:25), in which Jesus quotes and virtually summarizes Psalm 35 — one of the “scapegoat psalms” that literally turns the mob’s mythical justifications inside out. Instead of the mob speaking to justify violence with causes that it perceives as legitimate, the victim speaks to denounce the causes as nonexistent.

To explicate archaic myths, we need only follow the method Jesus recommends and substitute this without cause for the false mythical causes.

The Danger Of Reducing The Gospels To Ordinary Myth
In the Byzantine Empire, I understand, the Oedipus tragedy was read as an analogue of the Christian Passion. If true, those early anthropologists were approaching the right problem from the wrong end. Their reduction of the Gospels to an ordinary myth snuffed the evangelical light with mythology.

In order to succeed, one must illuminate the obscurity of myth with the intelligence of the Gospels.

If unanimous victimization reconciles and reorders societies in direct proportion to its concealment, then it must lose its effectiveness in direct proportion to its revelation. When the mythical lie is publicly denounced, the polarization of scandals is no longer unanimous and the social catharsis weakens and disappears. Instead of reconciling the community, the victimization must intensify divisions and dissensions.

These disruptive consequences should be felt in the Gospels and, indeed, they are. In the Gospel of John, for instance, everything Jesus does and says has a divisive effect. Far from downplaying this fact, the author repeatedly draws our attention to it. Similarly, in Matthew 10:34, Jesus says, “I have not come to bring peace, but a sword.” If the only peace humanity has ever enjoyed depends on unconscious victimization, the consciousness that the Gospels bring into the world can only destroy it.

The image of Satan-“a liar and the father of lies” (John 8:44) — also expresses this opposition between the mythical obscuring and the evangelical revealing of victimization. The Crucifixion as a defeat for Satan, Jesus’ prediction that Satan “is coming to an end” (Mark 3:26), implies less an orderly world than one in which Satan is on the loose. Instead of concluding with the reassuring harmony of myths, the New Testament opens up apocalyptic perspectives, in the synoptic Gospels equally with the Book of Revelation. To reach “the peace that surpasseth all understanding,” humanity must give up its old, partial peace founded on victimization — and a great deal of turmoil can be expected. The apocalyptic dimension is not an alien element that should be purged from the New Testament in order to “improve” Christianity, it is an integral part of revelation.

Satan tries to silence Jesus through the very process that Jesus subverts. He has good reasons to believe that his old mimetic trick should still produce, with Jesus as victim, what it has always produced in the past: one more myth of the usual type, a closed system of mythical lies. He has good reasons to believe that the mimetic contagion against Jesus will prove irresistible once again and that the revelation will be squelched.

Satan’s expectations are disappointed. The Gospels do everything that the Bible had done before, rehabilitating a victimized prophet, a wrongly accused victim. But they also universalize this rehabilitation. They show that, since the foundation of the world, the victims of all Passion-like murders have been victims of the same mimetic contagion as Jesus. The Gospels make the revelation complete. They give to the biblical denunciation of idolatry a concrete demonstration of how false gods and their violent cultural systems are generated. This is the truth missing from mythology, the truth that subverts the violent system of this world. If the Gospels were mythical themselves, they could not provide the knowledge that demythologizes mythology.

Christianity, however, is not reducible to a logical scheme. The revelation of unanimous victimization cannot involve an entire community — else there would be no one to reveal it. It can only be the achievement of a dissenting minority bold enough to challenge the official truth, and yet too small to prevent a near-unanimous episode of victimization from occurring. Such a minority, however, is extremely vulnerable and ought normally to be swallowed up in the mimetic contagion. Humanly speaking, the revelation is an impossibility.

In most biblical texts, the dissenting minority remains invisible, but in the Gospels it coincides with the group of the first Christians. The Gospels dramatize the human impossibility by insisting on the disciples’ inability to resist the crowd during the Passion (especially Peter, who denies Jesus three times in the High Priest’s courtyard). And yet, after the Crucifixion — which should have made matters worse than ever — this pathetic handful of weaklings suddenly succeeds in doing what they had been unable to do when Jesus was still there to help them: boldly proclaim the innocence of the victim in open defiance of the victimizers, become the fearless apostles and missionaries of the early Church.

The True Resurrection
The Resurrection is responsible for this change, of course, but even this most amazing miracle would not have sufficed to transform these men so completely if it had been an isolated wonder rather than the first manifestation of the redemptive power of the Cross. An anthropological analysis enables us to say that, just as the revelation of the Christian victim differs from mythical revelations because it is not rooted in the illusion of the guilty scapegoat, so the Christian Resurrection differs from mythical ones because its witnesses are the people who ultimately overcome the contagion of victimization (such as Peter and Paul), and not the people who surrender to it (such as Herod and Pilate). The Christian Resurrection is indispensable to the purely anthropological revelation of unanimous victimization and to the demythologizing of mythical resurrections.

Jesus’ death is a source of grace not because the Father is “avenged” by it, but because Jesus lived and died in the manner that, if adopted by all, would do away with scandals and the victimization that follows from scandals. Jesus lived as all men should live in order to be united with a God Whose true nature he reveals.

Obeying perfectly the anti-mimetic prescriptions he recommends, Jesus has not the slightest tendency toward mimetic rivalry and victimization. And he dies, paradoxically, because of this perfect innocence. He becomes a victim of the process from which he will liberate mankind. When one man alone follows the prescriptions of the kingdom of God it seems an intolerable provocation to all those who do not, and this man automatically designates himself as the victim of all men. This paradox fully reveals “the sin of the world,” the inability of man to free himself from his violent ways.

During Jesus’ life, the dissenting minority of those who resist the mimetic contagion is really limited to one man, Jesus himself — who is simultaneously the most arbitrary victim (because he deserves his violent death less than anyone else) and the least arbitrary victim (because his perfection is an unforgivable insult to the violent world). He is the scapegoat of choice, the lamb of God whom we all choose unconsciously even when not aware of choosing any victim.

When Jesus dies alone, abandoned by his apostles, the persecutors are unanimous once again. Were the Gospels trying to tell a myth, the truth Jesus had tried to reveal would then be buried once and for all and the stage would be set for the triumphal revelation of the mythological victim as the divine source of the reordering of society through the “good” scapegoating violence that puts an end to the bad mimetic violence that had threatened the society.

If such a death-and-resurrection myth is not what happens this time — if Satan in the end is foiled — the immediate cause is a sudden burst of courage in the disciples. But the strength for that did not come from themselves. It visibly flows from the innocent death of Jesus. Divine grace makes the disciples more like Jesus, who had announced before his death that they would be helped by the Holy Spirit of truth. This is one reason, I believe, the Gospel of John calls the Spirit of God the Paraclete, a Greek word that simply means the lawyer for the defense, the defender of the accused before a tribunal. The Paraclete is, among other things, the counterpart of the Accuser: the Spirit of Truth who gives the definitive refutation of the satanic lie. That is why Paul writes, in 1 Corinthians 2:7-8: “We impart a secret and hidden wisdom of God. . . . None of the rulers of this age understood this; for if they had, they would not have crucified the Lord of glory.”

The true Resurrection is based not on the mythical lie of the guilty victim who deserves to die, but on the rectification of that lie, which comes from the true God and which reopens channels of communication mankind itself had closed through self-imprisonment in its own violent cultures. Divine grace alone can explain why, after the Resurrection, the disciples could become a dissenting minority in an ocean of victimization — could understand then what they had misunderstood earlier: the innocence not of Jesus alone but of all victims of all Passion-like murders since the foundation of the world.

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Rene Girard

February 4, 2010

Here’s a new word for you: hominization. It refers to the process of becoming human and is part of the language of cultural anthropology and archaeology. One of the 20th century giants of this world is Rene Girard, a French thinker and devout Roman Catholic who has contributed numerous books and articles to a wide range of disciplines: history, philosophy, literary criticism, critical theory, anthropology, theology, psychology, mythology, sociology, economics and cultural studies. Girard received his Ph.D. in history from Indiana University and has lived and taught for most of his life in America.

What makes him fun is that while he combines a “deconstructionist” and “debunking” analysis of the origins and bases of human culture he uses it to affirm his Catholic faith and Christianity. Most in academia would belong to a secular or atheist bent but Girard is unapologetically Catholic. His thought, while at times complex and demanding is rooted in a simple phenomena called mimesis, the imitation or representation of aspects of the sensible world, especially human actions, in literature and art. Brian MacDonald, whose interview with Girard is here, gives this explanation of Girard’s thought in his introduction:

“Picture two young children playing happily on their porch, a pile of toys beside them. The older child pulls a G.I. Joe from the pile and immediately, his younger brother cries out, “No, my toy,” pushes him out of the way, and grabs it. The older child, who was not very interested in the toy when he picked it up, now conceives a passionate need for it and attempts to wrest it back. Soon a full fight ensues, with the toy forgotten and the two boys busy pummeling each other.

As the fight intensifies, the overweight child next door wanders into their yard and comes up to them, looking for someone to play with. At that point, one of the two rivals looks up and says, “Oh, there’s old fat butt!” “Yeah,” says his brother. “Big fat butt!” The two, having forgotten the toy, now forget their fight and run the child back home. Harmony has been restored between the two brothers, though the neighbor is now indoors crying.”

McDonald continues: “It would not be much of an exaggeration to say that Girard builds his whole theory of human nature and human culture through a close analysis of the dynamics operating in this story. Most human desires are not “original” or spontaneous, he argues, but are created by imitating another whom he calls the “model.” When the model claims an object, that tells another that it is desirable — and that he must have it instead of him. Girard calls this “mimetic” (or imitative) desire. In the subsequent rivalry, the two parties will come to forget the object and will come to desire the conflict for itself. Harmony will only be restored if the conflicting parties can vent their anger on a common enemy or ‘scapegoat.’…Girard shows, throughout the body of his work, how his theory of “mimetic” desire can illuminate and unify an extraordinarily disparate set of human phenomena. It can explain everything from sacrifice to conflict, from mythology to Christianity.

Most of the Christian anthropology I have introduced on this site has come from John Randall Sachs and his wonderful little book called “The Christian Vision of Humanity: Basic Christian Anthropology” (a selection here).  Essentially what Sachs does is reason from the gospels to an understanding of man and his anthropology. Well Girard is doing the same thing using his theories of mimetic desire and scapegoating. His theories are easy enough to confirm from your own experience.

The gospels thus become a kind of reversal of scapegoating, where the shift shows that scapegoating comes from a cultural mechanism. In the Gospels we have the revelation of the generative principle of scapegoating that dominates culture and society unconsciously and is not approved by God. There are several examples of this throughout the Old Testament that Professor Girard uses, from Job to the Psalms and Joseph and his brothers.

We ordinarily like to believe that scapegoating stems from rulers or leaders hatching a plot, but it is much more complex than that. As Peter says in Acts, “And now brothers, I know that you acted in ignorance, as did also your rulers. But what God announced beforehand by the mouth of all the prophets, that his Christ should suffer, he thus fulfilled. So repent, and turn again…” (Acts 3:17-19a).

Everyone, as you see there, is guilty, yet not completely responsible, even the rulers. One of our favorite ways of dealing with scapegoating is to see it as a plot of government leaders, whereas the rest of us have not participated in it. But scapegoating, according to Girard, is a collective phenomenon. It would not work if it were not. Of course, leaders can manipulate it, but there must be something to manipulate – it is not created by the leaders but is derived from the belief of the crowd. It seems to function as a sort of original sin.

In the Gospels, for example, the priests plot to scapegoat Jesus, but they cannot accomplish this without stirring up the crowd. The crowd takes over the most significant role in the narrative. Mark, above all, makes this clear. To anyone who has read the role of the crowd at Mass on Good Friday, it becomes apparent how profound the role of the crowd is.

Aside from any other details about Pilate, we see that his main fear is that a riot will occur. Pilate is presented as knowing it is a scapegoat situation. If the situation is still fluid, a substitute for the designated scapegoat could be offered (Barabbas), but things have gone too far, so Jesus is put to death.

It is a crowd that has called for his death, it was a crowd that welcomed him as he entered Jerusalem. There is nothing, by the way, anti-Semitic about this; Girard sees it is the Gospels’ comment on the mimetic behavior of crowds.

Another excellent example of such behavior is found in the book of Job. The people treated him as an idol one day, but turned against him the next. Girard uses a number of examples from the Old Testament, this quote here makes illustration of Girard’s concept of mimetic desire found within the story of Joseph and his brothers.

“The biblical tendency to “side with the victims” is obvious, but modern students of the Bible tend to limit its consequences to ethical and purely “religious” considerations. If the preceding is true, this tendency must have epistemological consequences as well. Even in the most archaic texts, the collective violence that constitutes the hidden infrastructure of all mythology begins to emerge, and it emerges as unjustified or arbitrary. Behind the story told by the eleven brothers to their father Jacob, after they violently expel from their midst their twelfth brother, Joseph, there is the vengeful consensus of this violent group.

Unlike mythology, the biblical text rejects that perspective and sees Joseph as an innocent scapegoat, a victim of his brothers’ jealousy, the biblical formulation of our mimetic desire. Later on, in Egypt, the same mimetic consensus reappears when Joseph is imprisoned. Everybody believes Joseph has betrayed his adoptive father, Potiphar, and committed with the latter’s wife an action analogous to the incest of Oedipus. The biblical text, unlike the Oedipus myth, disbelieves this accusation, recognizing in it the kind of story that can be expected from a community that, for a number of possible reasons, happens to be disturbed and is mimetically, i.e., unconsciously, looking for scapegoat relief.

The scapegoat in that story is the main subject under investigation, as in countless other stories, as in the book of Job, as in many of the psalms, and a profound reflection is at work, everywhere in the Bible, regarding the ethical demands that a revelation of victimage and its refusal places upon human beings. In the Joseph story, again, this time in the last episode, we see the hero himself engineer a scapegoat mise en scène (arrangement of scenery and properties to represent the place where a play or movie is enacted. stage setting, setting ) in order to test the possibility of a change of heart in his brothers.

They had come a first time to beg for grain, and Joseph, now the most powerful man in Egypt, had warned them that they would not be supplied with it a second time unless they brought with them their youngest brother, Benjamin. Besides Joseph, Benjamin is the only other son of Jacob by his most cherished wife, Rachel.

The famine becomes so serious that the brothers come back, this time with Benjamin. On Joseph’s orders a precious cup that belongs to him is placed in Benjamin’s bag. When the eleven brothers are searched on their way back to Palestine, the youngest appears guilty of theft and Joseph announces he will be detained. At this point, Judah, one of the ten brothers, offers to take Benjamin’s place as a prisoner of Joseph, for fear, he says, that his father might die of grief. This dedication of Judah stands in symmetrical opposition to the original deed of collective violence which it cancels out and reveals. As he hears Judah, Joseph is moved to tears and identifies himself.

Unique in many of its features, of course, this story is nevertheless typical of the Bible in the sense that it exemplifies its counter-mythical thrust in the treatment of victimage. This thrust is also present not only in other similar stories, but in countless other texts that espouse the perspective of the victim rather than the mythical perspective of the persecutors, such as the penitential psalms or the book of Job.

Prophetic inspiration focuses on the revelation of victimage and the famous songs of the Servant in Second Isaiah constitute its summit; they provide a complete revelation of collective victimage as the founding mechanism of human culture. The responsibility for the victim’s death is placed squarely upon the community even though in other parts of the same text God is presented as responsible. The same ambiguity or even contradiction remains in Christian theology but not in the text of the Gospels, which replaces the violent God of the past with a nonviolent one whose demand is for nonviolence rather than sacrifice. The Christ of the Gospels dies against sacrifice, and through his death, he reveals its nature and origin by making sacrifice unworkable, at least in the long run, and bringing sacrificial culture to an end. The word “sacrifice” is not important in itself, but the singularity of the Passion is obscured if the same word is used for the Passion and for what takes place in sacrificial rituals. Can we use the same word for the deed that is committed at the beginning of Joseph’s story, when the eleven brothers expel their own brother, and for Judah’s willingness to die, if necessary, in order to prevent the sacrifice of his brother?

The sacrificial misreading common to Christians and non-Christians alike has obscured the non-sacrificial significance of the Judeo-Christian Scriptures but not entirely suppressed its impact. Thus, our society could result from a complex interaction between the Judeo-Christian and the sacrificial. Acting upon the latter as a force of disruption — as new wine in old wine-skins — the former would be responsible for our constantly increased awareness of victimage and for the decadence of mythology in our world.”

The following is part of an interview titled The Anthropology of the Cross that James Williams did with Professor Girard:

James Williams: As you look back over your career, what has been the most satisfying thing to you in your work?

René Girard: The most satisfying thing has been the actual experience of discovery. I would say that there have been three great moments in the process of my thinking and writing.

First was mimetic desire and rivalry, when I realized that it accounted for so much. The second was the discovery of the scapegoat mechanism. This basically completed the mimetic theory. I felt it gave a highly plausible interpretation of myth and ritual in archaic cultures. From that time on I was convinced that archaic cultures, far from being simply lost in superstition or having no constancy or stability, represented a great human achievement.

The third great moment of discovery for me was when I began to see the uniqueness of the Bible, especially the Christian text, from the standpoint of the scapegoat theory. The mimetic representation of scapegoating in the Passion was the solution to the relationship of the Gospels and archaic cultures. In the Gospels we have the revelation of the mechanism that dominates culture unconsciously.

It seemed to me, as I experienced these moments, that a great deal of evidence was piling up, an avalanche, to support them. I naively thought that everyone would agree with my theory immediately, because I saw it as so obvious and overpowering.

J.W.:    Concerning the relation of the New Testament to the full development of the mimetic scapegoat theory, already in your first book, Deceit, Desire, and the Novel, you recognize the importance of the Gospels. But are you saying it took a number of years for the full extent of the Passion as revelation of the scapegoat mechanism to occur to you?

R.G.:    Sure. I recognized the importance of the Gospels in the individual experiences of the novelists who came to grips with mimetic desire and came to a knowledge of mimetic desire. In fact, they have a kind of conversion experience, and this conversion is of the same nature as the shift from mythology to the Gospels. Of course, I didn’t fully understand that at the time.

This is the most difficult thing for people to understand about my theory — that scapegoating does not play an essential role in the Gospels, whereas it has an enormous role in myths since it generates them, Many observers think that because scapegoating becomes more and more visible in them, the Gospels must approve of it, they must advocate some kind of scapegoat religion. But to use a modem analogy from the history of France, this would be like saying the pro-Dreyfus people were really the scapegoaters of Dreyfus. This is the mistake so many theologians and biblical scholars have made regarding the mimetic scapegoat theory. They simply do not understand the enormous difference that the representation of scapegoating makes. They think only in terms of themes rather than a hidden, generative mechanism which cannot appear in what it generates.

J.W.:      If the Gospels could be understood by analogy to the pro-Dreyfus party, give another similar historical instance of scapegoating.

R.G.:       An example which I have been working on a little bit is Joan of Arc. The people who put her on trial divinized her, or “demonized” her, in the sense of regarding her as a witch. She was avowed to have supernatural powers and turned into a witch, whereas her canonization by the church acknowledges another form of relationship to the supernatural which is different from the demonized-divinized scapegoat. Now there is a form of divinization reported in the Gospels, which is magical and mythical, for instance Herod Antipas’ belief in the resurrection of John the Baptist, and the divinization of Christ, which is just the opposite. The Gospels seem so close to myth in a way, and yet they are poles apart.

This is a difficult problem because certain forms of monotheism move God so far away from any involvement in the scapegoat mechanism that they view with suspicion any contact with it in religious thought and symbolism. But I think the power and truth of Christianity is that it completes the great forms of monotheism, as in Judaism and Islam, by witnessing to the God who reveals himself to be the arch-scapegoat in order to liberate humankind.

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J.W.:      Does the analogy of Joan of Arc imply that the scapegoating of Jesus may have occurred even among his own followers?

R.G.:       Yes, and the conception of Jesus as some kind of primitive God. You find a recognition of that in Mark and Matthew especially. Peter, James, and John expect him to be a kind of divine potentate when he comes into his full honor and glory. Herod Antipas believes that Jesus is John the Baptist resurrected. This divinizing of John is a kind of mythical genesis. I think this is why there is a fairly long description of the murder, which is an analog of the Passion. But not only an analog of the Passion, for there were many such murders — mythical, non-mythical, prophetic—in which a crowd united against a victim.

In the Herod story the dancing of Herod’s stepdaughter was important in the ritual aspects of the action of the crowd.

J.W.:      The dancing is a textual signal of scapegoating?

R.G.:       Yes. The story of the beheading of John is one of the reasons why the synoptic Gospels are so incredibly valuable for understanding the anthropology of revelation.

J.W.:      The Gospel of Luke omits the banquet and dancing episode.

R.G.:       Yes, but Luke has another scene in which Herod and Pilate become friends when Pilate sends Jesus to Herod for questioning after he is arrested. This shows that Luke is aware of the pacifying effect of scapegoating. This is the communion of the scapegoaters as opposed to the Christian communion. So if you put this scene with the beheading of John in Mark and Matthew, you can see how the Gospels complement each other in dealing with the mythical tendencies of scapegoating.

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J.W.:      What is the most disappointing aspect of your career?

R.G.:       I think that I have not expressed the relation of the Gospel to mythology in a way that makes it clear to everybody. It should be possible to find more metaphors from different areas of experience which are familiar to everyone. Also, I would like to do a better job of showing that the Gospels etmble one to read and decipher myth.

Until now the order of discovery for me has been mimetic desire, archaic religion and culture, and finally the Christian text. It should be possible, especially for a Christian scholar, to reverse this order and analyze myth and culture from the standpoint of the Gospels.

J.W.:      The Gospels themselves have come under attack as sources of scapegoating and demonization. To take the Gospels seriously in the way you do is extremely difficult.

R.G.:       It is difficult because it is also too simple. Everything that happened to Jesus is happening to the texts of revelation themselves. This scapegoating of the Gospel texts is probably a necessary — but not excusable — phase that we are going through. It is a form of ingratitude toward God, and one should say so, boldly. J.W.:    So to discern the relation of the Gospels to myth and misunderstanding in our culture, where do you look? Do you find signs in our time?

R.G.:       Well, I look first to the Gospels themselves, and particularly to certain key passages. Of course, the Gospels must look not like a tour de force but another myth to many readers now because they are centered on Jesus, and how could this reveal mythology? But in my view the whole theory of Satan, for example, is completely rational; the Gospels unveil Satan as the principle of destructive mimesis in the world. Or to take another example, Herod murders John, divinizes him, but he never repents. Peter denies his association with Jesus and later recognizes him as his risen lord, and Paul persecutes the followers of Christ before his own revelatory experience. But both Peter and Paul repent. This is the main difference made by the resurrection, as contrasted to human divinization or apotheosis: repentance.

J.W.:      Do you want to say any more about the use of metaphor and analogy to understand the Gospel texts?

R.G.:       Well, I was talking about Joan of Arc. The sources about her are pretty reliable. This is a perfect example of persecution and ascription of supernatural powers to someone considered a witch and disrupter of public order. An instance like this should be of great interest to the Jews because of what they have suffered in history.

J.W.:      Aren’t all these topics, such as the fate of Joan of Arc, encumbered with the “political correctness” and obsession with victims of those who study them?

R.G.:       Political correctness is good to the degree that we now have an awareness of victimization and victimary mechanisms. But now this awareness supports attacks on Christianity and its texts, which are the very inspiration of our modern concern for the victim.

J.W.:      This brings me back to what has been disappointing for you in your career. When you speak of attacks on the Bible, particularly the Gospel texts, I take it you are talking about your critics, at least in part.

R.G.:       Yes, I am talking about my critics in part. But you know, I think the attacks on the Gospel are necessary; they are part of an apocalyptic situation.

J.W.:      You mean these attacks are part of a sorting or refining process in history?

R.G.:       It’s part of a process that is revealing the truth of the Gospel.

But I know I am primarily responsible for what I write and how I bring my subject to expression. Anthropologists and theologians, many of them, have not understood what I was about, and I should be able to say it better. I would like to begin at the stage of Things Hidden, where the Gospels seem to be explained by the mimetic theory rather than explaining it. It should be possible to move in reverse to myth and mimetic desire. The sequence leading up to Things Hidden, which is true, in part, to my own creative experience, gives the erroneous view of a theoretical movement from mimesis to myth, then to the Gospels, whereas in faa, a more fundamental understanding goes in the opposite direction.

J.W.:       Do you see signs that reception of your work is beginning to occur?

R.G.:        There are some signs, but I’m not sure that at this time there could be a really good reception, especially among academics. It would be such a change in regard to Christianity that it is most unlikely. One can always hope for a good reception of the Gospels which would be closer and truer to them as they really are. If the mimetic theory became fashionable, I would be really worried.

But it is difficult; there are so many tendencies toward politicization, or toward wandering off into irrelevant individualistic spiritualities. Of course, one could go back and see politicization throughout the whole history of Christianity. These attempts at politicization, which take various forms, are part of the progress and regress of revelation in history.

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J.W.:      What would you say is the most important aspect of your thinking to grasp? If the most important is the most difficult, please comment on that.

JG.:        The most important thing is too simple, I repeat, not to be difficult. It is the reversal of scapegoating, or the shift that shows that scapegoating comes from a cultural mechanism and is not approved by God. We ordinarily like to believe that scapegoating stems from rulers or leaders hatching a plot, but it is much more complex than that. When I use the term “mechanism,” as in “scapegoat mechanism,” I mean basically and simply a generative principle which works unconsciously in culture and society. As Peter says in Acts, “And now brothers, I know that you acted in ignorance, as did also your rulers. But what God announced beforehand by the mouth of all the prophets, that his Christ should suffer, he thus fulfilled. So repent, and turn again…” (Acts 3:17-19a). Everyone is guilty, yet not completely responsible. I find the mention of the rulers especially interesting. One of our favorite ways of dealing with scapegoating is to see it as a plot of government leaden, whereas the rest of us have not participated in it. But scapegoating is a collective phenomenon. It would not work if it were not. Of course, leaders can manipulate it, but there must be something to manipulate, which is the belief of the crowd, our own belief.

In the Gospels, for example, the priests plot to scapegoat Jesus, but they cannot accomplish this without stirring up the crowd. The crowd takes over the most significant role in the narrative. Mark, above all, makes this clear. Aside from any other details about Pilate, his main fear is that a riot will occur. Pilate is presented as knowing it is a scapegoat situation. If the situation is still fluid, a substitute for the designated scapegoat could be offered (Barabbas). But things have gone too far, so Jesus is put to death. It is a crowd that has called for his death, it was a crowd that welcomed him as he entered Jerusalem. There is nothing, by the way, anti-Semitic about this; it is the Gospels’ comment on the mimetic behavior of crowds. Another excellent example of such behavior is found in the book of Job. The people treated him as an idol one day, but turned against him the next.

J.W.:      I wonder whether the crowd behavior is even clearer in the book of Job (Job 29:1-30:15).

R.G.:       Yes, this is made clear by the metaphor of the mountain torrent (6:15). It does not have a drop of water when you need it, but turns into a deluge when you don’t need it. It is a wonderful, mimetic metaphor of the crowd.

J.W.:      But back to the reversal of the scapegoating phenomenon in the Gospel texts — do you really think this is the most difficult aspect of your model? Conceptually it is not so difficult, but perhaps psychologically…

Let’s face it, readers; including academic ones, usually read texts pretty simplistically. They look for themes, and since they -find a scapegoat theme in the Gospels, for instance, they conclude that the Gospels are built on scapegoating. Myths, they would say, are not about scapegoating because they don’t talk about it. But that’s just the point: they don’t talk about it; they disguise their generative center. It is the most difficult thing to make people conscious of this generative center. It is the sort of thing you either see or do not see. It’s like a flash of lightning; you either get it or you don’t get it. Ordinary reasoning just loops back on to its own premises.

But there should be a way of expressing this insight which is better than I have done so far. I keep trying and trying. That is why I turn to such historical scapegoats as Joan of Are or Dreyfus. The people who condemned Dreyfus are the ones who never called him a scapegoat because they turned him into one. To me the Oedipus myth is a still undeciphered Dreyfus case.

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J.W.:      Let’s turn to a part of your theory that maybe conceptually difficult for many people who encounter your work: mimetic desire. Don’t you think that many people have misunderstood mimetic desire or mimesis?  Also it would be helpful if you would say something about its pre-representational character.

R.G.:       There are many who would prefer to say that the real problem is the wish to kill one’s own father or mother, and they ignore or resist the possibility that the most common problem — our predicament — is that of trying to beat one’s rival at his own game. So there is a resistance to shedding light on the role of rivalry in our own lives.

J.W.:      So the difficulty with the concept of mimesis is practically the same as the resistance to the recognition of scapegoating. Just as we ignore or evade knowing ourselves as scapegoaters, so also we ignore or evade our penchant for mimetic rivalry.

R.G.:       Yes, a deeper knowledge and self-examination are required. The knowledge of mimesis is really tied to conversion. That is why the matter of fides quaerens intellectum (faith seeking understanding) is so important. A personal knowledge, fully rational and yet not always accessible to reason, is needed.

J.W.:      René, isn’t part of the problem just what you are touching on, that mimesis is really pre-rational and pre-representational? This is important, and is not included in any of the selections for the Reader. You seem to be saying at times that to break away from the mimetic predicament…

R.G.:       You must change your personality.

J.W.:      But that also requires mimesis, does it not? A mimesis that is good, a mimesis of love.

R.G.:       Sure. Part of the problem is with the phrase “mimetic desire.” And because of Freud the word “desire” connotes the sexual or erotic. I said recently that we should be able to substitute some other term — I don’t know, perhaps “drive,” or élan vital, or even Sartre’s “project.” Almost any word that could express the dynamism, the dynamics of the entire personality.

J.W.:      Here you seem to be distinguishing different kinds of mimesis. But you don’t want to say that, do you? In other words, mimesis is always along a continuum.

R.G.:       That’s right. It is something that involves the whole personality. Sartre’s idea of the “project” is appropriate in a way, although resorting to Sartre too exclusively would be misleading. Maybe the idea of Kierkegaard, the idea of subjectivity as passionate inwardness and choice, would be helpful…I don’t know; whatever the term, something bigger and other than “desire” should be used. “Desire” has, necessarily, that narrow libidinal connotation.

J.W.:      Okay, let’s move on to another part of the question, the relation of mimesis and representation.

R.G.:       Well, mimesis is rooted deep in our biology, I’m sure of that. I agree with those who hold that there is a biological basis for holding that the human brain is a kind of mimetic machine. Even ritual, in its earliest stages, is more like a reflexive mimetic repetition than anything that could be called precisely an institution founded on a correct representation of a founding murder. Much like a child’s earliest reactions as it begins to learn…

J.W.:      You’re referring specifically to an originary murder…

R.G.:       Yes. Then at a certain stage, the scapegoat phenomenon and its ritual repetition create the possibility of representation, which requires some degree of reflection, and not simply reflexive imitation. So it is that mimesis is “undecidable,” in the sense that it is decided in common with the model. Continuity ultimately produced discontinuity. A good model will make our mimesis good (Christ); a bad model will make our mimesis rivalrous.

J.W.:      So in beginning stages of what we know as human there was basically reflexive imitation.

R.G.:       Yes, that was the primary thing. Representation as such is a late development. It may have taken hundreds of thousands of years, or longer, to reach the representational capacity of “humanity.”

From a theological point of view which is compatible, I hope, with my mimetic anthropology, I would say that the Word or Christ is at work in this whole long process toward humanity and representation. Representation is still distorted, of course, in that it distorts or disguises the violence stemming from originary mimesis. This is what I have called méconnaissance, misrecognition, or even “misprision,” as Shakespeare and Harold Bloom would say (misprision: noun: MF mesprison: error, wrongdoing; a misunderstanding in which one thing is taken for another. “A term used by Harold Bloom to describe the process by which strong writers misread or misinterpret their literary predecessors so as to clear imaginative space for themselves. According to Bloom, every poem is a misprision or misconstrual of a hypothetical parent poem.”) I think Gil Bailie has expressed this well in his recent paper on the vine and the branches: the Word was the light accompanying the “mythic darkness of the sacred violence that accompanied Hominization.  Humanity generated its own crude forms of illumination precisely by periodically expelling this light.”

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